Saturday, March 28, 2015

Okus Bokus

Okus Bokus is actually a Kashmiri Lullaby. The word Okus Bokus over the centuries got corrupted from Hukus Bukus which means who is he and who is me OR Tchekus BeKus again maining who are you and who are me.
The translation is done here.
Tse Kus Be Kus Teli Wan su Kus 
Who are you and who am I then tell us who is he the creator that permeates through both you and I
Moh Batuk Logum Deg
Each day I feed my senses/body with the food of worldly attachment and material love (Moh = attachment)
Shwas Khich Khich Wang-mayam
For when the breath that I take in reaches the point of complete purification (Shwas = Breath)
Bhruman daras Poyun chokum
It feels like my mind is bathing in the water of divine love (Bhruman = nerve center in the human brain, poyun = water)
Tekis Takya bane Tyuk
Then I know I am like that sandal wood which is pasted for divine fragrance symbolic of universal divinity. I realize that I am, indeed, divine (Tyuk = Tika applied on the forehead).
The message of this poem is rooted in Kashmiri spiritual tradition. The poem itself is ageless. Some say it came up during Lal Ded’s time, other’s say it dates back to the origin of Kashmir and Kashmiri culture itself. The poem, in later years, was made a song for children. For years it served as a poetic medium to pass down the essence of Kashmiri culture to little ones.
It is said that the tones produced by the arrangement of words in this poem as well as its rhythm has a calming effect for infants and toddlers of all times.

Papnash Shiva Temple - Bidar, Karnataka

Papnash Shiva Temple is situated in Bidar district in North-east Karnataka. It is believed that the Shiva Linga idol in this temple is one of those installed by Lord Rama during the time of his journey back from Lanka. A natural spring flows into a pond in front of the temple called Papnasha which means destruction of sins.
Every year, during Shivratri festival lots of tourists visit Papnash Shiva Temple. At the ruins an ancient Shiva Temple along with a New Temple has been built on the slops of the hill. The location of the temple in a valley is mesmerising to the eyes. At the foot of the temple is a cistern measuring 16 ft by 14 ft. The cistern is continuously fed by the natural spring and towards the north there is small tank which is said to be built during Lord Rama s times.
It gets very crowded during Shivaratri celebrations. In the sanctum, there is a big Shiva Linga. In the temple complex, there are three other Shiva Lingas. These Shiva Lingas can be touched by devotees, and they can directly offer pujas to them.

Papnash means destroyer of sins. It is believed that a visit to this temple and a dip in the Papnash pond will destroy all the sins committed by a person. For this reason alone, this temple attracts a large number of pilgrims.

Ram Navami

Ram Navami is a popular Hindu festival. It is celebrated on the ninth day (Navami) of the Chaitra month of Hindu lunar year in 'Shukla paksha' or waxing moon. This festival is celebrated in order to commemorate the birth of Marayada Purshottam Ram, an incarnation of Lord Vishnu. This day also known as Sri Rama Navami, marks the end of nine-day Chaitra-Navratri celebrations. The festival of Ram Navami is held in high regard not only by the people in India but also by the Hindu community living in the other parts of the world. The festival is celebrated with immense joy and enthusiasm. Many devotees also fast on this occasion. It is believed that all the devotees who fast on this day are showered with immense happiness and good luck by Lord Rama.
Origin Of Rama Navami
According to the great epic Ramayana, once upon a time there lived a King named Dasarath, then king of Ayodhya, who had three wives named Kaushalya, Sumithra and Kaikeyi. As even long after his marriages, Dasarath was not blessed with a child, this has become a question of worry for him. Even the people of Ayodhya were disheartened because they had not heir to their kingdom. At this stage, Rishi Vasistha suggests Dasarath to perform Puthra Kamesti Yagna, through which he can have a desired child. 
Soon King Dasharath agreed to do the Yagya and headed to Maharshi Rushya Shrunga's ashram, to get him for performing the yagya. Maharshi agreed and accompanied Dasharath to Ayodhya to solemnize the perform Puthra Kamesti Yagna. As the result of yagna, Yagneshwar appeared and hands Dasarath a bowl of kheer and asked him to feed this to his three wives. Dasarath did the same. He gave one half of the kheer to his elder wife Kausalya, and another half to his younger wife Kaikeyi. These two gave one half each of their kheer to Sumithra.
After few days all the three Queens conceived Dasratha's child. On the ninth day (Navami) of Chaithra Masa (first month in Hindu calendar), at noon Kaushlya gave birth to Lord Sri Ram, Kaikeyi gave birth to Bharath, and Sumithra gave birth to twins, Lakshman and Shatrughan. It was the day of joyous celebrations in Ayodhya. This day since then is celebrated as an auspicious occasion by the devotees.
History Of Ramnavami
Ram Navami is one of the most ancient festivals celebrated in India. It is said that the date of Ram Navami can be traced back to the pre-christian era, as Hinduism is the oldest religion of the world. The reference of Ramnavami can also be found in the Kalika puran. It is said in the earlier times, when caste system was prevalent in India; Ramnavami was one of the few festivals that the lower castes (shudras) were allowed to celebrate. In Hindu religion, it is considered to one of the five major sacred festivals and it is said that, properly observing this fast leads to the attainment of salvation.

