Showing posts with label Kashmiri Pandit Festivals. Show all posts
Showing posts with label Kashmiri Pandit Festivals. Show all posts

Monday, March 31, 2025

Zang Trai: A Sacred Kashmiri Pandit Ritual of Wisdom, Love, and Prosperity

 
Zang Trai, observed on the third day of Navreh—the Kashmiri New Year and the commencement of Navaratra—is a deeply venerated tradition among Kashmiri Pandit women. This ritual, imbued with both spiritual and social significance, entails married women returning to their parental homes, symbolizing the enduring bonds of familial and sacred relationships. Upon their departure, they receive salt and monetary offerings (atghat) from their parents, which serve as emblems of prosperity, purity, and auspicious blessings for their conjugal households.

Beyond its familial and social dimensions, Zang Trai holds profound spiritual resonance within the Shakta tradition of Kashmir. It is intimately associated with the first stage of ascent in the Navaratra spiritual journey, known as the Vagbhava Koot, which signifies the awakening of divine wisdom.

The Three Sacred Units of Navaratra: A Spiritual Progression Through Divine Energy

The nine nights of Navaratra are traditionally segmented into three triadic phases, each representing a distinct aspect of the Goddess’s energy and the devotee’s spiritual progression:

1.     Vagbhava Koot (Days 1–3): The Awakening of Divine Wisdom

o   Zang Trai is observed within this initial phase, which is dedicated to Vak Shakti—the sacred power of speech and wisdom.

o   In ancient times, the Rishikaas (wives of the Sapta Rishis) are believed to have assembled during this period for spiritual discourse, fostering enlightenment and communal wisdom.

o   The contemporary custom of daughters visiting their parental homes on Zang Trai is a reflection of this ancient tradition, reinforcing reverence for feminine wisdom and the sanctity of kinship.

o   The Devi Kavacham, a Vedic hymn, associates the Zang or Jangha (thighs) with Sarva Kaama Pradayini Devi, the divine bestower of all desires. Here, Kaama transcends materialistic aspirations, representing the soul’s intrinsic yearning for divine love and ultimate truth.

2.      Kameshvari Koot (Days 4–6): The Fulfillment of Divine Desire

o   This intermediary phase embodies the refinement of spiritual longing (Iccha Shakti), wherein practitioners’ transition from external rituals to internal devotion.

o   The Goddess is venerated as Kameshvari, the divine bestower of transcendental love, guiding seekers toward inner transformation and spiritual fulfillment.

3.      Bhagamalini Koot (Days 7–9): The Manifestation of Supreme Splendor

o   The concluding triad culminates in the revelation of the Goddess’s supreme power (Bhaga), wherein she manifests as the cosmic sovereign.

o   Ritual observances intensify, incorporating yagnas (fire offerings) and meditative practices aimed at spiritual liberation (moksha).

Zang Trai: A Living Tradition of Shakti and Social Harmony

Zang Trai seamlessly interweaves metaphysical symbolism with cultural practice:

  • Salt (Namak): A representation of purity, preservation, and the quintessence of life.
  • Monetary Gift (Atghat): A symbol of prosperity and parental blessings for the daughter’s marital household.
  • Sacred Feminine Assemblies: The ritual echoes the ancient congregations of Rishikaas, underscoring the historical role of women in spiritual and communal enrichment.

To this day, Zang Trai remains a testament to the enduring legacy of Kashmir’s sacred feminine traditions. It is a celebration where devotion, familial affection, and divine grace coalesce in an enduring homage to wisdom, prosperity, and spiritual abundance.

Conclusion

Zang Trai is not merely a ritual; it represents an intricate confluence of cultural heritage and spiritual ascent. It encapsulates the essence of the first spiritual triad of Navaratra, wherein Kashmiri Pandits honor both the cosmic journey of the Goddess and the sacred familial bond between parents and daughters. Through this observance, the interconnectedness of wisdom and devotion, the material and the transcendental, is reaffirmed, perpetuating a tradition that bridges the earthly and the divine.

