Showing posts with label Kashmir. Show all posts
Showing posts with label Kashmir. Show all posts

Monday, January 7, 2019

Sharika Bhagwati Hari Parbat


“Hari Parbhat” also known as “Sharika peeth” is one of the holiest sacred Place for the Hindus of Kashmir.It is the abode of Mahashakti, the Divine Mother Jagatamba Sharika Bhagwati, also known as Maha Tripursundhari or Rajrajeshwari (locally called as harie). The eighteen armed Goddess Sharika is regarded as the Presiding Deity (Isht - Devi) of Srinagar city. The Godess Sharika is represented by a Sayambhu’ Shri Chakra (Mahamaha Shri Chakra), also called Mahashriyantra, which consists of circular mystic impressions and triangular patterns with a dot (bindhu) at the Centre. The mystic Shri Chakra engraved on a vertical holy rock (Shila) is located at the middle of western face of Hari Parbat. The shrine can be approached from Deviangan by a flight of chiseled stones, numbering one hundred and eight. The number one hundred and eight has mystical significance in Hindu mythology.
As per the ‘Visishtadhvaita’ doctrine, ‘Shri’ is the Divine consort of the Lord and is said to play on intermediatory role between God and the human soul.
The Shrine of Chakrishwar has been a place of worship from the day, the Goddess Sharika manifested Herself in the form of a ‘Shila’ on the Hari-Parbat.
To worship the Supreme Godess, the devotees used to go to Hari Parbat regularly and reach the Shrine of Chakrishwar to be at the holy feet of the Divine Mother in the wee hours of the morning. Phagun Krishna Paksh Ashtami (Hora Ashtami) and Ashad Shukla Paksh Saptami, Ashtami and Navami (Har Satum, Har Aatham and Har Navum) are the auspicious days for the devotional congregational prayers at the Sharika-peeth Chakrishwar.Ashad Navami (Har Navum) is said to be the Birthday of Sharika Bhagwati.
Shree Yantra or Shree Chakra
Shree Yantra is considered one of the most auspicious, important and powerful Yantras. While this Yantra has been used as a source of attaining all worldly desires and wishes, the Yogis, saints and spiritual personalities, by virtue of their devotion, have used it as an instrument to attain the ultimate.
To attain the ultimate, the great spiritual personalities have always focused their energies on a “Swayambhu” Maha Shree Yantra considered to be in the old city of Srinagar, Kashmir. While in India there are 52 energy centres, but the energy centre of Hari Parbat Srinagar is considered the only of its kind in the entire universe which has a great significance in terms of attaining spiritual bliss.
The word “Shree” means wealth and “Yantra” an instrument - and it makes the sense of “Instrument for Wealth”. At Hari Parbat, where the Shree Yantra is considered to be in the shape of a rock, people have craved for spiritual wealth and they attained what they wished.

The whole hill of Hari Parbat seems to be the multi-dimensional figure of geometrical figure of Goddess Sharika and at the corner of the hill is this magnificent and holy rock and those who have the eye to look at it can find different geometrical images in the shape of triangles, squares and pentagons. On gets lost while gazing at this energy centre as it emits different figures while concentrating on it.
Although most of the lines and shapes are not so visible due to the “sindoor” coated on it yet those who can see through, can identify themselves to be a part of this holy rock.

This Shree Yantra has a great significance for Hindu community. Those who have its knowledge, categorize it in two forms - Evolution Yantra of Samyachar Order of Kashmir and Involution Yantra of Koulahar order of Kashmir.
There are nine folds of Shri Yantra - Outer three circles that depict the Chakra ruling the three worlds; Sixteen petals depicting 16 Yoginies associated with the attainment of desires; Eight petals— depicting power of speech, holding, walking, excreting, pleasure, abandoning, concentration and detachment; Fourteen triangles describing all good fortune and associated with chief nadis or currents of bio-energy; Ten outer triangles depicting Yognies of 10 vital breaths; Inner ten triangles depicting Shakties of 10 vital fires; Eight triangles depict powers that rule cold, heat, happiness, sorrow, desire and three gunas - Sativas, Rajas and Tamas; Central Triangle depicts Chakra giving all success and Bindu depicting Maha Tripura Sundari - the ultimate.

A legend from ‘Sharika Mahatmya’ records that inorder to save and free the residents of the valley (Satidesh) from the evil deeds of the demon“Jalodbhava”, the Mother Goddess Ashatadushbuja Jagatamba Durga took the form of a bird (Haer in Kashmiri) On the day of Ashad Shukla Paksh Navami (Har Navum), it is believed to have carried a celestial pebble in its beak and dropped it on the demon to crush it to death.
A miracle happened and the celestial pabble is said to have assumed the shape and form of a hillock giving it the name of Sharika Parbat or Hari Parbat. Subsequently the Goddess Sharika (represented by the mystic ‘Soyambhu Shri Chakra’) made Her permanent abode on the western face of the hillock (Hari Parbat) on the vertical rock (Shila) to assure the native people of Her presence and protection.
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Kheer Bhawani Temple


Kheer Bhawani is a temple dedicated to the Goddess Kheer Bhavani (originally just Bhawani) constructed over a sacred spring. The worship of Kheer Bhawani is universal among the Hindus of Kashmir. The temple is situated at a distance of 14 miles east of Srinagar near the village of Tul Mul. The term kheer refers to rice pudding that is offered in the spring to propitiate the Goddess, which became part of the name of the temple. As is the custom with Hindu deities, she has many names: Maharagya Devi, Ragnya Devi, Rajni, Ragnya Bhagwati, and so on.