Why Visit Temples

There are thousands of temples all over India in different size, shape and locations but not all of them are considered to be built the Vedic way. Generally, a temple should be located at a place where earth's magnetic wave path passes through densely. It can be in the outskirts of a town/village or city, or in middle of the dwelling place, or on a hilltop. The essence of visiting a temple is discussed here.
Now, these temples are located strategically at a place where the positive energy is abundantly available from the magnetic and electric wave distributions of north/south pole thrust. The main idol is placed in the core center of the temple, known as "Garbhagriha" or Moolasthanam. In fact, the temple structure is built after the idol has been placed. This Moolasthanam is where earth’s magnetic waves are found to be maximum. We know that there are some copper plates, inscribed with Vedic scripts, buried beneath the Main Idol. What are they really? No, they are not God’s / priests’ flash cards when they forget the shlokas. The copper plate absorbs earth’s magnetic waves and radiates it to the surroundings. Thus a person regularly visiting a temple and walking clockwise around the Main Idol receives the beamed magnetic waves and his body absorbs it. This is a very slow process and a regular visit will let him absorb more of this positive energy. Scientifically, it is the positive energy that we all require to have a healthy life.
Further, the Sanctum is closed on three sides. This increases the effect of all energies. The lamp that is lit radiates heat energy and also provides light inside the sanctum to the priests or poojaris performing the pooja. The ringing of the bells and the chanting of prayers takes a worshipper into trance, thus not letting his mind waver. When done in groups, this helps people forget personal problems for a while and relieve their stress. The fragrance from the flowers, the burning of camphor give out the chemical energy further aiding in a different good aura. The effect of all these energies is supplemented by the positive energy from the idol, the copper plates and utensils in the Moolasthanam / Garbagraham.
Theertham, the “holy” water used during the pooja to wash the idol is not plain water cleaning the dust off an idol. It is a concoction of  Cardamom, Karpura (Benzoin), zaffron / saffron, Tulsi (Holy Basil), Clove, etc. Washing the idol is to charge the water with the magnetic radiations thus increasing its medicinal values. Three spoons of this holy water is distributed to devotees. Again, this water is mainly a source of magneto-therapy. Besides, the clove essence protects one from tooth decay, the saffron & Tulsi leafs protects one from common cold and cough, cardamom and Pachha Karpuram (benzoin),  act as mouth fresheners. It is proved that Theertham is a very good blood purifier, as it is highly energized. Hence it is given as prasadam to the devotees. This way, one can claim to remain healthy by regularly visiting the Temples. This is why our elders used to suggest us to offer prayers at the temple so that you will be cured of many ailments. They were not always superstitious. Yes, in a few cases they did go overboard when due to ignorance they hoped many serious diseases could be cured at temples by deities. When people go to a temple for the Deepaaraadhana, and when the doors open up, the positive energy gushes out onto the persons who are there. The water that is sprinkled onto the assemblages passes on the energy to all. This also explains why men are not allowed to wear shirts at a few temples and women are requested to wear more ornaments during temple visits. It is through these jewels (metal) that positive energy is absorbed by the women. Also, it is a practice to leave newly purchased jewels at an idol’s feet and then wear them with the idol’s blessings. This act is now justified after reading this article. This act of “seeking divine blessings” before using any new article, like books or pens or automobiles may have stemmed from this through mere observation.
Energy lost in a day’s work is regained through a temple visit and one is refreshed slightly. The positive energy that is spread out in the entire temple and especially around where the main idol is placed, are simply absorbed by one's body and mind. Did you know, every Vaishnava(Vishnu devotees), “must” visit a Vishnu temple twice every day in their location. 
Our practices are not some hard and fast rules framed by one man and his followers or God’s words in somebody’s dreams. All the rituals, all the practices are, in reality, well researched, studied and scientifically backed thesis which form the ways of nature to lead a good healthy life. The scientific and research part of the practices are well camouflaged as “elder’s instructions” or “granny’s teaching’s” which should be obeyed as a mark of respect so as to once again, avoid stress to the mediocre brains.

