Tuesday, January 17, 2017

Guruvayurappan


The Guruvayurappan Sri Krishna Temple is situated at Guruvayurpur or Guruvayur as it is known today. This town is located in the Thrissur district in the state of Kerala, India.
The presiding Deity of the Temple is Lord Mahavishnu appearing as a 4 feet tall Idol.
The Deity is supposed to represent the same form of Narayana that was revealed to Vasudeva and Devaki, when the Krishna avatar was born to them.
Lord Mahavishnu is depicted as a blue-complexioned Person with a radiant smile. His four graceful arms carry the conch Panchajanya, the discus Sudarshan Chakra, the mace Kaumodaki and a lotus. The swan-like neck of the Deity is adorned with His favourite Tulsi garland.
The story of the Deity is mentioned in the Guruvanapura-Mahatmya, a section of the Narada Purana.
The Story of the Guruvayurappan Sri Krishna Temple at Guruvayurpur (Guruvayur)
The day was a significant one of many, about 5000 years ago. King Janamejaya, descendent of the Kuru dynasty that ruled from Hastinapura, stood trembling in wrath at the news that he had just received from the Brahmin Utanka. The curse cast upon his father, the devout Maharaj Parikshit, had been fulfilled by a snake. Takshak, the King of Nagas had surreptitiously gained access to Maharaj Parikshit’s presence and bitten him, causing him to leave his mortal body. King Janamejaya had been consoled by the sages present that despite the seeming tragedy, all had gone well for his father; Maharaj Parikshit had gained the Supreme Abode of Lord Krishna, Vaikuntha Dham.
But that information had not brought him balm. Janamejaya seethed with revenge. Furthermore, he had heard how the snake Takshak had bribed the Brahmin Kashyap who possessed the antidote for the poison, into not providing the same.
Rage clouds one’s intellect and blinds him to the inescapability of the dealings of Destiny. He cursed the snake again in his mind and fumed, ‘That antidote could have saved my father.’ He reflected for a while and made his harsh decision.
King Janamejaya summoned his attendants and ordered them to make arrangements for a specific Mahayagna, a great sacrifice. The news sent a current of fear throughout the land. Even some of the priests who were asked to conduct the Yagna were appalled at the idea. For the Yagna that was asked of them was the nemesis of all snakes; the terrible Sarpayagna- snake sacrifice.
The King intended to unleash his fury on all of serpent-kind.
Within days, the Yagna was underway. The officiating priests, attired in somber black to symbolize the destructiveness of their endeavor, began chanting the mantras in equally somber voices. And with each name that was called, the serpent by that name was irrepressibly drawn from his abode and consumed by the hungry flames. Screams from the dying serpents rent the air as they fed the voracious appetite of the blazing fire, in their hundreds and thousands.
The guilty Takshak quivered in terror and wound himself more tightly around the legs of the throne of the God Indra, whose protection he had sought. But it was only a question of time, for the chanting of his name soon arose from the Earth below, swirled into the Darbar of the King of Gods like the grim hand of God of Death- Yama Himself, and began to drag Takshak down to his death, with the throne and Indra in tow!
Horrified at his own predicament, Indra leapt from his throne to safety and watched helplessly as Takshak plummeted down towards the sacrificial fire. Death, it appeared, had finally claimed the King of Nagas.
But that was not to be!
Takshak suddenly found his deadly descent halted; the result of a command from the Sage Astika, who was a guest at the Sacrifice below. King Janamejaya on his part was nonplussed as well, and more so, on being asked by the great sage to spare the life of Takshak and end the sacrifice. Sage Astika revealed that he was the son of Jaratkaru, the sister of the respected snake Vasuki. On their behalf, he sought to save the race of serpents, or what was left of it.
As per Vedic norms, the Host of the Sacrifice is supposed to generously compensate all the attending Brahmins and gift them as they pleased. Being a guest Brahmin at the Mahayagna, Sage Astika was now asking King Janamejaya to fulfill his request accordingly.