Friday, March 22, 2019

Teela Aetham

Teela Aetham festival is celebrated by Kashmiri Pandits. This is a festival held on the 8th day of the bright fortnight of Phalguna month (February - March) of the lunar calendar.
In effect it is the culmination of the Shivaratri festivities as also bidding adieu to the shivering winter. To begin with, pooja is offered at home and a number of oil lamps are lit. These lamps are taken to the river bank and floated on grass bases in the river after the prescribed pooja. Afterwards, old Kangris (fire pots) are filled with grass. A long rope is tied to its handle and fire is lit in it. Then the kangri is moved round and round in circles rhythmically till the whole kangri burns down. Then it is hurled faraway into the waters of the flowing river. While doing so the children cryout, ‘Jateen teen, Jateen teen’; meaning that it is a flame, it is burning.

Sonth

Sonth for Kashmiri Pandits heralds the Spring season, similar to Navreh which is the New Lunar Year. It is customary in Kashmiri Pandit community to celebrate with ‘Thal Barun’ (loosely translated as filling of plate). A plate is filled overnight with rice, yoghurt, milk, nuts, cake, flower, bread, pen, gold coin, vhy (a herb root), picture of a deity or the goddess, except for to place the new Panchang which is done only on the occasion of Navreh.
This is kept covered for the night and early in the morning every member of the family views the contents of the plate, first thing after getting up from the bed and seeks blessings for the year to follow.
It is considered as an omen of prosperity, happiness and knowledge. In earlier times people would go to the river bank, take a dip and throw these nuts in the water then offer Puja at homes or in temples.
A Vedic explanation of Sonth (Thal Barun) is explained as follows;
Ancient Vedic Rishis have bifurcated our Solar system into 12 slots known as 12 signs (Rashi’s).
Each slot comprises of 30 degrees out of total of 360 Degrees.
Sun takes a month i.e. 30 days to cover these 30 degrees and when ever Sun enters new 30 degree slot (sign or Rashi) that event or Day is known as Sankrati.
There are total 12 Sankrati in a solar year except during Malmass year wherein the name of 13th Sun is known as Malinmunch (mal mass).
While as the Moon takes only 2.25 days to cover a 30 degree slot. Moon covers the entire ecliptic path in just approximately 29 day while as sun takes a year.
Whenever creation of this Universe started, it must have started from 0 degree.
We celebrated our new year when both Sun and Moon reach to their starting point and that happens on Navreh day.
The Solar year reaches to its last slot of 30 degrees, when sun enters Meen Rashi - Pisces. The Sun as usual stays in this last slot for 30 days.
The day when Sun enters last slot to reach Zero degrees to start its new year is known as Sonth.
Sun remains in this last slot from Sonth day upto Vaishakhi day.
Meanwhile Moon too completes the 2.25 days in Pisces – Mean Rashi to reach 0 Degree, the day of Navreh.
The dark fortnight of Moon during this last slot is known as Kreel Paksh. This fortnight was used to give a just of calander for queries if any from public. Those queries were incorporated in new Jantri to be used on Navreh.
We start the Solar year from Sonth and Lunar from Navreh.


Wednesday, March 6, 2019

Herath (Shivratri)

Herath (Shivratri)