Gayatri Mantra

OM BHURBHUVAHA SWAHA TATA SAVITUR VARENYAM
BHARGODEVASYA DHIMAHI DHIYO YO NAHA PRACHODYAT
Om has three Hindi words. Aa, Uu and Ma.
Aa is meant for Aakaar from which three names of God are built, Viraat, Agni, and Vishwadi
Uu = uukar from which Hirannyagarbha, Vayu and Tejas names occur and
Ma = makaar from which Ishwar, Aditya and Praajyan aadi, holy names of God occur.
Rigveda mantra 1/164/46 says God is one but His names are several. But here OM the holy name of God is only being explained.
VIRAAT = Viraat word is made from dhatu 'Rajrideeptau' i.e., manifest. Therefore Viraat means He who manifests the universe. As God manifests the universe, thus Viraat is the name of God. Rigveda mandal 10, sukta 129 states that like potter makes pot from clay, similarly God creates universe from non-alive matter prakriti. Prakriti is unseen matter. From unseen matter, the whole universe is created in the visible form. Science also says that matter is never destroyed but changes its form. Suppose a paper is burnt, paper changes its form into ashes. Then ashes are crushed and thrown in air. At this moment, the paper changed into ashes becomes invisible but was never destroyed. Similarly the whole universe at the time of final destruction is turned into prakriti i.e., into unseen form.
AGNI = From dhatu, "ANCHU GATI POOJANAYOHO" the word "AGNI is made. Its meaning is: He who is a form of wisdom. "SARVAJAYEN" i.e. Omniscient. That is, knows each and every atom of universe and even beyond universe. He who is to be known, to be gained and is worshipful. So Agni is the name of God.
VISHWA = Vishwa word is made from dhatu, "VISHPRAVESHANE". Its meaning is He in whom the universe is entering or He who is entering the universe. So being omnipresent, Vishwa is the name of God.
HIRANNYAGARBHA = i.e., " JYOTIRVAYIHIRANYAM". Its meaning is, who is the base of all sun, etc., luminous lokas or He who is the living place of all luminous lokas. 
VAYU = from dhatu, "VA GATIGANDHANYOHO", vayu word is made. Its meaning is He who holds, gives life and destroys and is the mightiest amongst all. So the name of God is Vayu. 

TEJ = from dhatu, "TIJA NISHANE", the word Tej is made meaning He who is self made and self-enlightened and gives light to sun, moon, stars etc. God does not take light from anywhere but gives light to sun, moon, stars, etc. so the unbroken, unobstructed/unproduced and eternal form of light is Almighty God and not sun, moon etc. So the name of God is Tej.
ISHWAR = from dhatu, "ISH ASHWERIYE", the word Ishwar is made. Its meaning is whose knowledge is thoughtful and true and He who has unlimited wealth, fortune and glory etc. Therefore the name of God is Ishwar. Here it is not out of place to mention that soul (man/woman) has limited qualities and are dependent whereas God is independent and has unlimited qualities that is why He is God.
ADITYA = from dhatu, "DO AVAKHANDANE", Aditya word is made. Its meaning is the one who cannot be broken into pieces and thus cannot be destroyed. So God's name is Aditya.

PRAJAYEN (PRAGYA) = from dhatu, "JYEN AVABODHANE", Prajayen word is made meaning whose wisdom is totally without any misunderstanding and thus he who knows every matter and behavior of whole universe without misunderstanding. So God's name is Prajayen. So here also it is not out of place to mention that illusion can never attack on God and God is totally free from illusion.
BHUHU = "BHUHU ITI VAYEE PRANAHA" i.e., He who is the base of lives of universe, is most beloved, even more than Prann i.e., breath. So Bhuhu is the name of God. 
BHUVAHA= "BHUVAHA ITI APANAHA" i.e., He who is totally free from any sorrow, and the soul removes his own all sorrows after coming in contact with Him. So the name of God is Bhuvaha.

