Shankaracharya Temple

The Shankaracharya Templeor Jyoteshware temple is on top of the Shankaracharya Hill on the Zabarwan Mountain in Srinagar, Kashmir. The Temple is dedicated to Lord Shiva and is at a height of 1,000 feet (300 m) above the plain, overlooking the city of Srinagar. 

The temple dates to 200 BC, although the present structure probably dates to the 9th century AD. It was visited by Adi Shankara and has ever since been associated with him; this is how the temple got the name Shankaracharya.

According to Pandit Anand Koul (1924) the temple was originally built by the Hindu king "Sandiman" who, according to Koul, reigned in Kashmir from 2629 to 2564 BC.

The earliest historical reference to the hill comes from Kalhana. He called the mountain Gopadri. Kalhana says that King Gopaditya granted the land at the foot of the hill to the Brahmins that had come from the "Araya versh." The land grant was called "GOPA AGRAHARAS". This area is now called Gupkar. Kalhana also mentions that King Gopaditya built the temple on the top of the hill as a shrine to Jyesthesvara (Shiva Jyestharuda) around 371 BC.

It is said that Lalitaditya Muktapida (724-726 AD) of Karakote dynasty did repairs to the temple. The Dogra King Gulab Singh (1846-1857 AD) constructed the steps to the hill from Durga Naag temple side. The Maharaja of Mysore came to Kashmir in 1925 and he made the electrical installations at the temple. In 1961 Shankaracharaya of Dwarkapeetham put the statue of Adi Shankaracharaya in the temple. In 1974 the Government of J&K constructed the road that goes to the top of the hill.

Kashmir is believed to be the seat of Shaivam, the Himalaya Mountains and Sri Kailashagiri as "The massed laughter of Sri Shiva." It was from here that the sweet nectar of Shiva devotion spread in India and around the globe, by the spiritual works of saints like Adi Shankaracharya. Soundarya Lahari was composed by Adi Shankara atop the Gopadari Hill, after accepting the fact that the union of Sri Shiva and Devi Shakti, as in Shaktism, transpired into the Shakti-Shri Chakra, the symbol of Devi (Goddess), as Sri Yantra, as mentioned in 'Shankara Digvijay' - Life history of Shankaracharya, and only when Shiva is united with Shakti does he have the power to create.

The Jyoteshware temple rests on a solid rock. A 20-foot tall octagonal base supports a square building on top. The terrace around the square temple is reached by a stone staircase enclosed between two walls. A doorway on the opposite side of the staircase leads to the interior, which is a small and dark chamber, circular in plan. The ceiling is supported by four octagonal columns, which surround a Basin containing a Lingam encircled by a snake. There are 243 steps leading up to the temple area and another 8-10 steps from there to the temple hall.

Vaishno Devi

Vaishno Devi, also known as Mata Rani, Trikuta and Vaishnavi, is a manifestation of the Hindu Goddess Mata Adi Shakti, also known as Chandi/Durga. Vaishno Devi Mandir is located in Katra at the Trikuta Mountains in Jammu and Kashmir. 

The first mention of the Mother Goddess is in the epic Mahabharat. When the armies of Pandavs and Kaurvas were arrayed in the battlefield of Kurukshetra, Arjun, the chief warrior of Pandavs upon advice of Sri Krishna; meditated upon the Mother Goddess and sought Her blessings for victory. This is when Arjun addresses the Mother Goddess as ‘Jambookatak Chityaishu Nityam Sannihitalaye’, which means ‘you who always dwell in the temple on the slope of the mountain in Jamboo’ (probably referring to the present day Jammu).

It is also generally believed that the Pandavs were the first to build the temples at Kol Kandoli and Bhawan in reverence and gratitude for the Mother Goddess. On a mountain, just adjacent to the Trikuta Mountain and overlooking the Holy Cave are five stone structures, which are believed to be the rock symbols of the five Pandavs.

Some traditions believe this Shrine to be the holiest of all Shaktipeeths (a place where the Mother Goddess, the Eternal Energy has Her abode) since the skull of Mata Sati fell here. Others believe that her right arm had fallen here. But some scriptures do not agree with it. They do agree that at a place called Gandarbal in Kashmir, the right arm of Sati had fallen. Nevertheless, in the Holy Cave of Shri Mata Vaishno Deviji, one does find stone remains of a human hand, popularly known as Varad Hast (the hand that grants boons and blessings).

While various versions of the origin and legend of Shri Mata Vaishno Devi Ji are prevalent, there seems to be unanimity on the discovery of Shrine around 700 years back by the same Pandit Shridhar, at whose place Mata had helped organize a Bhandaara. When she left amidst the Bhandaara to escape Bhairon Nath, Pandit Shridhar is said to have felt as if he had lost everything in his life. He felt immense grief and gave up the intake of food or even water and closed himself in a room of his house, fervently praying for Vaishnavi to reappear.

It is then that Mata Vaishnavi appeared in his vision (dream) and told him to search for her at the Holy Cave situated amidst the folds of the Trikuta Mountain. She showed him the way to the Holy Cave and insisted him to break his fast. Pandit Shridhar then went on to discover the Holy Cave in the mountains. Every time he seemed to lose the way, the vision of his dreams reappeared before his eyes and finally he reached his destination. Upon entering the Cave he found a rock form with three heads atop it. At that moment Mata Vaishno Devi appeared before him in all her glory (another version says that the Supreme Energies of Mata Maha Saraswati, Mata Maha Lakshmi and Mata Maha Kali appeared in the Holy Cave) and introduced him to the three heads (now known as the Holy Pindies) of the rock form along with various other identification marks in the Holy Cave. She blessed him with a boon of four sons and a right to worship her manifestation and asked him to spread the glory of the Holy Shrine all over. Pandit Shridhar then spent his remaining life in the service of Mata at the Holy Cave.