Temple description

It is the most important temple for the Kashmiri Hindus in Kashmir, known as the Kashmiri Pandits. Around the temple is an area covered with smooth and beautiful stones. In it are large, old-growth chinar trees beneath which the pilgrims sit or sleep on mats of grass. While most of the colours do not have any particular significance, the colour of the spring water changes occasionally. When black or darkish, it is believed to be an indication of inauspicious times for Kashmir. In 1886, Walter Lawrence, the-then British settlement commissioner for land, during his visit to the spring, reported the water of the spring to have a violet tinge. 

History

Maharagya was pleased with the devotion of Ravana and appeared before him and Ravana got an image of the Goddess installed in Sri Lanka. However, the Goddess became displeased with the vicious and licentious life of Ravana and so didn't want to stay in Sri Lanka. Therefore, she is believed to have instructed Lord Hanuman to get the image from Sri Lanka and install it at the holy spot of Tul Mull. Though Ragniya is a Rupa of Durga, this one is a Vaishnav Rupa in Kashmir Ragniya is also known as Tripura, while in (Sri) Lanka, the Mother Goddess was called Shayama. Sita too, is believed to have been an incarnation of Ragniya. Ragniya Mahatmya has it that those who meditate on Panch Dashi Mantra during Nav-reh, Mother Ragniya grants their wish.
It is said that the night during which Mother Goddess came from (Sri) Lanka to Kashmir was named Ragniya Ratri. In Kashmir a number of shrines are deciated to Mother Goddess at Tiker, Bhuvaneshvar, Manzgam (Noor-abad) Bheda, Lo-qraer-pur, Mani-gam, Rai-than and Baed-pur, but the Shrine at Tul-Mul is the most famous one and hence the focus of yatris. 360 springs (nagas) are said to have gathered there. Ragniya is a Sattavie form of Mother Goddess, i.e. the form of tranquility and bliss.
The mention of Kheer Bhawani is found in Kalhana's Rajtarangini. Kalhana writes that the sacred spring of Tula Mula is situated in a marshy ground. The name of the spring is Mata Ragini Kund (pond).
Maharagini is the form of Durga Bhagvati. The brahmins of Kashmir worship this spring and pilgrims from every comer of the country visit to have the darshan of the place.
In Rajtarangini, Tula Mula and the spring of Maharagya has been considered very sacred and the brahmins of Tula Mula considered notable for their spiritual prowess. 
Thousands of years ago, many floods occurred in Kashmir and the sacred spring of Tula Mula was inundated under its sway and the holy place could nowhere be traced. At last, Kashmir's Yogi Govind Joo had a dream in which the Goddess appeared to him and directed that she would swim in the form of a snake at the proper place and that he should stick large poles to demarcate the holy spot in the marsh land. Subsequently, when the water subsided there the holy spot was discovered. This event happened during the Samvat 4041 (Hindu lunar date).
In the past, with incessant offering of milk and sugar candy in the spring by pilgrims, a thick layer of offerings had accumulated at its base. When it was cleared, the ruins of an old temple and shrine slabs engraved with figures were discovered. Here many images were also found but nobody rebuilt the temple till the Samvat 1969 (Hindu lunar date) when Maharaja Pratap Singh who was the disciple of the Goddess, got a temple of marble made in the midst of the spring which shines like a pearl in a shell. The marble temple was completed in 1920s. Some people are of the opinion that there was a mulberry tree near holy spot of Kheer Bhawani which, in local language, is called tul mul. But tul mul is also derived from the Sanskrit word atulya mulya meaning great value. It is believed that Ravana, after his worship of the Goddess, offered her kheer (rice pudding), which she accepted and since then it is called Kheer Bhawani. 