SWAHA = i.e., "SWAHA ITI VYANAHE" who is omnipresent in the universe and is holding the same. So the name of God is Swaha.
SAVITUHU = He who creates the universe. So the name of God is Savituhu. 
DEVSYA= who gives all pleasure/merriment, so the name of God is Dev. 
VARENNYAM = He who is the most supreme and acceptable. God is most supreme and acceptable for worship. 
BHARGAHA = the purest entity (though God is formless, but finding no suitable English word of Sanskrit word, "SHUDH SWARUPAM" the word entity has been used.) 
TAT = i.e., the God i.e., of the purest entity. 
DHIMAHI = i.e., we must hold (sort of meditation) because 
YAHA = the God
NAHA = our,
DHIYAHA = mind(i.e., in our minds) 
PRACHODYAT = by inspiration (fulfil the mind with wisdom) 
MEANING 
"We meditate the God who is the base of lives' of universe, totally free from any sorrow, omnipresent, creates the universe, gives all pleasure/merriment, most supreme and acceptable, purest entity; May the God enlighten our minds with wisdom by His inspiration". 

Here it is not out of place to mention that idea of a (one) Ved mantra is based on ideas of several Ved mantras.
So in the above Gayatri mantra, there are three things:
Bhuhu, Bhuvaha, Swaha, Savituhu, Bhargaha, Devsya are some qualities amongst unlimited qualities of God. These are called Stuti i.e., to say about God with His real qualities and not self made etc.
Dhimahi means meditation i.e., one should always sit in meditation and do hard and pious deeds for which he will have to study Vedas in full, while discharging moral duties towards family and nation. 
Dhiyo Yo Naha Prachodyat. It is a prayer to God explanation of which is cited above. 