As per the legend, during the period when the Goddess was busy in annihiliting the Asuras, Her three main manifestations viz. Mata Maha Kali, Mata Maha Lakshmi and Mata Maha Saraswati got together one day and pooled their collective Tejas or spiritual strength. A stunningly bright light emanated from the place where the Tejas of the three manifestations coalesced and a beautiful young girl emerged out of this Tejas. The young girl asked them, "Why have I been created?'' The Devis explained to her that they had created her so that she would live on earth and spend her time in upholding righteousness.

The Devis added, "Now, go and take birth in the house of Ratankar and his wife who reside in the southern part of India, and who are great devotees of ours. Live on earth. Uphold righteousness and evolve yourself spiritually so that you reach higher levels of consciousness. Once you have attained the appropriate level of consciousness you will merge into Vishnu and become one with him.'' So saying they blessed the girl. Sometimes later a very beautiful girl child was born to Ratankar and his wife. The couple named the child Vaishnavi. The girl right from her childhood displayed a hunger for knowledge which was like a vortex and which no amount of teaching and learning could sufficiently satiate. Subsequently, Vaishnavi started looking into her inner self for knowledge, and soon learned the art of meditation and realized that meditation and penance only could bring her close to her greater objective. Vaishnavi thus relinquished all household comforts and went deep into the forest for Tapasaya (meditation). Meanwhile, Lord Rama, during his fourteen years of exile happened to visit Vaishnavi who recognized him immediately as no ordinary being but the incarnation of Lord Vishnu, and immediately asked him to merge her into himself so that she could become one with the supreme creator.

However Lord Rama, knowing that it was not the appropriate time, dissuaded her by saying that he would visit her again after the end of his exile, and at that time if she succeeded in recognizing him, he would fulfill her wish. True to his words, Rama visited her again after being victorious in the battle, but this time he did so in the disguise of an old man. Unfortunately, Vaishnavi was unable to recognize him this time and was distraught. Upon this, Lord Rama consoled her that the appropriate time for her being one with the creator had not come, and that time would come eventually in 'Kaliyug' when He (Rama) would be in his incarnation of 'Kalki'. Rama also directed her to meditate, and set up an Ashram at the base of Trikuta hills, to elevate her level of spirituality so as to bless mankind and rid the poor and destitute of their sufferings.Only then would 'Vishnu' merge her into himself. Vaishnavi, immediately set off for the northern part and after immense hardships, reached the foot of the Trikuta Hills. After reaching there she set up her ashram there and began to meditate.

As predicted by Lord Rama, her glory spread far and wide, and people began to flock to her Ashram to seek her blessings. As time passed,  MahaYogi Guru Goraksh Nath ji who had a vision of the episode between Lord Rama and Vaishnavi in the retrospective time frame, became curious to find out whether Vaishnavi has been able to attain a high level of spirituality or not. He, therefore, sent his most able disciple 'Bhairon Nath' to find out the truth. Bhairon Nath on locating the ashram started observing Vaishnavi secretly, and realised that though a 'Sadhvi' she always carried bow and arrows with her, and was always surrounded by langoors (apes) and a ferocious looking lion. Bhairon Nath was enamored by Vaishnavi's extraordinary beauty, and losing all good sense he began to pester Vaishnavi to marry him. Meanwhile a staunch devotee of Vaiashnavi, Mata Sridhar organised a Bhandara (Community meal) in which the whole village and MahaYogi Guru Goraksh Nath ji along with all his followers including Bhairon were invited. During the course of Bhandara Bhairon Nath attempted to grab Vaishnavi but she tried her best to daunt him. On failing to do so, Vaishnavi decided to flee away into the mountains to continue her Tapasaya undisturbed. Bhairon Nath however chased her to her destination.

The goddess after halting at (present day) Banganga, Charan Paduka, and Adhkwari, finally reached the holy cave Shrine. When Bhairon Nath continued to follow her despite the goddess trying to avoid a confrontation, the goddess was compelled to kill him. Bhairon Nath met his ultimate fate when the goddess, just outside the mouth of the cave, beheaded him. The severed head of Bhairon fell with a force at a distant hilltop. Bhairon Nath upon death realised the futility of his mission and prayed to the deity to forgive him. The almighty Mata (Mother Goddess) had mercy on Bhairon and gave him a boon that every devotee of the goddess would have to have the Darshans of Bhairon after having the Darshans of the Goddess and only then would the yatra of a devotee be complete. Meanwhile, Vaishnavi decided to shed off her human form and assuming the face of a rock she immersed herself into meditation forever. Thus Vaishnavi, in the form of a five and a half feet tall rock with three heads or the Pindies on the top is the ultimate destination of a devotee. These Pindies constitute the Sanctum Sanctorum of the holy cave known as the shrine of Shri Mata Vaishno Devi Ji, which is revered by one and all.