Sacred spring

A unique septagonal spring dedicated to Goddess Kheir Bhawani flows from west(sheer or head section) to the east (padh or feet). The holy spring is known to change its colour with various hues of red, pink, orange, green, blue, white, etc. A black shade of the spring water is believed to be inauspicious. 
(Kheer Bhawani Temple situated at Tullamulla, in the Ganderbal District, is an important Shrine. The Temple is associated with the Hindu Goddes, Ragnya Devi. An annual festival is held here on Jesht Ashtami (May-June) when Hindus visit the place in large numbers. Pilgrims also throng on every Shukla Paksh Ashtami round the year and perform Hawans to please the Mother.
The historic temple of Kheer Bhawani was built by Maharaja Pratap Singh in 1912 and later renovated by Maharaja Hari Singh. Surronded by streams, the place abounds in chinar trees in and around the compound complex within which is a mexagonal spring wherein Diety of Goddess Ragya is decorated and housed in a small white marble temple.
The legend goes that Ravana worshipped Mother Ragnya who showered her blessings on his kingdom. The Godess thus resided in Srilanka. Later on due to Ravanas misdeeds the Godess cursed him and ordered Hanuman Ji to take her to the ‘‘Satisar’’ (Kashmir), a place cut off from the outside world by snow clad mountains. The Mother on her vehicle along with the 360 Nagas was installed at Tulmulla, exclusively preferring milk, sugar and all vegetarian forms of offerings. The Mother is worshipped by the name of Maha Ragnaya.
The abode of the Mata Maha Ragnaya is mystic spring. This mystic is only one and one in four of the world, where numerous Nagraj and their Ashtkul Nag Devas reside. Sh. Ganpati, Bhimraj and Kumar resides at the Dooor of Amrit Kund. In the middle of Amrit Kund towards east resides Asthnag Devas namely Vaskinag, Neel Nagraj, Taksheq, Nagraj, Takshek Nag Raj, Padbnagraj, Maha Padam Nagraj etc. In the centre of the Amrit Kund Anant Nagraj resides which is surrounded by one thousand crore nagas having two thousand eyes and two hundred tongues. Mata Maha Ragnya is seated on this Anant Nagraj on the one thousand peteled rose. The Temple in Amrit Kund is a Devine invitation to all the devotees to see how Para-Prakriti functions. It is vivid that the colour of the spring changes serving as oon oblique omen about what is going to happen in near future. The Pinkk, Milky, Light Green colour of the spring suggests the auspicious omen and the Black, Dark Red indicates the wrong and inauspicious signals.
Tullamulla Nag were the Mata Maha Ragnaya resides in the form of Jal-Rupi having the form of water or serpent has allegorical meanings. The surrounding water of island is the ocean of infinite life energy full of dormant potentialities which spread unfold expand and transport into tangible reality, the Goddess under the canopy is the precious stone that grants all desires.
As late as 1844 people used the cross the marshes by walking our reeds growing in the sum. The legend has it that the curiosity about the spring spread further when the learned Brahman Sh. Govind Joo Gadoo had a vision of the Goddess who manifested herself as a serpant, the Devote Brahmin carried a vessel of milk, arranged a boat, rowed through the meshes of Tulmul and upon reaching the sacred spot to which the serpent/spring Goddess had led him, slowly poured out the milk.
Supreme Mother Ragnaya is variely ‘‘Maha Ragnaya’’ the world ‘‘Ragnaya’’ means the Divinity of establishing, preservation and protection of manifested world. She is the most adorable Mother, who springs forth the entire Universe. She keeps the cycle of life in the process through different tires of consciousness known as ‘‘Chita-Agni-Kunda-Sabhuta’’ which refers to the consciousness aspect. She accepts no trace of ignorance. She is the Vaishnavi Spirits always in the Tune with her consort adored as ‘‘Thousand faces Bhuteshura.’’
As we know the ‘‘Vedas’’ Tantras and Sutras are the rare source of knowledge of the supreme reality which on the practical realization give true solace and eternal joy. Among the Paths suggests by the Sutras for realization of the truth, sufficient importance has been laid on the path of devotion. The sincere clear and true devotion lies in the sense of motherhood, which is an undeniable fact. Suppreme power therefore is approached and worshipped as mother. The mother is thus the supreme wealth, supreme love, supreme reality, realization of this truth supreme sublime and divine as mother is the final beatitude of life.

Kheer Bhawani is eulogised as the Goddess of learning and knowledge on the mean done level and the Goddess of wisdom and enlightment on the spiritual level. She values education and grants blessings for various examinations to all her Devotees. It is said that all the leading saints have undergone penance Sadhana in the Kheer Bhhawani complex and got the Spiritual bliss at this place).   

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Saturday, January 5, 2019

Lalleshwari (Lal Ded)


Lalleshwari (1320–1392), locally known mostly as Lal Ded, was a Kashmiri mystic of the Kashmir Shaivism school of philosophy. She was the creator of the style of mystic poetry called vatsun or Vakhs, literally "speech" (Voice). Known as Lal Vakhs, her verses are the earliest compositions in the Kashmiri language and are an important part in the history of modern Kashmiri literature. She inspired and interacted with many Sufis of Kashmir.
She is also known by various other names, including Lal Ded, Mother Lalla, Lalla Aarifa, Lal Diddi, Laleshwari, Lalla Yogishwari and Lalishri.
Lalleshwari was born in Pandrethan (ancient Puranadhisthana) about 4.5 miles to the southeast of Srinagar, in a Kashmiri Pandit family during the time of Sultan Ala-ud-din. There is evidence of the fact that in those times, liberal education was imparted to women. From her vakhs, it is thought that she was educated in the early part of her life at her father's house. She was married at the age of twelve, but her marriage was an unhappy one. She left home at the age of 24 to take Sannyasa (renunciation) and become a disciple of the Shaivite guru, Siddha Srikantha (Sed Bayu), whom she ultimately surpassed in spiritual attainments.
She continued the mystic tradition of Shaivism in Kashmir, which was known as Trika before 1900.
Her poems (called vakhs) have been translated into English by Richard Temple, Jaylal Kaul, Coleman Barks, Jaishree Odin, and Ranjit Hoskote.
An example of Lal Vakh in Kashmiri:
yi yi karu'm suy artsun
yi rasini vichoarum thi mantar
yihay lagamo dhahas partsun
suy Parasivun tanthar
English translation:
Whatever work I did became worship of the Lord;
Whatever word I uttered became a prayer;
Whatever this body of mine experienced became
the sadhana of Saiva Tantra
illumining my path to Parmasiva.
While the above translation uses the hindu terms in the translation that are actually there in the original, Lal Ded has since been appropriated by later day Islamic culture and analysed from Sufi prism.
Here is another translation of the same vakh, from a more poetic and islamic perspective:
Whatever work I've done,
whatever I have though,