Friday, March 27, 2015

Pakistan’s long forgotten Hindu temples

SPEAKING TREE
After India gained independence, a large chunk of Hindus and Sikhs migrated from Pakistan to India. Similarly, nearly an equal number of Muslims left India to live in Pakistan. Today, only 26 out of Pakistan's 428 Hindu temples exist. There are many examples of such ancient architecture; silent testimonies of our heritage, narrating tales of our past and stories of our land. Unfortunately, these exponents of our history are in a state of utter neglect. Let’s take a look at some such temples.
Katasraj temple
Katasraj Mandir is a temple complex situated in Katas village in the Chakwal district of Punjab in Pakistan. Dedicated to Shiva, the temple has existed since the days of Mahabharata and the Pandava brothers spent a substantial part of their exile at the site. The smaller temples, built in pairs around the larger central temple, were built around 900 years or so ago, although the earliest of them dates back to the latter half of the 6th century AD.
Many legends are associated with the temples. Legend says that the five Pandava brothers stayed here for four out of the 14 years that they spent in exile. The lake in the complex is believed to have magical powers and is supposed to be where Yudhisthira defeated the Yaksha with his wisdom to bring his brothers back to life.
Another legend involves the death of Shiva's wife Sati; the story goes that when she died he cried so much and for so long that his tears created two holy ponds - one at Pushkara in Ajmer and the other at Ketaksha, which literally means "raining eyes" in Sanskrit. It is from this name that the word Ketas is derived. Another version of the legend mentions the two pools at Katasraj and Nainital.
The temple complex was not abandoned by Hindus when they migrated to East Punjab in 1947. Worshippers of all faiths perform pilgrimage to the mandir. The pilgrims bathe in the sacred pool and seek forgiveness as a belief holds that bathing in the pond (especially on certain occasions) leads to the forgiveness of sins and helps attain salvation. Until recently, it was believed that the pond had unlimited depth.
For decades the temple complex was in bad state. The holy pond was littered with garbage, while the murals inside the temples disappeared due to the ravages of time and the neglect of the authorities. In 2006-07, Pakistan governments decided to place murtis of Hindu gods in the seven mandirs and restore them to their original state to attract visitors.
The Katas site houses the Satgraha, a group of seven ancient temples, remains of a Buddhist stupa, a few medieval temples, havelis and some recently constructed temples, scattered around a pond. The mandir has two jharokas (balconies) that have been severely damaged. The temple's ceiling is undecorated, and lime-plastered.
Hinglaj temple
An important Shakti Peeth of Goddess Sati, Hinglaj Mandir or Nani Mandir is situated in Baluchistan province of Pakistan. It came into existence when Lord Vishnu cut up Sati's dead body into 52 pieces so that Lord Shiva would calm down and stop his Tandava. These pieces got scattered all over the Indian subcontinent whilst Sati's head fell at Hingula or Hinglaj.
According to ancient scriptures, Lord Rama had also meditated at Hinglaj to atone for his sin of 'Brahmhatya' - killing of Ravana who was a Brahmin and a great devotee of Lord Shiva and Goddess Durga. Each year they organize a grand cultural-fair at this temple. Muslim residents actively take part in this celebration. They worship the Goddess with the same devotion as Hindus.
The temple is not in a very good state. The chairman of the committee that manages the famous Hinglaj Mata temple was kidnapped just two days before the beginning of the shrine’s annual pilgrimage, according to a media report in April 2012.
Gori temple
The Jain temples of Tharparkar are among Pakistan’s major archaeological monuments. The most impressive of them all, Gori Temple, is located in the village of Gori between Islamkot and Nagarparkar in Tharparkar district. This partly ruined temple is mysterious since it has been abandoned for a long time. Authors in the past have yearned to find out about the current status of this long lost place of worship.
The Gori temple was dedicated to Lord Parshwanath, the 23rd Jain prophet who preached in the 8th century BC. Several Jain texts give an account of the history of the temple and legends surrounding it. The text “Shri Gaudi Parshvanath Stavan” by Nemavijaya was written in Tharparkar region itself. The temple is built in the classical Jain style. It has one main temple surrounded by 52 smaller shrines, each housing one or more images of Jain prophets. It has 52 domes and its interiors were adorned with paintings.
Gori temple became a famous pilgrimage centre. Setting aside legends and tradition, there is still something that makes the Gori temple unique – the paintings within the ranga-mandap dome. These paintings are older than any other frescos in the Jain temples of North India, with the exception of Ellora. In India, the temples have been renovated and any old frescos have been painted over. Gori paintings are also older than any other surviving frescos in Pakistan, with the possible exception of some Gandhara fragments.
Mari Indus temple
High above the mighty Indus temples were built from the sixth to the eleventh centuries A.D. Largely ignored by scholarship in this century, and orphaned since partition, these structures form an important missing link in the history of architecture. The far northwest in ancient India what now is the Northwest provinces of Pakistan, Swat, and parts of Afghanistan has many structural remains we can associate with Hindu mythology.
Sharada Peeth
Sharada Peeth, located near Sharda in Pakistan-occupied-Kashmir (Pok), is the famous temple of goddess Sarasvati (Sharda) on the banks of Kishenganga River. Its ruins are near the Line of Control (LOC) between the Indian and Pakistani-controlled portions of Kashmir and Jammu. Kashmir was a high established centre of learning of vedantic works until invaders from central-Asian countries came and destroyed it. Indigenous script of Kashmir is named after the deity Sharada Devi.
It is one of the most established Shakti Peethas formed due to the falling of body parts of the corpse of Sati Devi, when Shiva carried it and wandered throughout Aryavartha in sorrow. There are 51 Shakti Peeth linking to the 51 alphabets in Sanskrit. Each temple has shrines for Shakti and Kalabhairava. Sharada Peeth is one of the 18 Maha Shakti Peetha. Devi's Right hand is said to have fallen here. The Shakti worshiped here is the goddess of knowledge, Saraswathi otherwise known as Sharada.
Prior to the partition, a fair was held at village Shardi in the month of Bhadrapada and on the eighth day of the Shukla Paksha, and devotees from all over India, flocked the place in thousands, for receiving the blessings of the Mother Sharada deity. There is a place called “Tikkar” at a distance of one and half kilometers from Kupwara, in Kashmir. From here, there is a short cut for going to Shardi which measures 40 kilometers. Many Pilgrims treaded this path only.
Guru Gorakhnath temple
The Gorakhnath temple is named after the Guru Gorakhnath achieved prosperity in this city and also influenced followers with his teachings. It is said that this temple was built on the spot where Gorakhnath did meditation in Treta Yug. The temple is situated in the Gorgathri neighbourhood in Peshawar. Gorakhnath temple was reopened in 2011 after a long legal fight or 60 years as the temple was forcefully closed by the Evacuee Property Trust Board and the Provincial Archaeology Department of Pakistan.
Gorakh Degi
It is said that Sikh Gurus used to jump into the well inside the Guru Gorakhnath temple and appear in Gorakh Degi on Warsak Road miles away. Gorakh Degi, along with most other religious sites in Peshawar, was abandoned after the partition.
Kalyan Das temple
In the middle of the area that is commonly known as Kohati Bazaar, one can see the dome of a temple which is almost hidden by the high walls of an academic institution. Here stands one of the beautiful, historic landmarks of the Rawalpindi: Kalyan Das Temple. Outside this building, there is a Government Qandeel Secondary School for visually impaired children.
On entering the main gate of the school, one is at once confronted with the sight of a magnificent architectural form which stands right in the middle of the school courtyard. This temple was named after a generous resident of Rawalpindi, Kalyan Das, who laid its foundation stone in 1850s, and as confirmed by the board – it is said that it was completed in 1880.
The Kalyan Das temple is believed to have had more than a 100 rooms and was spread over an area of about seven acres, besides a vast pond around the main temple building. Like many other temples of the city, during the partition of India, Kalyan Das temple was also left abandoned as the Hindu population left the city. Today this magnificent architectural piece still stands tall but the complex it is in is a state of decay.
The beautiful paintings engraved on the walls of the temple are fading away; the damp roof of the main architecture pours in rainy days. The rooms of the main complex are used as store rooms and are kept locked. The idols are missing but their marks attract the attention of visitors. The many spires in the temple complex are still imposing but years of neglect has made them colourless. The white paint used to brighten the complex has, in fact, buried its original floral work.
The Panj Tirath
Panj Tirath, which got its name from the five pools of water present there, comprised a temple and a spacious lawn with peeple and date trees. Years of neglect, however, was not what brought upon its ultimate demise – it was razed down in the 1970s to make way for the building of what was then known as the Sarhad Chamber of Commerce and Industry.
Sri Varun Dev temple
Situated on the seashore off Manora Cantt, Karachi this Temple is about 160 years old and has been specifically designed as per Hindu architecture. The Temple was abandoned & illegally occupied by land grabbers after the 1947 partition. In 2007, Pakistan Hindu Council brought back the sanctity of the Temple by taking a bold step to renovate the same. The Station Commander, PNS Himalaya, Manora Cantt handed over the control of this Temple to Pakistan Hindu Council in June, 2007.
The Rama Peer temple
The Rama Peer temple, which some say was 80 years old, was one of many Hindu temples in Karachi that have in recent years been the subject of property disputes involving commercial builders. It was demolished in December 2012 by a Karachi property developer.