MAHA KALI

Towards the right of the devotee is the Holy Pindi of Mata Maha Kali (the Supreme Energy of Dissolution) in the colour associated with Her i.e. black. The Supreme Energy of dissolution is Mata Maha Kali. She represents the Tam Guna- the quality associated with the darker and unknown realms of life. Tam stands for darkness. Psychology and science state that only a very small per cent of the Universe is conscious. The remaining is still subconscious or unconscious. These unknown realms contain all the mysteries of life. Creation is a phenomenon, which exists within a specific time. However the Energy that transcends the barriers of time is the Eternal Time or Maha Kali. Since man’s knowledge about life is very limited and he remains in the dark about most of it, it is represented by the colour black which is associated with Mata Maha Kali. She is the basic source of all that is mystical and unknown to man. In her attribute of Maha Kali, the Mother Goddess constantly guides her devotees to conquer the forces of darkness.

MAHA LAKSHMI

In the centre is the Holy Pindi of Mata Maha Lakshmi (the Supreme Energy of Maintenance) with a yellowish-red tinge, the colour associated with Mata Maha Lakshmi. Mata Maha Lakshmi is the Supreme Energy of Maintenance. She represents Rajas Guna- the quality of inspiration and effort, and is considered to be the basic source of wealth, prosperity, material gains, quality of life etc. Wealth and prosperity are better represented by the colour of gold, which is yellow, and hence associated with Mata Maha Lakshmi.

MAHA SARASWATI

The Pindi to the extreme left of the viewer is worshipped as the Holy Pindi of Mata Maha Saraswati (the Supreme Energy of Creation). It has a whitish tinge when looked at attentively. White has also been considered the colour associated with Mata Maha Saraswati. Being the Supreme force of Creation, Mata Maha Saraswati is considered to be the basic source of all Creation, Knowledge, Wisdom, Righteousness, Art, Spiritualism, Piousness etc. Since white is a colour that denotes piousness and purity, hence it is associated with Mata Maha Saraswati. She represents the Satva Guna- the quality of purity.

Shri Mata Vaishno Devi Ji is considered to be an incarnation of the three Supreme Energies.

All Human beings contain attributes of the three above mentioned Guns (qualities) and their behavior is determined by the Guna which is predominant in their nature. But, in order to lead a meaningful life, a proper balance among these three is necessary. The Holy Cave is charged with such energy that it helps in creating this vital but rare balance in a person. This is what makes the Holy Shrine of Mata Vaishno Devi Ji unique in the entire world. 

Website:

Maa Vaishno Devi Shrine Board

Shani Shingnapur Temple

Shani Shingnapur in Ahmednagar District, Maharashtra state is a village known for its popular temple of Shani, associated with the planet (graha) Saturn. Shingnapur is 35 km from Ahmednagar city.

The temple is believed to be a "jagrut devasthan", meaning that a deity still resides in the temple icon. Villagers believe that god Shani punishes anyone attempting theft. The deity here is "Swayambhu" that is self emerged from earth in form of black, imposing stone. Though no one knows the exact period, it is believed that the Swayambhu Shanaishwara statue was found by shepherds of the then local hamlet. It is believed to be in existence at least since the start of Kali yuga.

The story of the swayambhu statue handed down from generations through word of mouth, goes something like this: When the Shepherd touched the stone with a pointed rod, the stone started bleeding. The shepherds were astounded. Soon the whole village gathered around to watch the miracle. On that night Lord Shanaishwara appeared in the dream of the most devoted and pious of the shepherds.

He told the shepherd that he is "Shaneeshwara". He also told that the unique looking black stone is his swayambhu form. The shepherd prayed and asked the lord whether he should construct a temple for him. To this, Lord Shani Mahatma said there is no need for a roof as the whole sky is his roof and he preferred to be under open sky. He asked the shephered to do daily pooja and 'Tail abhisheka' every Saturday without fail. He also promised the whole hamlet will have no fear of dacoits or burglars or thieves.

The shrine for Shani consists of a five and a half feet high black rock installed on an open-air platform, which symbolizes the god Shani. A Trishula (trident) is placed along the side of the image and a Nandi (bull) image is on the south side. In front are the small images of Shiva and Hanuman.

Generally, the temple has 30–45,000 visitors a day, which swells to around three lakh (i.e. three hundred thousand) on amavasya(the no moon day), believed to be the most auspicious day to appease Shani. The village holds a fair in honour of the deity on this day. A bigger festival is held on new moon days that fall on Saturdays. Devotees bathe Lord Shani's image with water and oil and offer flowers, and udid to him. A palanquin procession of Shani is held on the day of the fair. Other festivals include the birthday of Shani, Shani Jayanti.

Website:

Shani Shingnapur - Shri shanaishwar devasthan Trust, Ahmednagar, Maharashtra

Venkateswara Temple, Tirumala

Venkateswara Temple is a landmark Vaishnavite temple situated in the hill town of Tirumala at Tirupati in Chittoor district of Andhra Pradesh, India. The Temple is dedicated to Lord Sri Venkateswara, an incarnation of Vishnu, who is believed to have appeared here to save mankind from trials and troubles of Kali Yuga. Hence the place has also got the name Kaliyuga Vaikuntham and the Lord here is referred to as Kaliyuga Prathyaksha Daivam. The temple is also known by other names like Tirumala Temple, Tirupati Temple, Tirupati Balaji Temple. Lord Venkateswara is known by many other names: Balaji, Govinda, and Srinivasa. 