was praise with my body
and praise hidden
inside my head.
The leading Kashmiri Sufi figure Sheikh Noor-ud-din Wali (also known as Nooruddin Rishi or Nunda Rishi) was highly influenced by Lal Ded. He ultimately led to the formation of the Rishi order of saints and later gave rise to many Rishi saints like Resh Mir Sàeb. One Kashmiri folk story recounts that, as a baby, Nunda Rishi refused to be breast-fed by his mother. It was Lal Ded who breast-fed him.
Lal Ded and her mystic musings continue to have a deep impact on the psyche of Kashmiris, and the 2000 National Seminar on her held at New Delhi led to the release of the book Remembering Lal Ded in Modern Times. In his book "Triadic Mysticism", Paul E. Murphy calls her the "chief exponent of devotional or emotion-oriented Triadism". According to him, three significant representatives of devotionalism emerged in Kashmir in the five hundred years between the last half of the ninth and the end of the fourteenth centuries.
What this points to is the non-sectarian nature of Lal Ded's spiritual life and her song-poems. Yet, her life and work have been used for various religious and political agendas over time. As author and poet Ranjit Hoskote writes:
"To the outer world, Lal Ded is arguably Kashmir's best known spiritual and literary figure; within Kashmir, she has been venerated both by Hindus and Muslims for nearly seven centuries. For most of that period, she has successfully eluded the proprietorial claims of religious monopolists. Since the 1980s, however, Kashmir's confluential culture has frayed thin under the pressure of a prolonged conflict to which transnational terrorism, State repression and local militancy have all contributed. Religious identities in the region have become harder and more sharp-edged, following a substantial exodus of the Hindu minority during the early 1990s, and a gradual effort to replace Kashmir's unique and syncretically nuanced tradition of Islam with a more Arabocentric global template. It is true that Lal Ded was constructed differently by each community, but she was simultaneouslyLallesvari or Lalla Yogini to the Hindus and Lal'arifa to the Muslims; today unfortunately, these descriptions are increasingly being promoted at the expense of one another."
Beyond several new translations of Lal Ded's vakh, there are other contemporary performative arts that are based on Lal Ded's life and poetry. For example, there are contemporary renditions of Lal Ded's poetry in song. In addition, a solo play in English, Hindi, and Kashmiri titled Lal Ded (based on her life) has been performed by actress Mita Vashisht across India since 2004.
Further Reading
·         Lalla Yogishwari, Anand Kaul, reprint from the Indian Antiquary, Vols. L, LIX, LX, LXI, LXII.
·         Lalla-Vakyani, Sir George Grierson and Dr. Lionel D. Barnett Litt. D. (R. A. S. monograph, Vol. XVII, London 1920).ISBN 1846647010.
·         Vaakh Lalla Ishwari, Parts I and II (Urdu Edition by A. K. Wanchoo and English by Sarwanand Chaaragi, 1939).
·         Lal Ded by Jayalal Kaul, 1973, Sahitya Akademi, New Delhi.
·         The Ascent of Self: A Reinterpretation of the Mystical Poetry of Lalla-Ded by B. N. Parimoo, Motilal Banarsidass, Delhi. ISBN 81-208-0305-1.
·         The Word of Lalla the Prophetess, by Sir Richard Carnac Temple, Cambridge 1924
·         Lal Ded: Her life and sayings by Nil Kanth Kotru, Utpal publications, Srinagar, ISBN 81-85217-02-5.
·         Lalleshwari : spiritual poems by a great Siddha yogini, by Swami Muktananda and Swami Laldyada. 1981, SYDA Foundation, ASIN: B000M1C7BC.
·         Lal Ded: Her life & sayings, by Swami Laldyada. Utpal Publications, 1989, ISBN 81-85217-02-5.
·         Naked Song, by Laldyada, Lalla, Coleman Barks (Translator), 1992, Maypop Books, ISBN 0-9618916-4-5.
·         I, Lalla: The Poems of Lal Ded, translated by Ranjit Hoskote with an Introduction and Notes, Penguin Classics, 2011, ISBN 978-0-670-08447-0. 
·         Siddha Yogini, A Kashmiri Secret of Divine Knowledge. by Ghauri, Laila Khalid. Proquest Dissertations And Theses 2012. Section 0075, Part 0604 82 pages; [M.A dissertation].United States – District of Columbia: The George Washington University; 2012. Publication Number: AAT 1501080.
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Mata Rupa Bhawani


