Konark Sun Temple also Konarak is a
13th-century Sun Temple (also known as the Black Pagoda),
at Konark in Odisha, India. It is believed that
the temple was built by king Narasimhadeva I of Eastern Ganga Dynasty around AD 1250. The
temple is in the shape of a gigantic chariot with elaborately carved stone
wheels, pillars and walls. A major part of the structure is now in ruins. The
temple is a UNESCO World Heritage Site. It
is also featured on NDTV's list of Seven Wonders of India and Times
of India's list of Seven Wonders of India.
The name Konark derives from the
combination of the Sanskrit words, Kona (corner) and Arka (sun), in reference
to the temple which was dedicated to the Sun god Surya.
The monument was also
called the Black Pagoda by European sailors.
In contrast, the Jagannath Temple in Puri was called
the White Pagoda. Both temples
served as important landmarks for the sailors
The temple was originally built at the mouth
of the river Chandrabhaga,
but the waterline has receded since then. The temple has been built in the form
of a giant ornamented chariot of the Sun god, Surya. It has twelve pairs
of elaborately carved stone wheels which are 3 meters wide and
is pulled by a set of seven horses (4 on the right and 3 on the left). The temple follows
the traditional style of Kalinga architecture.
It is carefully oriented towards the east so that the first rays of sunrise
strikes the principal entrance. The temple is built
from Khondalite rocks.
The original temple
had a main sanctum sanctorum (vimana),
which was supposedly 229 feet (70 m) tall. Due to
the weight of the super structure (70m tall) and weak soil of the area the main vimana fell in 1837. The audience hall (Jagamohana),
which is about 128 feet (30 m) tall, still stands and is the principal
structure in the surviving ruins. Among the structures, which have survived to
the current day, are the dance hall (Nata
mandira) and dining hall (Bhoga
mandapa).
The Konark temple is
also known for its erotic sculptures of maithunas.
Two smaller ruined
temples have been discovered nearby. One of them is called the Mayadevi Temple
and is located southwest from the entrance of the main temple. It is presumed
to have been dedicated to Mayadevi, one of the Sun god's wives. It has been dated
to the late 11th century, earlier than the main temple. The other one belongs
to some unknown Vaishnava deity. Sculptures of Balarama, Varaha and Trivikrama have been found at
the site, indicating it to be a Vaishnavite temple. Both temples have their
primary idols missing.
A collection of
fallen sculptures can be viewed at the Konark Archaeological Museum which is maintained
by the Archaeological Survey
of India.
Ancient Texts
According to Bhavishya
Purana and Samba Purana,
there may have been a sun temple in the region earlier than current one, dating
to the 9th century or earlier. The
books mention three sun temples at Mundira (possibly Konark), Kalapriya
(Mathura), and Multan.
According to the
scriptures, Samba, the son of Krishna, was cursed with
leprosy. He was advised by the sage, Kataka, to worship the sun god to cure his
aliment. Samba underwent penance for 12 years in Mitravana near the shores of
Chandrabhaga. Both the original Konark temple and
the Multan temple have been
attributed to Samba.
The Periplus of the Erythraean Sea (1st Century CE) mentions a port
called Kainapara, which has been identified as current day Konark.
Sun Dial and Time
The wheels of the temple are sundials which
can be used to calculate time accurately to a minute including day and night.
Second Temple
According to the Madala Panji,
there was another temple in the region. It was built by one Pundara Kesari. He
may have been Puranjaya, the 7th century ruler, of the Somavasmi Dynasty.
Narasimhadeva I
The current temple is
attributed to Narasimhadeva
I of the Eastern Ganga Dynasty. His reign spanned
from 1238 to 1264 CE. The temple may have been a monument to his victory
against Tughral Tughan Khan.
Dharmapada's Tale
According to local
folklore, Narasimhadeva I had hired a chief architect called Bisu Maharana to
build the temple. After a period of twelve years, a workforce of twelve
thousand almost finished the construction. But, they failed to mount the crown
stone. The impatient king ordered the temple to be finished in three days or
the artisans be put to death. At the time, Bisu Maharana's twelve year old son,
Dharmapada arrived at the site. Bisu Maharana had never seen his son, as he had
left his village when his wife was still pregnant. Dharmapada successfully
proposed a solution to mount the crown stone. But, the artisans were still
apprehensive that the king will be displeased to learn that a boy succeeded
where his best artisans failed. Dharmapada climbed onto the temple and leapt
into the water to save his father and his co-workers.
Collapse
A lithography plate from James Fergusson's 'Ancient
Architecture in Hindoostan' (1847). It depicts part of the main tower still
standing.
There have been
several proposed theories for the collapse of the main sanctum. The date of the
collapse is also not certain.
The Kenduli copper
plates of Narasimha IV (Saka 1305 or 1384 CE) states the temple to be in a
perfect state.
In the 16th century Ain-i-Akbari, Abul Fazl also mentions Konark being in a proper
state. The account also mentions the cost of
construction being 12 years of revenue.
The cause of collapse
is also placed on Kalapahad who invaded Odisha in 1568.
In 1627, the then
Raja of Khurda had removed the sun idol from Konark and moved it to the Jagannath temple in Puri.
James Fergusson (1808–1886) had the opinion that
marshy foundation had caused the collapse. But,
the structure has shown no sign of sinking into its foundation. Fergusson, who visited the temple in
1837, recorded a corner of the main sanctum still standing. It also fell down in 1848 due to a
strong gale.
According to Percy Brown (1872–1955), the temple was not
properly completed and so it collapsed. This
contradicts earlier recorded accounts of the temple being in a proper state.
In 1929, an analysis
of a moss covered rock estimated the date of abandonment at around 1573.
Other proposed causes
include lighting and earthquake.
Aruna Stambha
In the last quarter
of the 18th century, when worship had ceased in the temple, the Aruna stambha (Aruna pillar) was removed from the entrance of Konark temple and
placed at the Singha-dwara (Lion's Gate) of the Jagannath temple in Puri by a Maratha Brahmachari
called Goswain (or Goswami). The
pillar is made of monolithic chlorite and is 33 feet 8 inches (10.26 m) tall .
It is dedicated to Aruna,
the charioteer of the Sun god.
Preservation Efforts
An inscription from 1903 about the
filling of the temple with sand.
In 1803, requests
were made for conservations by the East India Marine Board, but only removal of
stones from the site was prohibited by the Governor General. As a result, a
part of the main tower, which was still standing, collapsed in 1848.
The then Raja of
Khurda removed some stones and sculptures to use in a temple he was building in
Puri. A few gateways and some sculptures were destroyed in the process. In 1838, after the depredation of the Raja of Khurda, Asiatic Society of Bengal requested conservation, but the
requests were denied and only preventative of human-caused damages were
guaranteed. The Raja was forbidden to remove any more stones.
In 1859, Asiatic
Society of Bengal proposed moving an architrave depicting the navagraha to the Indian Museum in Calcutta. The first attempt in 1867
was abandoned as the funds ran out.
In 1894, thirteen
sculptures were moved to the Indian Museum.
In 1903 when a major
excavation was attempted nearby, the then Lieutenant governor of Bengal, J. A.
Baurdilon, ordered the temple to be sealed and filled with sand to prevent the
collapse of the Jagamohana.
In 1906, casuarina and punnang trees
were planted facing the sea to buffer the site against sand-laden winds.
In 1909, the Mayadevi
temple was discovered while removing sand and debris.
The temple was
granted World Heritage Site status by the UNESCO in 1984.
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