Tirumala Hills are part of Seshachalam Hills range. The hills are 853 metres (2,799 ft) above sea level. The Hills comprises seven peaks, representing the seven heads of Adisesha. The temple lies on the seventh peak -Venkatadri, on the southern banks of Sri Swami Pushkarini, a holy water tank. Hence the temple is also referred to as "Temple of Seven Hills". Tirumala town covers about 10.33 sq mi (26.75 sq. km) in area. 

The Temple is constructed in Dravidian architecture and is believed to be constructed over a period of time starting from 300 AD. The Garbhagriha (Sanctum Sanctorum) is called AnandaNilayam. The presiding deity, Venkateswara, is in standing posture and faces east in Garbhagriha. The temple follows Vaikhanasa Agama tradition of worship. The temple is one of the eight Vishnu Swayambhu Kshetras and is listed as 106th and the last earthly Divya Desam. The Temple premises had two modern Queue complex buildings to organize the pilgrim rush, Tarigonda Vengamamba Annaprasadam complex for free meals to Pilgrims, hair tonsure buildings and a number of pilgrim lodging sites.

It is the richest temple in the world in terms of donations received and wealth. The temple is visited by about 50,000 to 100,000 pilgrims daily (30 to 40 million people annually on average), while on special occasions and festivals, like the annual Brahmotsavam, the number of pilgrims shoots up to 500,000, making it the most-visited holy place in the world.

There are several legends associated with the manifestation of the Lord in Tirumala. According to one legend, the temple has a murti (deity) of Lord Venkateswara, which it is believed shall remain here for the entire duration of the present Kali Yuga.

During Dvapara Yuga, Adisesha resided on earth as Seshachalam Hills after losing a contest with Vayu. According to Puranas, Tirumala is regarded as Adivaraha Kshetra. After killing Hiranyaksha, Adivaraha resided on this hill. Sri Venkatachala Mahatyam is the widely accepted legend over Tirumala Temple.

During Kali Yuga, Narada advised Rishis who were performing Yajna to decide who could be given the fruits of yagna among Trimurtis. Bhrigu was sent to test Trimurtis. The sage who had an extra eye in the sole of his foot visited Lord Brahma and Lord Shiva and went unnoticed in both these locations. At last he visited Vishnu and the lord acts as if he had not noticed Bhrigu. Getting angered by this act, sage Bhrigu kicked Lord Vishnu in the chest, to which Vishnu did not react and instead apologized to the Sage by massaging his feet. During this act, he squashed the extra eye that was present in the sole of Bhrigu's foot. However Lakshmi finds it as an insult and had left Vaikuntam onto Earth to Kolhapur and started meditating.

Lord Vishnu bore human form as Srinivasa, left Vaikuntam, in search of Lakshmi, reached Tirumala Hills and started meditating. Lakshmi came to know about the condition of Srinivasa and prayed to Siva and Brahma. Siva and Brahma then converted themselves into Cow and Calf and Goddess Lakshmi had handed over the cow and calf to Chola king ruling over Tirumala Hills at that time. The Cow would provide milk to Srinivasa daily while it was taken for grazing. One day Cowherd saw this and tried to beat the Cow with staff but Lord Srinivasa had borne the injury. Getting angered by this Srinivasa had cursed the Chola king to become a Demon as dharma says Servants sin should be borne by Kings. The king prayed for mercy after which Srinivasa said to him, that the King should take next birth as Akasaraja and should perform marriage of his daughter Padmavati with Srinivasa.

Lord Srinivasa went to his mother Vakula Devi on Tirumala hills and stayed there for a while. After curse Chola king took rebirth as Akasaraja and he had a daughter named Padmavati who was born in the Padmapushkarini situated at present day Tiruchanur in Andhra Pradesh. Lord Srinivasa married Padmavati at present day Narayanavanam in Andhra Pradesh and will return to Tirumala Hills. After few months Goddess Lakshmi had come to know about the marriage of Srinivasa with Padamavati and went to Tirumala hills to question Srinivasa. It is said that the Lord Srinivasa turns into Stone right when he was encountered by Lakshmi and Padmavathi. Lord Brahma and Shiva appear before the confused queens and explain the main purpose behind all this - The Lord's desire to be on the 7 hills for the emancipation of mankind from the perpetual troubles of Kali Yuga. Goddesses Lakshmi and Padmavathi also turn into stone deities expressing their wish to be with their Lord always. Lakshmi stays with Him on His Chest on the left side while Padmavathi rests on His Chest's right side.

History of the temple

The first recorded endowment was made by Pallava queen Samavai in the year 966 CE. She donated many jewels and two parcels of land(one 10 acres and other 13 acres) and ordered to use the revenues generated from that land to be used for the celebration of major festivals in the temple. The Pallava dynasty(9th century), the Chola dynasty(10th century), and Vijayanagara pradhans (14th and 15th centuries) were committed devotees of Lord Venkateswara. The temple gained most of its current wealth and size under the Vijayanagara Empire, with the donation of diamonds and gold. In 1517, Vijayanagara Emperor Krishnadevaraya, on one of his many visits to the temple, donated gold and jewels, enabling the Ananda Nilayam (inner shrine) roofing to be gilded. After the decline of Vijayanagara Empire, leaders from states such as the Kingdom of Mysore and the Gadwal Samsthanam worshiped as pilgrims and gave ornaments and valuables to the temple. Maratha general Raghoji Bhonsle visited the temple and set up a permanent administration for the conduct of worship in the temple.