Mata Rupa Bhawani (c. 1621- c. 1721 birth name: Alakheshwar, also known as Sharika Ansha Roopa) was a Kashmiri mystic poet. She was a 17th-century Hindu saint who lived in present-day Kashmir.
She was the daughter of Pandit Madhav Joo Dhar, a resident of Khankah-i-Shokta, Safa Kadal, Srinagar in the early 17th century. He introduced her to the practices of yoga.
Oral and written legend has it that Madhav Joo Dhar was an ardent devotee of Mata Sharika (Kali's). He visited her temple daily at Hari Parvat to pray for hours. In 1620, on the first day of Navratra, pleased by his devotion, Mata Sharika gave him a boon. Madhav Joo Dhar asked for a daughter, and Alakheshwar was born to Joo's wife on Poorna Amavasya in the month of Jeth (Jyeshta) in 1621. The exact year of her birth varies in a different account between 1620 and 1624. Alakheshwar followed her father in pursuit of God and spirituality.
Rupa Bhawani's descendants, from her paternal side, called Sahibi Dhars, have carried her message and memory forward. They have been observing her nirvaan ceremony with great piety and devotion at Safa Kadal, the place where she was born and also attained nirvaan, and at Waskura in Baramulla district which the graced for many years after the initial tapasya at Khanqahi Sokhta, Wusan near Ganderbal, Manigam in the same area, and Chashma-i-Sahibi, adjacent to the renowed Chashma-i-Shahi on Zabarwan hills in Srinagar district.
Brought up with affection, and respect, Rupa Bhawani was married to a learned youngman, Pandit Hiranand Sapru, at an early age with great pomp and show.
Even after her marriage at an early age, she often visited Hari Parvat to perform her Sadhana at midnight. This raised questions about her, as a woman out on her own. Her mother-in-law and husband mistreated her. Roopa Bhawani was, however forced to forsake Grihast as her in-laws, including Pandit Hiranand, could not reconcile to her spiritual bent of mind and the meditative spells she had got used to at her father's abode. Ultimately, she left her in-law's house in the pursuit of God.
Alakheshwar performed her Sadhana in solitude at Cheshma Shahi, Manigam and Vaskura. These places, including her birthplace at Safa Kadal, are now famous as Ropa Bhawani Asthapanas.
The First Miracle
Her estrangement with the in-laws accentuated after a miracle which her mother-in-law failed to comprehend. It is recorded that at a special yagnya performed at the Sapru's place, the kulguru of Dhar's could somehow not give a satisfactory account of his capabilities. Not that he was not learned, but the other Brahmins present made fun of him. He could not put up with this. Feeling humiliated, he wanted to leave unnoticed without partaking of the prashad. And that is why and how the Mata's first miracle took place. While the kulguru was trying to get away, he was accosted by Rupa Bhawani. She requested him not to go away like that. "It is not appropriate to go away without taking food" she told him adding "you, Sir, seem to be very tired. Why don't you have a bath in the river (Vitasta) and feel fresh and then take food?" The kulguru could not refuse. He had the bath as advised, and while coming back he was accosted againg by Rupa Bhawani. She gave him a full glance, welcoming him to the dinner. This glance transformed lhe Brahmin into a well-versed and confident guru. Bowing to the Bhawani, he partook of the food, and after that recited a full poem in praise of the Mother spontaneously, winning applause from one and all, including those who had tried to humiliate him only a few hours earlier.
This miracle of the Bhawani invited strong reaction. Her mother-in-law got infuriated, she provoked her son and made it impossbile for Rupa Bhawani to live in her house. And this brought about the Sanyas of the Mata. She returned to her father's place, bared her heart to him. Consoled and encouraged by the father Rupa Bhawani started her meditation in right earnest. However, finding regular meditation somewhat difficult in a grahast, she shifted to Wusan, Manigam, Waskura, Chashma- i-Sahibi, etc. in that order, creating ashrams at every spot holding spititual discourses, attracting devotees, Hindus and Muslims alike, and performing miracles. A real sanyasin, she was the mother to all irrespective of caste or creed.
The great old chinar tree on the bank of Sindh river in Manigam, the culmination of a half-burnt branch planted by the Mata with her bsnign hands was, till some year back, standing as a mute but living witness to her spirituality. A devastating fire in Manigam was extinguished by her through a mere glance. Fish cooked for Shivaratri in the house of Pandit Lal Chand in Manigam started crawling over to the wall when it was learnt that the fish had been cooked in spite of her presence in the house. A potter's son got his eyesight back on completing the digging of a well at Waskura at her bidding. A shankh-shaped spring in Chashma-i-Sahibi appeared in the Zabarwan hill area when Rupa Bhawani shifted there, giving the hillock its name.
Mahanirvaan
Mata Rupa Bhawani attained mahanirvaan at her father's place, where she spent her last days. It was the Saptami of Magha Krishna Pakshya in Samvat 1777. The day is since known as Sahib Saptami, observed by all the Hindus in Kashmir.
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Bhagwan Gopinath Ji