Kashmir has been a spiritual seat since ancient times. Kashmiri Pandits are Shaivites andHerath (Shivratri) is the most important festival of Kashimri Pandit community who are the ancient and original inhabitants of Kashmir.
This festival has the same importance in Kashmir as Durga Pooja in Bengal, Ganesh Pooja in Maharashtra, Ayyapa festival in south India, Holi in the Braja Dham and Jagannath festival in Orissa.
Herath (Shivratri) finds its reference in various sacred texts like - ‘Nilmat Puran’ of the sixth century Sanskrit text of Kashmir, 'Shivastrotravali' by Shaivite philosopher Utpal Dev of the eighth century, 'Tantraloka'and 'Pratyabhijna Darshnam' by Abhinav Gupt, 'Sivadrashti' by Acharya Somananda and 'Rajtarangni' by Kalhan which have contributed immensely towards the enrichment of Kashmir Shaivism.
Shivratri is called ‘Herath’ in Kashmiri, a word derived from the Sanskrit ‘Hararatri’ the ‘Night of Hara,’ which is another name of Shiva also it is the night of the Tandava for Shiva, but the grace of the Watuka Bhairava makes that Tandava into the auspiciousness of higher bliss.
Kashmiri Pandits worship Lord Shiva in His both forms of Shiva and Shakti. Shakti for us is the Goddess Raginya, Sharika, Kali or Durga, who are the energy aspects of Lord Shiva. Worshipping Lord Shiva leads to the cosmic mother, who offers solace, protection and divine grace to one and all.
Accordingly, the ultimate Truth or Supreme Reality is Lord Shiva Himself and the whole creation is His manifestation.Lord Shiva represents the life cycle of living beings. It is due to this very fact that walnuts are used in the Shivratri Pooja. Walnuts, known in Kashmiri as 'doonya' is a seed, which in reality represents a complete life-cycle i.e. the beginning and end of life. It is also a miniature representation of our universe and is symbolic of our respect for the entire cosmos. The four kernels of the walnut are also believed to represent the four directions of the hemisphere and the four Vedas.
Kashmir Shaivism, also called Trika Shastra is the philosophy of triad, which comprises Shiva-the Universal consciousness, Shakti-the Divine energy and Nara-the human soul. Kashmir Shaivism is the exploration and realization of the divinity within ourselves. Lord Shiva is also known as Mahadeva-the Great God, Triloki Nath-the Lord of three worlds, Umapati, Gauripati, Parvatipati, Chandrashekhar-the moon-crested, Gangadhar-the bearer of Ganga, Girisha-the mountain Lord, Mahakal -the Lord of death, Pashupati-the Lord of beasts and Vishwanath-the Lord of Universe. HE is the Lord of his spiritual consort, the Goddess Parvati, which in reality is the cosmic energy. The union of Lord Shiva with Shakti is Shivratri, also known by the names of Mahashivratri, Kalratri and Talaratri.
In Kashmir we celebrate Herath (Sivratri) with the grand ritual of Watuka Pooza. Watuk is actually word Batuka, the young Bhairava - that is Shiva.
CELEBRATION DATE
Herath (Shivratri) is celebrated on trayodashi or the thirteenth of the dark half of the month of Phalguna (February–March) by Kashmiri Hindus and not on chaturdashi or the fourteenth as is celebrated by Hindus in the rest of the country. The reason for it is that this long drawn festival that is celebrated for one full fortnight as an elaborate ritual is associated with the appearance of Bhairava (Shiva) as a jwala-linga or a linga of flame.
As per a prevalent belief in Kashmir, the Divine Couple of Lord Shiva, and Goddess Parvati visit the devotees homes on the night of Mahashivratri and are said to stay as Divine Guests upto Amavasya, known as 'Doonya Mavas' (15th day of Phalgun Krishnapaksh).
ORIGIN OF SHIVRATRI
The origin of Shivratri is attributed to several stories in Hindu mythology.
One very popular story traces the origin of this festival to the churning of the Ocean of Milk by devas (gods) and asuras (demons). It is said that when both gods and demons were churning the Ocean of Milk to obtain amrita (water of immortal life), they came across many unusual substances, including the deadly poison Kalakuta. As soon as they touched the poison, it exploded into poisonous fumes that threatened to envelope the entire universe by darkness. When the destruction of the universe seemed inevitable, the gods ran for assistance from Brahma and Vishnu, but neither was able to help. At last they ran to Lord Shiva, who raised his trident and condensed the fumes. In order to save the creation, Shiva swallowed the poison without spilling a single drop. The poison left a dark blue mark on Shiva's throat. The gods praised and worshipped Shiva for saving the universe.