After the dusk of Vijayanagara Empire, the temple went into the hands of Golconda in July 1656 and then it was under the French for a short period of time and under Nawab of Carnatic till 1801 CE. With the advent of British during the early 19th century, the management of the temple passed to hands of East India Company, who accorded special status to temple and avoided interference in temple activities. Madras government passed Regulation seven of 1817, which passed the temple to Board of Revenue through collector of North Arcot District. In 1821, Bruce of England had drawn rules for the management of Temple which is referred to as Bruce's Code.

In 1843 the East India Company transferred the Administration of Temple along with other Temples in Tirupati to Mahants of Hathiramji Muth, who acted as Vicaranakartas. It was under the rule of Mahants for six generations until 1933 when Tirumala Tirupati Devasthanams was formed as a result of the TTD Act in 1933. The Act of 1933 was superseded by Madras Hindu Religious and Charitable Endowment Act of 1951. Again in 1966, the temple was placed under direct control of Andhra pradesh State Endowments Department, with Andhra Pradesh Charitable and Hindu Religious Institutions and Endowments act. In 1979, act of 1966 was rolled back with new Tirumala Tirupati Devasthanams act, where temple administration was vested to a committee consisting of Executive officer, Chairman and two other members nominated by Government of Andhra Pradesh.

The temple bears as many as 640 inscriptions in Kannada, Sanskrit, Tamil, Telugu languages. There is a unique collection of about 3000 copper plates on which the Telugu Sankirtanas of Tallapaka Annamacharya and his descendants are inscribed. This collection forms a valuable source of material for a historical linguist in Telugu apart from its importance to musicologists.

Dwarams and Prakarams

There are three Dwarams(entrances) which lead to Garbhagriha from outside. Mahadwaram also known as padikavali is the first entrance which is provided through Mahaprakaram(outer compound wall). A 50 feet, five storied Gopuram(Temple tower) is constructed over this Mahadwaram with seven Kalasams at its apex. Vendivakili(Silver Entrance) also known as Nadimipadikavali is the second entrance and is provided through SampangiPrakaram(Inner compound wall). A three storied Gopuram is constructed over Vendivakili with seven Kalasams at its apex. Bangaruvakili(Golden Entrance) is the third entrance which will lead into Garbhagriha. There are two tall copper images of the DvarapalakasJaya-Vijaya on either side of this door. The thick wooden door is covered with gold gilt plates depicting the Dasavathaaram of Vishnu.

Pradakshinams

Circumambulation around Sanctum sanctorum in the temple or deities is called Pradakshinam. There are two circumbulation paths in the temple. The first one is area between Mahaprakaram and sampangiprakaram. This path known as Sampangipradakshinam has many Mandapas, Dwajasthambam, Balipeetam, Kshetrapalika sila, prasadam distribution area etc. The Vimanapradakhinam is the second pradakshinam, which circumbulates Ananda Nilayam Vimanam. This path has sub-shrines dedicted to Varadaraja and Yoga Narasimha, Potu(main kitchen), Bangaru Bavi(golden well), Ankurarpana Mandapam, Yagasala, Nanala (coins and Notla (Paper notes) Parkamani, Almyrah of Sandal paste (Chandanapu ara), cell of records, Sannidhi Bhashyakarulu, Lords’s hundi and the seat of Vishvaksena.

Anandanilayam Vimanam and Garbhagriha

Garbhagriha is the Sanctum sanctorum where the presiding deity Lord Venkateswara resides along with other small deities. Golden Entrance leads to Garbhagriha. There are two more doors in between Bangaruvakili and Garbhagriha. The deity will be in a standing posture with four hands one in varada posture, one placed over thigh and other two holding Shanka and Sudarshana Chakra. The deity is decorated with precious ornaments. The deity bears Goddess Lakshmi on the right chest and Goddess Padmavathi on the left. Pilgrims are not allowed to enter the Garbhagriha(beyond Kulasekharapadi (path))

Ananda Nilayam Vimanam is the main Gopuram constructed over 'Garbhagriha. This is a three storied Gopuram and has single Kalasam at its apex. It was covered with gilt copper plates and covered with a golden vase. There are many deities of gods carved over this Gopuram. On this Gopuram, there is a deity of Venkateswara known as "Vimana Venkateswara" which is believed to be exact replica of deity inside Garbhagriha.

Deities in the temple

Venkateswara, an avatar of Vishnu is the presiding deity of the temple. It is believed that the Moolavirat is Swayambhu(self-manifested).

Pancha berams

As per Vaikanasa agamas, Venkateswara is represented by five deities(berams) including the Moolavirat which are together referred to as Pancha beramulu(Pancha means five;Beram means Deity). The five deities are Dhruva Beram(Moolavar), Kautuka Beram, Snapana Beram, Utsava Beram, Bali Beram. All the pancha berams are placed in the Garbhagriha under Ananda Nilayam Vimanam.

1.   Moolavirat or Dhruva Beram- In the centre of Garbhagriha, under the Ananda Nilayam Vimana, the Moolavirat of Venkateswara is seen in standing posture on lotus base, with four arms, two holding Shanka and Chakra and one in Varada posture and other in Kati posture. This deity is considered the main source of energy for the temple and adorns with Namam and jewels including vajra kiritam(diamond crown), Makarakundalams, Nagabharanam, Makara Kanti, Saligrama haram, Lakshmi haram. Venkateswara's consort, Lakshmi will be staying on the chest of the Moolavirat as Vyuha Lakshmi.