Bhagwan Gopinath (3 July 1898 - 28 May 1968), born Gopinath Bhan, also called Bhagwan Gopinath Ji, was a mystic saint of early 20th century Kashmir in India. He has been called a jivanmukta (liberated soul) and his spiritual state has been described as Shambhavi avastha (state of Shiva). Contemporary saints of his times have also called him an Aghoreshwar. It was sometime during 1946–1956 that he came to be called as Bhagwan by his devotees. 
Though not much is known about who his spiritual master was, he is known to have remarked that one can consider Bhagvad Gita as one's spiritual master. In his teachings, he regarded the practice of "self-enquiry" (atma vichara) as highly effective in helping a seeker attain self-realization. He considered lust and ego as impediments in one's spiritual development and extolled the virtues of honesty and truthfulness. He wouldn't differentiate between religions and regarded Hindus and Muslims to be one and the same. During various periods of his life, he spent considerable time meditating at various shrines in Kashmir as he considered it spiritually beneficial and would recommend the same to spiritual seekers.
Bhagwan Gopinath was born in a Kashmiri pandit family of Bhans, in a locality called Bhan Mohalla, in the city of Srinagar in Kashmir, on Friday 3 July 1898, which corresponds to AshadShuklapakshDvadashi (Ashada 19th, Vikrami 1955) per Hindu lunar calendar. His grandfather, Pandit Lachhman Joo Bhan was a wazir wazarat (deputy commissioner) of revenue department in the Dogra regime of the then-princely state of Kashmir. His father, Pandit Narayan Joo Bhan dealt in the business of cashmere wool and devoted much of his time to spiritual pursuits. He is known to have donated all his ancestral inheritance to his step-mother. Bhagwan Gopinath’s mother, Haar Maal, was the daughter of Pandit Prasad Joo Parimoo who was an initiated disciple of a local saint. His brother disciples used to call him Jada Bharata. Hindu scriptures like Yoga Vasistha were regularly taught and discussed in religious gatherings at their house. Prasad Joo had initiated his younger daughter, Zapaer Ded, into Japa Yoga and eventually in her fifties, she was recognised as a saint. On one occasion, while Pandit Prasad Joo Parimoo was meditating at the shrine of the deity of Mata Kheer Bhawani in Kashmir, he is said to have had a vision of the deity who expressed her desire to be born in his family as his daughter. Soon thereafter, Haar Maal was born who eventually got married and gave birth to Bhagwan Gopinath.
There have been some unconfirmed reports that Swami Vivekananda, who happened to be in Kashmir during 1898, had paid a visit to the Bhans' family on occasion of Bhagwan Gopinath’s birth. Some maintain that he stopped just short of entering their house while waiting at a nearby tailor’s shop on 3 July, where he got the American flag stitched, to be hoisted next day on 4 July, which was probably when he even wrote the poem To The Fourth of July.
He had two brothers and two sisters. While his elder brother, Pandit Govind Joo Bhan, remained celibate throughout his life; the younger one, Pandit Jia Lal Kak, got married but remained issueless and would spend much of his time at religious services. Both his sisters lost their husbands at an early age. The elder one, Smt Deva Mali, after bearing two daughters and the younger one, Smt Janaki Devi, after bearing two sons and two daughters. For the most part, towards the later part of his life, Bhagwan Gopinath was looked after by his elder sister and her two daughters: Smt Kamla Ji and Smt Chanda Ji.
After having given up his ancestral home in favour of his step mother, Pandit Narayan Joo Bhan, along with young Gopinath who at that time must have been around 10 years old, started moving around, living at various rental accommodations. His mother died when he was 12 years old and his father died when he was around 30 years old. However, all along these years from 1909 till his final days in 1968, his family changed their residence eleven times with period of stay at these places varying sometimes from a year and a half to eleven years at a stretch.
He completed his education till middle grade from a local Christian missionary school called Tyndale Biscoe School, which used to be situated at Fateh Kadal locality of Srinagar back then. Here he must have learnt languages like Sanskrit, Persian, Urdu and scripts like Sharda and Devanagari. Some of his close devotees, at times, had heard him speak English too.

Employment

Since his early years, he had expressed reluctance in taking up any form of employment. However, given their financial circumstances, his family insisted upon him to take up some kind of employment. To begin with, during 1912, for a brief while he assisted his maternal uncle in the business of cashmere wool (called pashmina in local language). Then, for a period of three years, he took up the post of a compositor with Vishi Nath Printing Press. Thereafter, he started a grocery store at a place called Sekidafar. Sometime during 1920, he moved the store to a locality called Chaayidob in Srinagar. He ran the grocery store for ten years till about 1925 before taking to his spiritual pursuits full-time.