The philosophical essence of the above myth is as follows: gods and demons symbolize all kinds of individuals (both good and bad) in the world. The Ocean of Milk represents the ideal world that is full of peace and happiness for all human beings. Churning the Ocean of Milk signifies the human activity in the world. The amrita symbolizes happiness and the poison represents human greed and selfishness. Shiva symbolizes the atman (self), the spiritual essence of an individual. Worship of Shiva denotes meditation and contemplation by an individual on his or her own self.
The above story is symbolic of the fact that individuals perform actions in the world in order to achieve happiness. In this process a person is usually overpowered by greed and selfishness, ruining his or her efforts for obtaining peace and happiness. Thus the only way to achieve peace and happiness is by worshipping Shiva at night, that is, by meditating on one's own self during the night when the individual is free from the distractions of the physical world. When the individual attains self-knowledge, he or she can live in the world without being affected by anger, greed, and selfishness, the three enemies of one's soul. Shlce Shivratri symbolizes the worship of the atman within, this festival is celebrated as a purely religious festival by all Hindus, as stated earlier.
According to sacred texts at this time a forceful natural upsurge of energy is said to take place in the human system, which advances the process of soul purification and enlightenment. This energy in combination with the significant planetary positions help in the upward flow of the energy flow in the human beings. These energy forces help us to overcome the Karmas and raise one's consciousness beyond the veil of illusion resulting in the intensification of the spiritual process.
Another story in Hindu mythology also emphasizes the auspiciousness of Shivratri: On the day of Shivratri, a hunter, who had killed many birds in a forest, was chased by a hungry lion. The hunter climbed a Bilva tree to save himself from the lion's attack. The lion waited throughout the entire night at the bottom of the tree for its prey. In order to stay awake to avoid falling from the tree, the hunter kept plucking the leaves of the Bilva tree and dropping them below. The leaves fell on a Shiva Linga that happened to be located at the bottom of the tree. Shiva was pleased by the offering of the Bilva leaves by the hunter, although inadvertently, and saved the hunter in spite of all the sin the hunter had committed by killing the birds. This story emphasizes the auspiciousness of worshipping Shiva with Bilva leaves on Shivratri.
SCHEDULE
Herath (Shivratri) festival starts on the first day of the dark fortnight of Phalguna, with cleansing and renovation of the houses and concludes on the Amavasya day with the distribution of Prasada of Doonya (walnuts)and Chochi Waer (rice flour roti) after performing theprescribed Pooja.
Day 1
Hur`i Okdoh: This day marks the beginning of the fortnight long Herath festival for KashmiriPandits that ends 15 days later on Amavasya.
Day 1 to Day 6
Hur`i Okdoh to Hur`i Shiyam: The first day of celebration to the sixth day is to clean,known as Hur Dalun. Also house as required is painted and decorateto give it a festive look.
The Pooja room called Thokur Kuth and the front door called Dar are specially cleaned, one for the pooja and the other to welcome Shiva and Parvati, whose communion is the real essence of Shivratri.
After Hur`i celebration, Hokh`u Siyun/ dried vegetables are not cooked as a dish. There is a logic behind it. Since the Watuk Raz is to be invoked with serenity, thus there should be something new vegetable to be offered, which could be easily available.
Day 7, 8 and 9
Hur`i Sattam, Hur`i Atham and Hur`i Navam: The eighth day called Hur`i  Aetham is the day of the presiding deity of the valley, Maa Sharika. On this day we have Havan at Hari Parbat and night long Keertan. It is on ' Hur`i -Navum' that ladies especially newly-wed Kashmiri Pandit brides visit their parental homes.
Day 10
Dyare Daham (Dashmi): On this day when ladies / newly-wed Kashmiri Pandit brides return from their parental homes, they bring alongwith them ‘Herath - bhog’ the 'Kangri' (the traditional fire-pot) with a silver tsalan dangling behind it, a pack of salt, 'rotis' (bread), new clothes and some money locally called 'Atagut' as 'Shivratri Shagoun'.
It is on this day that vegetarian or non-vegetarian food are cooked as per the family ritual or 'reeth'.
Day 11
Gada Kah (Phagun Gatapach Kah): On the eleventh Tithi of the Phalguna Krishna Paksha, the Fish is cooked and offered to the Ishtadeva to seek his blessings for the Anushtthanam / invoking deliberations of the Wagura on the following day. Wagura is the Tantric net, which needs to be woven with the Shri Raja Rajeshvari Mantra, which is the Reshi Dulij of the great event. It is purely Sattvic, as the name Reshi Dulij suggests. Only vegetarian food, milk and candies are offered to this cosmic shape of the Divine. The main event is on the Shiva Ratri day deliberations, according to the Kula Riti/ family tradition.