2.   Bhoga Srinivasa or Kautuka Beram - This is a small one-foot (0.3 m) silver deity which was given to the temple in 614 AD by Pallava Queen Samavai for conducting festivals. Bhoga Srinivasa is always placed near the left foot of Moolavirat and is always connected to the main deity by a holy Sambandha Kroocha.This deity will receive many daily sevas(pleasures) on behalf of Moolavar and hence known as Bhoga Srinivasa(In Telugu: Bhoga means Pleasure). This deity receives Ekanthaseva daily and SahasraKalasabhisheka on Wednesdays.

3.  Ugra Srinivasa or Snapana Beram - This deity represents the fearsome(Telugu: Ugra means angry) aspect of Lord Venkateswara. This deity is the main processional deity until 1330 CE when it was replaced by Malayappa Swami deity. Ugra Srinivasa remains inside the sanctum sanctorum and comes out on a procession only one day in a year: on Kaishika Dwadasi, before the sunrise. This deity receives daily abhishekam on behalf of Moolavirat, giving the name Snapana Beram(Sanskrit: Snapana means cleansing)

4.   Malayappa swami or Utsava Beram - Malayappa is the processional deity(Utsava beram) of the Temple and is always flanked by the deities of his consorts Sridevi and Bhudevi. This deity receives all festivals like Brahmotsavams, Kalyanotsavam, Dolotsavam, Vasanthotsavam, Sahasra deepalankarana seva, Padmavati parinyotsavams, pushpapallaki, Anivara asthanam, Ugadi asthanam etc.

5. Koluvu Srinivasa or Bali Beram- Koluvu Srinivasa represents Bali Beram. Koluvu Srinivasa is regarded as the guardian deity of the temple that presides over its financial and economic affairs. Daily Koluvu seva(Telugu: Koluvu means engaged in) will be held in the morning, during which, the previous day's offerings, income, expenditures are notified to this deity, with a presentation of accounts. Panchanga sravanam also will be held at the same time during which that particular days Tithi, sunrise and sunset time, nakshatra are notified to the Venkateswara.

Other Murtis

Along with Pancha berams, garbhagriha also hosts panchaloha deities of Sita, Rama, Lakshmana, Rukmini, Sri Krishna Swamy, Chakratalwar. The temple hosts the deities of Garuda, Yoga Narasimha, Varadaraja, Kubera, Bedi Anjaneya in their respective sub-shrines. The temple also host the deities of Anantha, Garuda, Viswaksena, Sugriva, Ramanuja. Vimana Venkateswara is the exact replica idol of Venkateswara carved on the Ananda Nilayam Viamana's second teir north west corner.

Puja

The temple follows "Vaikhanasa Agama" tradition of worship, which is believed to be revealed by Sage Vikhanasa and is propagated by his disciples Atri, Bhrigu, Marichi, Kasyapa. Vaikhanasa is one of the principal traditions of Hinduism and primarily worships Vishnu (and his associated Avatars) as the Supreme God. This ancient texts recommends six times puja(worship) a day for Vishnu, of which minimum one puja is mandatory. Rituals are classified as daily, weekly and periodical. The daily sevas in Temple(in order of occurrence) include Suprabhata Seva, Thomala Seva, Archana, Kalyanotsavam, Dolotsavam (Unjal Seva), Arjita Brahmotsavam, Arjita Vasantotsavam, Sahasra Dipalankarana Seva, Ekanta Seva. Weekly sevas of the Temple include Vishesha Pooja on Monday, Ashtadala Pada Padmaradhana on Tuesday, Sahasra Kalasabhishekam on Wednesday, Tiruppavada Seva on Thursday, Abhishekam and Nijapada Darshanam on Friday. There are no weekly sevas on Saturday and Sunday. Periodical rituals include Jyesthabhishekam, Aaniwara Asthanam, Pavithrotsavam, Koil Alwar Tirumanjanam.

Naivedhyam

The world-famous "Tirupati Laddu" is given at Tirumala Temple as prasadam. Tirupati Laddu had got Geographical indication tag which entitles only Tirumala Tirupati Devasthanams to make or sell it. Many other prasadams are also offered to Venkateswara which will then be distributed to devotees, including daddojanam (curd rice), puliohora (tamarind rice), vada and chakkera-pongali (sweet pongal), miryala-pongali, Appam, Paayasam, Jilebi, Muruku, Dosa, seera (kesari), Malhora. Free meals are given daily to the pilgrims. On Thursdays, the Tirupavada seva is conducted, where food items are kept as naivedyam to Lord Venkateswara.

Hair tonsuring

Many devotees have their head tonsured as "Mokku", an offering to God. The daily amount of hair collected is over a ton. As per legend, when Lord Venkateswara was hit on his head by a shepherd, a small portion of his scalp became bald. This was noticed by Neela Devi, a Gandharva princess. She felt "such an attractive face should not have a flaw". Immediately, she cut a portion of her hair and, with her magical power, implanted it on his scalp. Lord Venkateswara noticed her sacrifice. As hair is a beautiful asset of the female form, he promised her that all his devotees who come to his abode would offer their hair to him, and she would be the recipient of all the hair received. Hence, it is believed that hair offered by the devotees is accepted by Neela Devi. The hill, Neeladri, one of the seven hills, is named after her.