Spiritual Inclination

In his younger years, he would recite by heart the sacred Hindu hymns like Bhavani Sahasranama, Indrakashi Strotam, Panchastavi, Vishnu Sahastranam, Shiv Mahimna Strotam, Shivastrotavali, Guru Gita and vaaks (poetic couplets) composed by some local saints. However, he had a marked interest for Bhagvad Gita and had kept a copy of the book close to where he would sit for his meditation right till his last day. He had memorised all these texts probably in his younger years. During his early years, young Gopinath would accompany his maternal uncle, Pandit Bhagwan Das Parimoo, who was a devotee of Sharika Bhagwati (the deity of the shrine of Hari Parbat), on annual or biannual trips to the holy spring at Pokhribal to desilt it from all the accumulated offerings of devotees. As a leader of a group of young men, he would often organise trips to local shrines like Kheer Bhawani, Mattan, Mahadev and Vicharnaag.
Since his days in middle grade, he would often visit some of the local saints like Swami Zanakak Tufchi of Habbakadal locality and Swami Baalak Kaw, a jatadhari sadhu, at Sekidafer locality. He would also press Swami Baalak Kaw's feet at times. Yet another saint that he is known to have paid regular visits to was Swami Jeevan Sahib. He would also visit Swami Narayan Joo Bhan of Bodhgeer locality in Kashmir. He would regularly attend gatherings of these saints discussing spiritual and philosophical topics on vedanta, Yoga Sutras of Patanjali and Kashmir Shaivism. During his employment days at the grocery store, while manning the cash counter at the store, he would often be found engrossed in meditation. Sometimes he would spend whole night at the store while being absorbed in meditation.
Spiritual Master
No one knows for sure as to who Bhagwan Gopinath’s spiritual master (guru) was. Some of his relatives were of the opinion that he received spiritual initiation from his own father while his younger sister, Janaki Devi, was of the view that Swami Baalak Kaw was his spiritual master. However, few years before his death, a devotee enquired of him as to who his guru was. In response to this, Bhagwan Gopinath is said to have pointed towards Bhagvad Gita and remarked that any one its 700 verses can be considered as one’s spiritual master. S. N. Fotedar, his principal biographer, who was associated with him for over two decades, tried to lay his hands on all the evidence he could in this regard and finally settled with the opinion that Swami Zanakak Tufchi was his spiritual master. This was later corroborated by the testimony of Pandit Baalji Wangnoo who was the younger brother of Swami Aftab Joo Wangnoo. Swami Aftab Joo Wangnoo was an initiated disciple of Swami Zanakak Tufchi. Although Mr Fotedar got convinced with this idea, he was not able to establish it conclusively as an accepted fact particularly amongst Bhagwan Gopinath's devotees at large. Based on Bhagwan Gopinath's comments about Bhagvad Gita, majority of his devotees, including some religious writers, consider him to have been self initiated.
Spiritual Practice
Although Bhagwan Gopinath's family tried to convince him to get married and take up the worldly life, he chose to live a life of celibacy and did his spiritual practices, all the while living at various localities of Srinagar in Kashmir. The tenure of his spiritual practice can be divided into the following three stages:

Initial Stage (1908–1930)

From his younger years, Bhagwan Gopinath would devote much of his time attending religious gatherings of singers (called bhajan mandalis) singing glories of God and deities of Kheer Bhawani and Hari Parbat shrines. He would also attend religious plays (called rasa-lilas) and gatherings of religious men (called satsang) discussing spiritual topics. Based on some of his relics and hymns found written in his own handwriting, dedicated to Maha Ganesh, Hindu Mother Goddess, Lord Narayana, Lord Shiva and his spiritual master, his devotees believe that he had practised a form of spiritual practice called sanatana panchang upasana (also called panchayatana puja) in the beginning of his spiritual journey, which consist of worshipping these four deities and one's spiritual master. From the age of 22 years, he is said to have started the daily practice of circumambulating the shrine of Hari Parbat in Srinagar. He was often found meditating for long hours at the shrine courtyard while smoking his pipe (called chillum in local language). He is said to have had a vision of the deity of the shrine of Hari Parbat, Mata Sharika Bhawani, at the age of 25. Hereafter, he is believed to have gradually veered towards the practice of meditating on God without a form (called nirguna upasana in Hinduism).

Intermediate Stage (1931–1937)

During this period, he is known to have resorted to extreme measures of sense control which involve self-abnegation methods like fasting for months together (having just a cup of tea a day) while taking huge quantities of food at other times. During this time, he confined himself in a dark room with a lamp that used to be lit up at all times. He would often be found lying on bed while facing the wall. He did not allow very many people in his room during this period. Whole room and his bed used to be covered with a lot of dust and one could find cobwebs and spiders around the room but he wouldn't bother cleaning it or let anyone else clean it. A rat is said to have nibbled a hole into one of his heels during this time though he is said to have been oblivious to its pain. His only constant companion in the room besides the burning lamp was his pipe. During this time he would take intoxicants like opium and sometimes vomit a lot of blood. His whole body had swollen and had become weak. On one occasion his sister reminded him of the financial difficulties they were going through but he is said to have responded by saying (translated here into English) "our boat is in the middle of ocean right now, either we would reach ashore safe or drown". Some religious writers think he might have practised some form of tantric spiritual practice like pranabhasya during this time. After seven such years of his spiritual practice, his devotees affirm that he had become, what they call in Hinduism, a siddha purusha (one who attains spiritual powers) as it was right after this period that people started flocking him to get their worldly problems solved.