Day 12
Wager Baah: It is customary to have Wagur pooja on this day, which is the first formal pooja of the Shivratri. A small earthenware pot known as 'Wagur' is installed amidst elaborate rituals in the pooja-room, locally known as 'Watuk-Kuth'.
At sunset, tie a narivan around a small pitcher (wagur: the priest: the messenger) and offer tilak. The messenger brings the good news about Shiva and Parvati visiting next day.
Another tumbler or pitcher is filled with water and walnuts (called kalusha: the witness: the mind). The priest and kalusha sit on grass mats. In the evening after performing 'Wagur Pooja', cooked rice, vegetarian or non-vegetarian dishes depending upon one's individual family 'reeth' or ritual are offered to the 'Wagur'.
Watuk Raz Parivar is to be bought from the potter in the Deity form of Watuk Bhairava, Ram Go`d, Reshi Dulij, Sani-Potul, Khetra Pal, Dupu Zoor. It was necessarily bought after Hur`i Satam upto Wage`r Baah.
Watuk Parivar needed for the occasion should be preferably of baked clay. Nowadays brass/steelis also used depending on availability.
Day 13
Herath (Shivratri): The thirteenth day called Herach Truvah (trayodashi) is the day of the main pooja. Shiva and Parvati come to stay in the home. The eldest male in the family keeps a fast and an elderly lady of the family fills-up the earthen-pitcher designated as 'Watuk-Nout / Ram Go`d' with fresh water and walnuts, usually 101 or 151. This ritual known as 'Watuk-Barun' is performed before the sun-set.
The 'Watuk-Nout / Ram Go`dis a symbolic representation of Lord Shiva, whileas a other earthen-pitcher, called 'Reshi Dulij' placed adjacent to the 'Watuk-Nout' represents the Goddess Parvati.
The smaller earthenwares such as 'Sanivari/Khetra Pal' (two in number), 'Machvari' (2-4 in number) a hollow cone-shaped 'Sanipatul' representing lord Shiva and a 'Dhupzoor (an earthen dhoopstand) are suitably placed near the 'Watuk-Nout'.
Sani Patul represents the cosmic creation of the Shiva Shakti in One Emblem. ‘Sini’ is a Sanskrit word, which refers to the woman having a white complexion and ‘Putula’ in Sanskrit language means the icon of Shiva. So Sani-Patul is the Shiva Shakti Eka Rupani /Shiva and Shakti are one in essence, which is the base of the Kashmiri Herath.
Wusur and A’ir is Prithvi Tattva or the Earthly existence. Wusur is the Apbhramsha of the word Wasura, which denotes existence of the Mother earth. That is the reason the Wusur is made of Petchi Diyol, a special weed of the Dal lake. As Mother earth is both soil and the water. The dried Petcha grass known as diyol is put in three whirls with a knot, to represent the Trigunatmak Prakriti of Sattva-Rajas-Tamas.It is placed at the bottom of the Watuk Raz`u. Ram Go`d, Reshi Dulij and two Khetrapals, the guardian deities of the great event. Wusur is an offering of garland and A‘ir is an Asana/seat. It is to invoke the Kundalini Shakti within the aura of Watuk Raz. The Deities are wrapped properly with the garland. This is the very start of the Thirty six Tattvas of the Trika Shasana/ Darshanas or popularly recognized as the Kashmir Shiva Darshan to start with the Prithvi Tattva. The Shasta /Principal deity of the Five day Pooja is the Watuk Raz`u. The thirty six Tattvas is the universal Existence of Shiva, where Shakti helps Shiva to manifest as a universal Spirit. The Watuka Paddhati establishes that fact.
Mystical Diagram of the Watuka Bhairava:
In every Kashmiri Pandit Religious Anushthana, we need to invoke the Kalasha Purusha, with mystic diagrams to be drawn by the Rice flour. The Yantras differ from one deliberation to another. The Kalasha are of two types. The First is the Brahma Kalasha and the other is the Indra Kalasha. Brahma Kalasha is purely the Hiranya garbha, which needs to be invoked through the Atharva Vedic Ganapati Avahan, followed by the Panchayatan Deva Vedic Suktas of Ganesha, Surya Vishnu, Shiva and Devi. The Puranic Mantras are also recited during invocation, followe by the Tantric Bijaksharas. You know it well, that Kalash Doonya is highly revered and is the First Naivedya after the Hasta Phalam/ Athi Phol’u is offered and Shanti Mantras are recited. This is known as the Achhidra of the Deliberationa/Anushthhanam. The walnuts are offered to the Kalasha Purusha, because Walnut is the Ritu Phalam of Kashmir, which are easily available in the whole cycle of the year. Offering of Ritu Phalam is purely Puranik in substance, as it is the fifth step in the Panch Upchara Pooja.