Konark Sun Temple


Konark Sun Temple also Konarak is a 13th-century Sun Temple (also known as the Black Pagoda), at Konark in Odisha, India. It is believed that the temple was built by king Narasimhadeva I of Eastern Ganga Dynasty around AD 1250. The temple is in the shape of a gigantic chariot with elaborately carved stone wheels, pillars and walls. A major part of the structure is now in ruins. The temple is a UNESCO World Heritage Site. It is also featured on NDTV's list of Seven Wonders of India and Times of India's list of Seven Wonders of India.
The name Konark derives from the combination of the Sanskrit words, Kona (corner) and Arka (sun), in reference to the temple which was dedicated to the Sun god Surya.
The monument was also called the Black Pagoda by European sailors. In contrast, the Jagannath Temple in Puri was called the White Pagoda. Both temples served as important landmarks for the sailors
The temple was originally built at the mouth of the river Chandrabhaga, but the waterline has receded since then. The temple has been built in the form of a giant ornamented chariot of the Sun god, Surya. It has twelve pairs of elaborately carved stone wheels which are 3 meters wide and is pulled by a set of seven horses (4 on the right and 3 on the left). The temple follows the traditional style of Kalinga architecture. It is carefully oriented towards the east so that the first rays of sunrise strikes the principal entrance. The temple is built from Khondalite rocks.
The original temple had a main sanctum sanctorum (vimana), which was supposedly 229 feet (70 m) tall. Due to the weight of the super structure (70m tall) and weak soil of the area the main vimana fell in 1837. The audience hall (Jagamohana), which is about 128 feet (30 m) tall, still stands and is the principal structure in the surviving ruins. Among the structures, which have survived to the current day, are the dance hall (Nata mandira) and dining hall (Bhoga mandapa).
The Konark temple is also known for its erotic sculptures of maithunas.
Two smaller ruined temples have been discovered nearby. One of them is called the Mayadevi Temple and is located southwest from the entrance of the main temple. It is presumed to have been dedicated to Mayadevi, one of the Sun god's wives. It has been dated to the late 11th century, earlier than the main temple. The other one belongs to some unknown Vaishnava deity. Sculptures of Balarama, Varaha and Trivikrama have been found at the site, indicating it to be a Vaishnavite temple. Both temples have their primary idols missing.
A collection of fallen sculptures can be viewed at the Konark Archaeological Museum which is maintained by the Archaeological Survey of India.