Final Stage (1938–1968)

During this stage, he is a said to have practised some technique of meditation that would seemingly help him control elements (called tattva) like fire and water out of the total 36 such elements enumerated in Kashmir Shaivism. He started the practice of blowing air at live charcoals in his fire pot (called kanger in local language) sometimes for hours together. He was found talking to and directing invisible people at times. Various parts of his body like his shoulders and knees were seen shuddering at times. He spiritually initiated a Sikh disciple who had come to see him from some other state and lived at his home for 3 months. He also initiated Pandit Maheshwar Nath Zutshi of Mallapore locality of Srinagar by offering him his pipe. He also started the practice of transfixing his gaze on water filled in a tumbler kept inside a brass basin filled with water. This brass basin was placed over an earthenware pot which too was filled with water. It was also during this time that majority of his miracles were recorded and people started flocking him, seeking solutions to their worldly problems. It was sometime during the period between 1946–56 that he came to be called as Bhagwan by his devotees. He regularly visited the shrines of the deities of Mata Sharika Bhagwati and Mata Ragnya Bhawani during this period. Sometime after 1957, on every Sunday afternoon, musical concerts were held at his place by known local musicians who would play local and Indian classical music for him. Some of the other shrines visited by him during the initial and final stages of his spiritual practice were Jwala Jiat Khrew, Bhadrakali at Handwara, Jyestha Bhagwati at Srinagar, Gupt Ganga near Nishat Bagh, Tushkaraja Bhairav at Srinagar and Amarnath.
Philosophy
Bhagwan Gopinath, being an introvert, was a man of few words and had a straightforward demeanor. He is known to have always shunned publicity and covered himself with anonymity. As such, various religious commentators along with his devotees have found it difficult to classify his spiritual journey into a particular school of Indian philosophical thought. Its widely believed that he must have followed the tenets of trika doctrine of advaita (non-dual) Kashmir Shaivism (in which, the Goddess Bhairavi-Aghoreshwari is enthroned above God Bhairava and is the main ideal of worship) with jnana (knowledge), iccha (will) and kriya (action) having had a dominating influence on him.
Once, while explaining the inter-relation of various spiritual disciplines in realising God, he said: " think of Brahman (God without a form) as a tree and if one sits on any one of its branches (various spiritual disciplines), the same goal will be reached in each case." He once remarked: "Omkara (Hindu Symbol) is the "throat" of Godhead and nothing is possible without it". A couple of his pen-drawings have been found in which he has drawn the symbol Omkara (in Sharada script) surrounded by the names "Rama" and "Shiva" probably indicating that God (in the form of Omkara) can be realised through either path. Once, while visiting the shrine of Amarnath, he is said to have remarked: "Shiva is dancing everywhere" and afterwards, was seen in a joyful mood the whole day.
He would keep incense sticks burning in flames instead of letting them smoulder as he had an affinity for light sources. Sometimes he would also keep the oblations, offered in the fire pot, burning in flames and also referred to it as the "feet" of Lord Narayan. He would refer to his legs as mere "logs of wood" and the body as "food" for the God of death (Mahakal) and as such didn't consider physical body as the end-all be-all of human existence.
He wouldn't advise anyone to give up one's family and household in pursuit of self-realisation but guided people only if they practised celibacy.
Gathering from various hymns written by him, it is evident that he had an inclination towards Bhakti tradition as well, which is also indicated by his fondness for Indian classical music and the pictures of Guru Nanak and Ramakrishna that adorned his walls.
Final days
A couple years before dying he was often heard remarking that he had grown old and this to some of his devotees was him dropping hints about his final days being imminently close. On the morning of 28 May 1968, as a part of his daily routine, he washed his face, tied his turban and smeared his forehead with a saffron mark (called tilak in Hinduism). All throughout the day, many people had come to visit him. Later-on in the noon, some sadhus (wandering monks) too had come to visit him. He used to give alms to these visiting sadhus (some of whom he would call as mere jugglers in ochre robes) who, on their journey to Amarnath shrine, would stop-over at his place. On this day too, he gave these sadhus whatever money he had in his cloth purse. He is then said to have gone into a state of meditative trance (called samadhi in Hinduism) till about 5:30 pm when he asked for some water and was helped to drink a tumbler full of sweet water. He died at about 5:45 pm and his recorded last words were Om Namah Shivaya (the mantra of Lord Shiva). On his death, Swami Nand Lal, is said to have remarked that Kashmir was being rocked by an earthquake. He is also said to have predicted Bhagwan Gopinath's death a week in advance.
Teachings
Bhagwan Gopinath never taught in a formal way. However, he would, from time to time, make statement either in response to questions of devotees, or on his own while being amongst them. Being a man of few words, he would usually use short sentences and one had to lend a curious ear to decipher their contextual meaning. A few of such of his statements, translated here into English, which his devotees recognise as his teachings, are as follows:
·         One should cultivate and preserve the three virtues of righteous moral conduct, viz straightforwardness, honesty and purity in thought, word and deed.
·         Self realisation comes when one bids farewell to ones ego.
·         Lust is the biggest impediment in ones spiritual development.
·         Keen intellectual contemplation and self scrutiny help one to realise all aspects of God.
·         Serious spiritual seekers should not be afraid of taking on the road which is fraught with difficulties of self-realisation.
·         One should rise above the narrow division of religion, caste or creed and make peace with all humanity.
·         One can consider Bhagvad Gita as ones spiritual master.
·         Sincere spiritual efforts and guru’s grace lead a seeker to self-realisation.
·         A seeker must surrender onto guru’s feet with all his heart and soul.
·         One should always contribute to charity to not let greed settle in.
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