After the Pooja Mahimnapar is recited. This is one of the favorite prayers with Kashmiri Pandits (Pushpadanta Mahminaparam) that extols the virtues of Shiva. It was written by Pushpadanta to appease and pray to Shiva to lift the curse on him for stealing flowers meant for Shiva’s worship. At the end of the Pooja, all the water used in the Pooja (nirmaal), flowers, rice cakes offered to Watuk, and any offerings to the departed are collected and deposited under a shade tree. The eldest person in the household now can break his fast and the feast is enjoyed.
Day 14
Salaam: The day following 'Herath' called 'Shiva chaturdashi' is locally known as 'Salam.'Morning pooja is offered to the Watuk. Rice cakes and walnuts are eaten as Prasad / Naveed.
As part of the ritual, special vegetarian or non-vegetarian dishes according to one's family ritual or 'reeth' are offered to the 'Dulij'. On this day, all the family members and near relatives are given pocket-money called 'Herath-Kharch' by the head of the family.
During Shivratri days, playing of indoor-game with the sea-shells, locally called 'Haren-gindun' is a usual practice especially among the children.
Day 15
Doonyaya Mavas: (walnut Amavasya - day of Parmozun). The day Shiva and Parvati return to the Himalayas.
Late in the evening, pooja is performed either on the river bank (Yarbal) or at home as per the family tradition. The practice of performing pooja of walnuts taken-out from the 'Watuk-Nout' called as 'Watuk Parmozun'.
Then we empty the pots, collect water and flowers in a large bucket. Keep the wet walnuts at home. Later on carry the bucket and empty it under a shade tree. Return home to enjoy rice cakes and walnuts.
It is a usual practice in most of the house-holds, who perform pooja at the river-banks to allow the head of the family to enter the house only after he promises blessings and boons in the form of health, wealth, education, employment, peace and prosperity to each and every member of the family.
The conversation in Kashmiri, which takes place between the head of the family (who is outside the closed door, and senior lady of the house goes like this, "thuk or dubh-dubh', kous chuv?, Ram Broor 'Kya Heth?, Anna Heth, Dhana-Heth Doarkoth,  Aurzoo Heth, Vidya, Kar-bar, Te Sokh Sampdha Heth.'
Prasad(Naveed):
Shivratri 'naveed' in the form of water-soaked Doonya (walnuts) and chochi waer (rotis), distributed among near and dear ones during the period of 'Doonya-Mavas' to Tila-Ashtami, locally known as 'Tile-Aethum', which falls on Phalgun Shuklapaksh Ashtami.
The walnuts are broken to take the kernel out and along with chochi waer (rotis) made of rice flour are first offered to the deity and then taken as prasad.
Day 16 to Day 22
Distribution of Prasad / Naveed:
From this day begins an arduous task of distributing the walnuts among friends, relatives and neighbours. The closer the relationship the larger is the number of walnuts given to them. The highest number, in hundreds, goes to the in-laws of the newlywed daughters along with noon (salt), chochi (roti), atagat from her parental home.
Why Walnut?
Walnut is the Rituphal for all religious functions, where Agni is to be invoked, Kalasha is to be installed, there walnuts are put in the Kalasha and being sanctified with the Shanti Mantras, Bahuroopa garbha, Rudra Mantra, as is being practiced in case of the Shiva Ratri. After the Pooja is over, the ‘Kalash Lav’ is sprinkled with Shanti and Swasti Mantras of the Vedas, Athifo`l/ Purna Ahuti Samagri is a must. Walnut symbolizes the four Vedas in one nut. It is the symbol of the Haranyagarbha as well.
Day 23
Tila-Ashtami:
Seven days after Doonyaya mavas, on the day called Teel Aatham, one lights an adobe lamp outside the house on the stoop. A number of earthen oil lit lamps are placed at different places starting from one's home to the river-bank (yarbal) and also one of the oil lamps is made to float on the river with its base seated on grass ring or 'arie'.
The day of 'Tila-Ashtami' also signals the end of the severe cold of winter and advent of the pleasant season of spring, locally known as 'Sonth'. On this day, the change-over of season is celebrated by children by burning old fire-pots (Kangris), stuffed with dry grass and tied with long ropes are rotated around in the air, all the time uttering the words of 'Jateen-Tantah'. It marks the final good-bye to the holy festival of Mahashivratri or 'Herath'.
Disposal of the residual material i.e.; grass seats of the Watuk, the flowers and Naervan tied round these pots and other such things into the river is done on the Tila Ashtami, and this marks the grand finale to this great festival. 
Jotshi Prem Nath Shastriji audio tape for a relatively simple Watuk-Pooja together with a Mahimna Stotram can be obtained from Youtube.
Source: Various articles on Herath (Shivratri)