Hundi (donation pot)

As per legend, it is believed that Srinivasa had to make arrangements for his wedding. Lord Kubera credited money to Lord Venkateswara (a form of the god Vishnu) for his marriage with Padmavathi. Srinivasa sought a loan of one crore and 11.4 million (11,400,000) coins of gold from Kubera and had Viswakarma, the divine architect, create heavenly surroundings in the Seshadri hills. Together, Srinivasa and Padmavathi lived for all eternity while Goddess Lakshmi, understanding the commitments of Lord Vishnu, chose to live in his heart forever. In remembrance of this, devotees go to Tirupati to donate money in Venkateswara's hundi (donation pot) so that he can pay it back to Kubera.

Thulabaram

In the Thulabaram ritual, a devotee sits on a pan of a weighing balance and the other pan is filled with materials greater than the weight of the devotee. Devotees usually offer sugar, jaggery, tulsi leaves, banana, gold, coins. This is mostly performed with newborn babies or children.

Festivals

Tirumala Sri Venkateswara Temple is a paradise of Festivals where over 433 festivals are being observed in 365 days of a year suiting the title "Nitya Kalyanam Paccha Toranam" where every day is a festival.

Sri Venkateswara Brahmotsavams, a nine-day event, which is celebrated every year during month of October, is the major event of Sri Venkateswara Temple. During brahmotsavams the processional deity Malayappa along with his consorts SriDevi and BhuDevi, is taken in a procession in four mada streets around the temple on different vahanams. Vahanams include Dwajarohanam, Pedda Sesha Vahanam, Chinna Sesha Vahanam, Hamsa Vahanam, Simha Vahanam, Muthaypu pandiri Vahanam, Kalpavriksha Vahanam, Sarva Bhoopala Vahanam, Mohini Avataram, Garuda Vahanam, Hanumantha Vahanam, Swarna Rathotsavam(Golden Chariot), Gajavahanam, Rathotsavam(Chariot), Ashwa Vahanam, Chakra Snanam. During Brahmotsavams, The temple will witness lakhs of devotees particularly on Garuda vahanam. Vaikunta Ekadasi, the day on which it is believed that Vaikunta Dwarams will be opened and the most important Vasihnavite festival, is celebrated with grandeur in Tirumala. The Tirumala Venkateswara Temple will be flooded with devotees on a single day with numbers reaching up to 1.5 lakhs, to have a darshan of Venkateswara through special entrance which encircles inner sanctum called "Vaikunta Dwaram". Rathasapthami is another festival, celebrated during February, when Lord Venkateswara's processional deity(Malayappa) is taken in a procession around the temple on seven different vahanams starting from early morning to late night. The other annual festivals include Rama Navami, Janmashtami, Ugadi, Teppotsavam(Float Festival), Sri Padmavati Parinayotsavams, Pushpa yagam, Pushpa pallaki, Vasanthotsavam (spring festival) conducted in March–April, were celebrated with great splendor.

Songs and hymns

Sri Venkateswara Suprabhatam is the first and pre-dawn seva performed to Lord Venkateswara at Sayana Mandapam inside sanctum sanctorum of Tirumala Temple. 'Suprabhatam' is a Sanskrit term which literally means ‘Good Morning’ and is meant to wake up the Lord from His celestial sleep. Sri Venkateswara Suprabhatam hymns were composed by Prathivadhi Bhayankaram Annangaracharya during 13th century and consists of 70 slokas in four parts including Suprabhatam(29), Stotram(11), Prapatti(14) and Mangalasasanam(16). The thirteenth sloka of Sri venkateswara Suprabhatam is as follows:

Devanagari श्रीमन्नभीष्ट-वरदाखिललोक-बन्धो श्रीश्रीनिवास-जगदेकदयैकसिन्धो। श्रीदेवतागृहभुजान्तर-दिव्यमूर्ते श्रीवेङ्कटाचलपतेतवसुप्रभातम्॥	IAST srimannabhiṣṭavaradakhilalokabandho srisrinivasajagadekadayaikasindho । sridevatagṛhabhujantaradivyamurte srivenkaṭacalapate tava suprabhatam ॥
“	One with Lakshmi! One who grants boons! Friend of all the worlds! Abode of Sri Lakshmi! The matchless ocean of compassion! One having a charming form on account of the chest which is the abode of Sri Lakshmi! Lord of Venkatachala! May it be an auspicious dawn to Thee॥	”

Tallapaka Annamacharya (Annamayya), the poet saint of 14th century, one of the greatest Telugu poets and a great devotee of Lord Venkateswara, had sung 32000 songs in praise of Lord Venkateswara. All his songs which are in Telugu and Sanskrit, are referred to as Sankirtanas and are classified as Sringara Sankirtanalu and Adhyatma Sankirtanalu.

The Seven Hills

The temple is located on seven hills. The presiding deity is also referred to as Sapthagirisha or Lord of Seven hills. It is believed that seven hills, also referred to as Saptagiri, represent the seven hoods of Adisesha. The seven hills are as follows:

·         Vrushabhadri—Hill of Nandi, the vahana of Lord Shiva

·         Anjanadri—Hill of Lord Hanuman.

·         Neeladri—Hill of Neela Devi

·         Garudadri or Garudachalam—Hill of Garuda, the vahana of Lord Vishnu

·         Seshadri or Seshachalam—Hill of Sesha, the dasa of Lord Vishnu

·         Narayanadri—Hill of Narayana. Srivari Padalu are located here

·         Venkatadri—Hill of Lord Venkateswara

Subshrines

Varadaraja Temple

Varadaraja Temple is a subshrine in Tirumala Venkateswara Temple dedicated to Vararaja Swamy an incarnation of Vishnu. It is not known when this deity was installed. The shrine is located in Vimanapradakshinam, towards left of Vendivakili(silver entrance) while entering temple. The stone deity is sitting posture facing west.