Ancient Texts

According to Bhavishya Purana and Samba Purana, there may have been a sun temple in the region earlier than current one, dating to the 9th century or earlier. The books mention three sun temples at Mundira (possibly Konark), Kalapriya (Mathura), and Multan.
According to the scriptures, Samba, the son of Krishna, was cursed with leprosy. He was advised by the sage, Kataka, to worship the sun god to cure his aliment. Samba underwent penance for 12 years in Mitravana near the shores of Chandrabhaga. Both the original Konark temple and the Multan temple have been attributed to Samba.
The Periplus of the Erythraean Sea (1st Century CE) mentions a port called Kainapara, which has been identified as current day Konark.
Sun Dial and Time
The wheels of the temple are sundials which can be used to calculate time accurately to a minute including day and night. 

Second Temple

According to the Madala Panji, there was another temple in the region. It was built by one Pundara Kesari. He may have been Puranjaya, the 7th century ruler, of the Somavasmi Dynasty.

Narasimhadeva I

The current temple is attributed to Narasimhadeva I of the Eastern Ganga Dynasty. His reign spanned from 1238 to 1264 CE. The temple may have been a monument to his victory against Tughral Tughan Khan.

Dharmapada's Tale

According to local folklore, Narasimhadeva I had hired a chief architect called Bisu Maharana to build the temple. After a period of twelve years, a workforce of twelve thousand almost finished the construction. But, they failed to mount the crown stone. The impatient king ordered the temple to be finished in three days or the artisans be put to death. At the time, Bisu Maharana's twelve year old son, Dharmapada arrived at the site. Bisu Maharana had never seen his son, as he had left his village when his wife was still pregnant. Dharmapada successfully proposed a solution to mount the crown stone. But, the artisans were still apprehensive that the king will be displeased to learn that a boy succeeded where his best artisans failed. Dharmapada climbed onto the temple and leapt into the water to save his father and his co-workers.

Collapse

A lithography plate from James Fergusson's 'Ancient Architecture in Hindoostan' (1847). It depicts part of the main tower still standing.
There have been several proposed theories for the collapse of the main sanctum. The date of the collapse is also not certain.
The Kenduli copper plates of Narasimha IV (Saka 1305 or 1384 CE) states the temple to be in a perfect state.
In the 16th century Ain-i-Akbari, Abul Fazl also mentions Konark being in a proper state. The account also mentions the cost of construction being 12 years of revenue.
The cause of collapse is also placed on Kalapahad who invaded Odisha in 1568.
In 1627, the then Raja of Khurda had removed the sun idol from Konark and moved it to the Jagannath temple in Puri.
James Fergusson (1808–1886) had the opinion that marshy foundation had caused the collapse. But, the structure has shown no sign of sinking into its foundation. Fergusson, who visited the temple in 1837, recorded a corner of the main sanctum still standing. It also fell down in 1848 due to a strong gale.
According to Percy Brown (1872–1955), the temple was not properly completed and so it collapsed. This contradicts earlier recorded accounts of the temple being in a proper state.
In 1929, an analysis of a moss covered rock estimated the date of abandonment at around 1573.
Other proposed causes include lighting and earthquake.

Aruna Stambha

In the last quarter of the 18th century, when worship had ceased in the temple, the Aruna stambha (Aruna pillar) was removed from the entrance of Konark temple and placed at the Singha-dwara (Lion's Gate) of the Jagannath temple in Puri by a Maratha Brahmachari called Goswain (or Goswami). The pillar is made of monolithic chlorite and is 33 feet 8 inches (10.26 m) tall . It is dedicated to Aruna, the charioteer of the Sun god.