Friday, February 10, 2017

Kaw Punim

Kaw Punim is one of the unique festivals of the Kashmiri Hindus. The full moon of the lunar month Magha is also known as Purnima of the crow. Two sticks are tied in the shape of a cross and on the open ends of the cross grass is woven to make a long handled flat spoon. Again after some pooja, yellow rice is served on this spoon to be offered to the crow. The children sing a melodious song while making the offering to the crow. The song loosely translated reads thus:
Kaw Bhatt Kawo,
Khechrey Kawo.
Gangabala Sharana Karith,
Gurey Mechey Tyoka Karith.
Walbha Saney Larey Pyeth,
Dal Bata Khyene
(O clever crow;  
O, the lover of khichri, crow;  
Come to our new house along with your spouse;  
Be seated on the threshold of our roof – 
And partake of the salty pudding)


This festival is indicative of the love that the Kashmiris have had for the birds and the care they took of them. It may be worth mentioning that every Kashmiri household will scatter some cooked rice on a wooden shelf kept outside the house everyday before serving food to any member of the house. This shelf kept near the top right hand corner of the window is called Kaw paet - a shelf for the crow. Likewise every person keeps apart a little rice from his or her plate to be fed to the dogs. This is called Hoonya myet - the roll of rice for the dog. This shows the compassionate nature of the Kashmiris for the animal world. No doubt the Gita defines a Pandit as one who treats equally a well read Brahmin, a cow, an elephant, a dog and a downcast chandala who devours dog-flesh.

Ratha Saptami








Ratha Saptami or Rathasapthami (Magha Saptami) is a Hindu festival that falls on the seventh day (Saptami) in the bright half (Shukla Paksha) of the Hindu month Maagha. It is symbolically represented in the form of the Sun God Surya turning his Ratha (Chariot) drawn by seven horses (representing seven colours) towards the northern hemisphere, in a north-easterly direction. It also marks the birth of Surya and hence celebrated as Surya Jayanti (the Sun-god’s birthday).
Ratha Saptami is symbolic of the change of season to spring and the start of the harvesting season. For most Indian farmers, it is an auspicious beginning of the New Year. The festival is observed by all Hindus in their houses and in innumerable temples dedicated to Surya, across India.
Sun worship is deep rooted in the Vedas of the Hindu religion and its antiquity also relates to several mythologies of the world such as that of China, Egypt and Mesopotamia. The Gayatri Mantra jap – the sacred Vedic chants to Savitr (Sun god) – is recited by the Hindus every day with great reverence. As the puranic Hinduism evolved, the worship of Sun was established.
In the Rig Veda Mandala 10/Hymn 85, the sun god's bride seated on a chariot pulled by two steeds is mentioned. This symbolism is therefore common to both Norse mythology and Vedic history.
The relevant verses (translated from Sanskrit by Ralph Griffith) are as follows:
10.       Her spirit was the bridal car; the covering thereof was heaven: Bright were both Steeds that drew it when Surya approached her husband's, home.
11.       Thy Steeds were steady, kept in place by holy verse and Sama-hymn: All cars were thy two chariot wheels: thy path was tremulous in the sky,
12.       Clean, as thou wentest, were thy wheels wind, was the axle fastened there. Surya, proceeding to his Lord, mounted a spirit-fashionied car.
Religious significance
Ratha Saptami is symbolically represented in the form of the Sun God Surya turning his Ratha (Chariot) drawn by seven horses, with Aruna as the charioteer, towards the northern hemisphere, in a north-easterly direction. The symbolic significance of the ratha and the seven horses reigned to it is that it represents the seven colours of the rainbow. The seven horses are also said to represent the seven days of a week starting with Sunday, the day of Sun god Surya. The chariot has 12 wheels, which represents the 12 signs (each of 30 degrees) of the Zodiac (360 degrees) and constituting a full year, named Samvatsara. The Sun’s own house is Leo (Simha) and he moves from one house to the next every month and the total cycle takes 365 days to complete. The Ratha Saptami festival seeks the benevolent cosmic spread of energy and light from the Sun God.
Ratha Saptami also marks the gradual increase in temperature across South India and awaits the arrival of spring, which is later heralded by the festival of Ugadi or the Hindu lunar New Year day in the month of Chaitra.