Yoga Narasimha Temple

Yoga Narasimha Temple is a sub-shrine dedicated to Narasimha Swamy, a lion headed fourth-incarnation of Vishnu. The shrine is said to have been built between 1330 A.D. – 1360 A.D and is located in Vimanapradakshinam, towards right of Vendivakili(silver entrance) while entering temple. The deity is in sitting-meditating posture facing west.

Garuthmantha Temple

A small shrine dedicated to Garuda the vehicle of Lord Venkateswara is situated exactly opposite to the Bangaruvakili(Golden Entrance) of Jaya-Vijaya. This sub-shrine is part of Garudamandapam. The Garuthmantha deity is six feet tall and faces west looking towards Lord Venkateswara inside Garbhagriha.

Bhuvaraha Swamy Temple

Bhuvaraha Swamy Temple is the temple dedicated to Varaha an incarnation of Vishnu. This temple is believed to be older than Sri Venkateswara Temple. The temple lies on the Northern Banks of Swami Pushkarini. As per tradition, at first Naivedyam will be offered to Bhuvaraha Swamy before offering it to Lord Venkateswara in main Temple. And also as per tradition, devotees should have the darshan of Lord Bhuvaraha swamy before Lord Venkateswara.

Bedi-Anjaneya Temple

Bedi-Anjaneya Temple is the sub-shrine dedicated to Lord Hanuman. The temple lies exactly opposite to the Mahadwaram near Akhilandam(place where coconuts are offered). The deity in this temple has both of his hands handcuffed(Telugu Language:Bedilu).

Vakulamatha Sannidhi

Vakulamatha is the mother of Lord Venkateswara. There is statue dedicated to her in the main temple just ahead of Varadaraja shrine. The deity is in sitting posture. As per legend, she supervises the preparation of food that is to be offered to her son. For this reason a hole is made to the wall which separates Vakulamatha sannidhi and Srivari potu(Kitchen).

Kubera Sannidi

There is a sub-shrine dedicated to Lord Kubera within the Vimanapradakshina. The deity lies to the right side of Garbhagriha and faces south towards preciding deity.

Ramanuja Shrine

The Shrine of Sri Ramanuja is located adjacent to the northern corridor of the Vimana Pradakshinam. It is also known as the Bhashyakara Sannidhi. The shrine was built around in the 13th century A.D.

Notable devotees

Ramanuja (1017–1137) was the most important Acharya of Sri Vaishnavism. He was responsible for managing the worshipping procedures and other affairs of the Sri Venkateswara temple. Ramanuja is credited for gifting the holy conch and the discus, the weapons of Vishnu during his visit. So he is considered as 'Acharya'(Guru or teacher) to the Lord himself. He established the Pedda Jeeyar Matam. He has a sannidhi(shrine) inside the temple.

Sri Tallapaka Annamacharya (or Annamayya) (22 May 1408 – 4 April 1503) was the official songmaster of the Tirumala Venkateswara Temple, and a Telugu composer who composed around 36000 keertanas, many of which were in praise of Venkateswara, the presiding deity of the temple.

Religious significance

The temple is considered one of the eight Swayambhu Kshetras of Vishnu where presiding deity is believed to have manifested on its own. Seven other temples in the line are Srirangam Ranganathaswamy temple, Bhu Varaha Swamy temple, and Vanamamalai Perumal Temple in South India and Saligrama in Nepal, Naimisaranya, Pushkar and Badrinath Temple in North India.

The temple is revered by Alvars in Divya Prabandham. The temple is classified as a Divyadesam, one of the 108 Vishnu temples that are mentioned in these books. The benefits acquired by a pilgrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestower of boons. There are several legends associated with the manifestation of the Lord at Tirumala.

Nearby temples

There are many ancient temples nearby Tirumala. Sri Padamavathi Temple is temple dedicated to Padmavathi, the wife of Venkateswara, situated at Tiruchanur which is 5 km from Tirupati. Srikalahasteeswara Temple is the temple dedicated to Lord Shiva which represents "Vayu"(air) form of elements of Nature, is situated at Srikalahasti which is 38 km from Tirupati. Sri Varasiddhi Vinayaka Temple, situated at Kanipakam town, is a 10th-century Temple dedicated to Lord Vinayaka at 75 km from Tirupati. Other than these, temples like Govindaraja Temple, Kalyana Venkateswara Temple(Srinivasa Mangapuram), Kodandarama Temple, Kapila Theertham are situated within the Tirupati city.

References

·         S. Krishnasvami Aiyangar (1939). A History of the Holy Shrine of Sri Venkatesa in Tirupati. Ananda Press, Madras.

·         "Tirumala Temple History". Tirumala Tirupati Devasthanams. Retrieved 2015-08-27.

·         "Sri Bhu Varaha Swamy Temple". Tirumala Tirupati Devasthanams. Retrieved 2015-08-27.

·         "Sri Bedi Anjaneya Swamy Temple". Tirumala Tirupati Devasthanams. Retrieved 2015-08-27.

·         Feminism and World Religions. SUNY Press. 1999. p. 48.

Website: Tirumala Tirupati Devasthanams