Preservation Efforts

An inscription from 1903 about the filling of the temple with sand.
In 1803, requests were made for conservations by the East India Marine Board, but only removal of stones from the site was prohibited by the Governor General. As a result, a part of the main tower, which was still standing, collapsed in 1848.
The then Raja of Khurda removed some stones and sculptures to use in a temple he was building in Puri. A few gateways and some sculptures were destroyed in the process. In 1838, after the depredation of the Raja of Khurda, Asiatic Society of Bengal requested conservation, but the requests were denied and only preventative of human-caused damages were guaranteed. The Raja was forbidden to remove any more stones.
In 1859, Asiatic Society of Bengal proposed moving an architrave depicting the navagraha to the Indian Museum in Calcutta. The first attempt in 1867 was abandoned as the funds ran out.
In 1894, thirteen sculptures were moved to the Indian Museum.
In 1903 when a major excavation was attempted nearby, the then Lieutenant governor of Bengal, J. A. Baurdilon, ordered the temple to be sealed and filled with sand to prevent the collapse of the Jagamohana.
In 1906, casuarina and punnang trees were planted facing the sea to buffer the site against sand-laden winds.
In 1909, the Mayadevi temple was discovered while removing sand and debris.
The temple was granted World Heritage Site status by the UNESCO in 1984.

What happened after Krishna's death?

SPEAKING TREE
Subject of curiosity
It remains a subject of curiosity and wonder as to what happened after Lord Krishna left his earthly abode. What happened to the Pandavas and what's the story actually?
Mausala Parva
In the 16th book of Mahabharata text, we get to know the story. This parva has 9 chapters. Let's resort to this Parva and find out what actually happened. There are lots of guesses and legends regarding the sequence of events but we will try to stick to the authenticity of this Parva only.
The backdrop of the story
After around 35 years of the completion of Mahabharata war, the empire is peaceful and prosperous. However, the youth of Yadavas have become frivolous and hedonistic. It's believed that Krishna's son Samba dresses up as a woman and his friends meet Rishi Vishwamitra, Durvasa, Vashista, Narada and other rishis, who were visiting Dwaraka for an audience with Krishna.
What would be the gender of the baby
In his brashness and total immodest behavior towards the revered saints, the young man playfully pretending to be a woman claims he is pregnant, and asks the rishis to predict the gender of the baby.
Cursed by the Rishi
One among them notices the prank and becomes angry, and in a fit of rage curses Samba will give birth to an iron bolt that will destroy his entire race. The news reaches King Ugrasena. It was suggested that the bolt should be powdered and cast away into the Prabhas sea. It was also ordered that no intoxicating spirits shall be produced or distributed in the Yadavas kingdom.
The curse shows its effect
The ensuing effect of the curse brings many omens. The Sudarshana Chakra disappears along with the Panchajanya, Krishna's chariot and the plough weapon of Balarama. Sinful acts multiply too. Krishna advises that they should go on pilgrimage to the sacred waters of the Prabhas sea. However, on their return, the revel in merry making, dance and drink lots of alcohol.
They fight among themselves
It is believed that Satyaki, inebriated with wine, goes over to Kritavarma, criticizes him for scheming with Ashwatthama and killing the remaining Pandavas army while they were sleeping. An argument occurs and they start fighting and killing each other.
All die except
In the meaningless war, everyone inebriated with alcohol, kills the other. Finally, Vabhru, Daruka and Krishna. Balarama survive.
Krishna also dies
Then, Balarama and Vabhru also die. Krishna asks Daruka to go to Pandavas, tell what had happened and ask Arjuna to come with help. Krishna also dies, and there's a separate story as to how he dies.
Vasudeva dies then
During his meditation, Vasudeva also dies. In the meanwhile, Arjuna arrives with help, for the Yadavas old men, women and children who are the only survivors. It's believed that there were 16,000 wives of Krishna, and along with the old men and children, all of them set off for Indraprastha.
Dwarka sinks in the sea
As they are leaving, waters rise and the city of Dwaraka sinks into the sea. Meanwhile, the entourage on its way to Indraprastha is attacked by Mlechhas and robbers.
The mighty warrior is defeated
You would not believe but the mighty hero of Mahabharata war Arjuna tries to defend but fails. His weapons fail him. Arjuna is full of doubts and is depressed.
He meets Sage Vyasa
He immediately meets Sage Vyasa. He explains that the task of Pandavas' birth is fulfilled and they should leave this world now.
Arjuna meets Yudhishthra
Arjuna immediately goes and meets his elder brother and tells him what conspired. The Pandavas decide to leave their earthly abode forthwith as they could not live in this world without Krishna.