Legends

Ratha Saptami also marks the birth of Surya to sage Kashyapa and his wife Aditi and hence celebrated as Surya Jayanti (the Sun-god’s birthday). A legend is narrated by the Kamboj empire’s King Yashovama, a noble king who had no heir to rule his kingdom. On his special prayers to God, he was blessed with a son. The king’s vows did not end with this, as his son was terminally ill. A saint who visited the king advised that his son should perform the Ratha Saptami pooja (worship) with reverence to rid of his past sins. Once the King’s son performed this, his health was restored and he ruled his kingdom well. It is also said that sage Bhisma breathed his last breath fourth day after the Rathasaptahmi day on ekaadashi
Religious Observances
God Vishnu in his form as Surya (the Sun-God) is usually worshipped on this day. Usually, Rathasapthami begins in households with a purification bath (bathing is also done in a river or sea) by holding several Ekka (Calotropis Gigantea) leaves on their head while bathing and chanting a verse which is supposed to invoke the benevolence of the Lord in all that one indulges in during the rest of the year. Argyam or (Tharpanam) (water held in the palms) is offered to the Sun God on this day while chanting hymns are performed to the Sun God. It also involves doing a puja with the ritual Naivedhya (food offering to God), and offering of flowers and fruits. Important prayers offered to the Sun god on this occasion are the Adityahridayam, Gayathri, Suryashtakam, Surya Sahasram namam. The preferred time for the pooja is within one hour after sunrise. In places like Mysore and Melkote, ceremonial processions carry the Surya Mandala - the icon of Surya.
Ekka leaves (in Kannada), are also known as Arka (in Sanskrit, meaning a ray or flash of lightning) leaves, Jilledu in Telugu, Erukku in Tamil and Calotropis Gigantea (bowstring hemp) in English. Arka is also a synonym for Surya or Sun. Its significance to Sun God could be compared to the significance of Tulsi (Ocimum tenuiflorum) leaves to Vishnu. Arka leaves are also used for worship of god Ganesha known by the name Arka Ganesha and also for Hanuman worship. Its stems, called samidha (sacrificial offerings of wood) are used for the Yagna ritual as a sacrificial offering to a ritual fire. Its shape is said to represent the shoulders and chariot of Sun God. Its use during the ritualistic ceremonious bath involves placement of seven leaves - one on the head, two on the shoulders, two on the knees and two on the feet. On this day, in South India, Rangoli is drawn with coloured rice powder depicting a chariot and seven horses as symbolic of the Ratha Saptami. Cowdung cake is also burnt at the centre of this depiction and milk boiled on the fire is offered to the Sun God. In some of the important Vaishnavite temples such as the Tirumala, Sriangam, Srirangapattana and Melukote, Ratha Saptami is one of the important festivals of the year. Annual Car Festival of Lord Veera Venkatesha of Sri Venkatramana Temple in Mangalore is held on this day and is famously known as Kodial Teru or Mangaluru Rathotsava.

In Tirumala

On Ratha sapthami a one-day Brahmotsavam is held in Tirumala.On this day, the presiding deity of Lord Malayappa Swamy along with his divine consorts Sridevi and Bhudevi are taken to a procession in Thiru Mada streets in Tirumala. The deities carried out in a jubilant procession around the Thiru mada streets encircling the holy Shrine of Balaji on seven different vahanams(sapthami=seven) .Due to this reason the day of RathaSapthami is called as "Mini-Brahmotsavam" in Tirumala.The day starts with 'Surya prabha vahanam' at early morning followed by Sesha, Garuda, Hanuman, Kalpavriksha, sarvabhoopala vahanams respectively.The day is ended with the Chandra prabha vahanam. 

Monday, March 23, 2015

Zang Trai

Zang Trai falls on the 3rd day of the Navreh. On this day all the Kashmiri Pandit Women visit their parental house as a ritual and on their return their parents give them salt and atghat (some money) as a token of prosperity and good omen.
Zang Trai is associated with the first unit of ascent in the Shakti tradition of Kashmir, Known as Vagbhava koot. The nine days of Navaratra are divided in "Three units of deliberation", the First Deliberation is revered as the Vagbhava Koot, the source of Vaakh Parampara (tradition) in Kashmir. The Rishikaas (wives of Sapta Rishis) would hold their own deliberations for their spiritual enlightenment and social awareness. This type of socio-spiritual gathering was convened by the parents of the Rishikas. A wonderful social interaction and respect for daughters is seen in this deliberation.
The Devi Kavacham also establishes that Zang/Jangha in Sanskrit is the abode of Sarva Kaama Pradayini Devi. Here Kaama means the inner recesses of the heart filled with love and dedication.