King Janamejaya’s mind was plunged into a dilemma. Here he was was on the very threshold of quenching his thirst for revenge, and yet protocol demanded that he could not turn down Sage Astika’s request. Finally it was the words of the author of the Vedas, the venerable Vyasadeva that quelled the King’s emotions. Prudence and protocol won, and Takshak was granted his wretched life! The sacrifice was ended and all the attending Brahmins were munificently compensated.
The tears and curses of the innocent however, do not go in vain. In his folly, King Janamejaya had slain an umpteen number of virtuous and faultless Nagas by way of the Yagna. Thousands of snake-wives were rendered widows and their children, orphans.
King Janamejaya incurred their ire.
Tragically for the King, the event took place on his wedding day, several months later. By the mere touch of his beautiful bride, the charming Jyotishmati of Avanti, Janamejaya suddenly found himself covered with festering sores, the worst form of leprosy. His body racked with pain and he writhed on his royal bed in anguish. The most renowned vaidyas and doctors were summoned and they tended to him day and night, while his wives wrung their hands in frustration and grief. Finally the medicine-men admitted their confounder at the nature and severity of his ailment, and confessed their inability to cure the King of his affliction.
The severity of the disease grew with time and a day came when King Janamejaya could tolerate it no more. One of the four unavoidable miseries that constitute an inseparable part of material life, Disease robs a man of his happiness, no matter how magnificent and opulent his position. Janamejaya’s disease had robbed him, not only of his happiness, but of his very will to live.
King Janamejaya decided to end his own life.
It was when the King lay on his bed one early morning, brooding and pondering on how he should perform that ignoble task, that the darkness surrounding him was suddenly replaced by a blinding light. He could feel, rather than see the presence of a personality of an extraordinary kind. There soon became visible to him, the form of a muni.
But this was no ordinary muni. His three faces shone with the knowledge of the Absolute. His six long arms bore the trishul, drum, chakra, conch shell, japa-mala and the kamandalu. He was none other than the author of the Avadhut Gita, the original Lord of mystic yoga, the plenary expansion of Lord Vishnu, Lord Dattatreya himself.
Despite his infirmity, King Janmejaya fell at his feet, for such a privileged darshan cannot be had by all. Besides, he realized that the Lord’s visit was no mere coincidence. With folded hands, he paid obeisance to the great Sage.
Lord Dattatreya regarded the hapless King with compassion. The King’s eyes gushed with tears of sorrow and they seemed to beg the Sage for a solution to his condition. No words were necessary, for the great Sage knew all that was in the past, present and the future.
Lord Dattatreya revealed to the hapless King the cause of his wretched condition and the latter covered his face in shame and grief. Placing a hand on the King’s shoulder consolingly, Lord Dattatreya reassured him that there was indeed, a way out of his misery.
The great Sage’s words were to the King, as the first rains are to the trees after the blazing hot summer. Lord Dattatreya continued that the King had sinned gravely, and for any sin, repentance was the key. Repentance felt and expressed from the heart, and in certain conditions, acts of repentance performed in the prescribed manner, could wash oneself of the worst sins.
But the King’s sin was by far no ordinary one, and would need an appropriately potent means of Prayashchitta or act of repentance. He was advised by the Sage to propitiate Lord Hari of Guruvayurpur for his redemption.
The King was intrigued. He had not come across this information earlier. He humbly requested the Sage to elaborate on it.
The Sage closed his eyes and intoned a prayer to the Supreme, for he was to deliberate on matters concerning that very same Person. Then he began to speak.
At the beginning of the Padma Kalpa (narrated Lord Dattatreya), a very worried Lord Brahma sat contemplating his task of creation. For some unknown reason, he found himself unable to begin his work.
At that time, he was suddenly blessed with the appearance of Narayana Himself. The Latter gave Lord Brahma, a fabulous Idol.
Lord Brahma accepted It reverently and tears of bhakti began to uncontrollably stream down the face of the Grandsire. For it was the wonderful form of Mahavishnu.
He beheld it in wonder. It was made of the sacred ‘Pathalanjana Sila’ and was exquisitely carved. The face was adorned with a bewitching smile and shone as if illuminated by a thousand lamps. It was as if Lord Mahavishnu Himself was resting on his palms. An overwhelming, divine stream of energy coursed through Lord Brahma’s body as he held It.
Lord Vishnu smiled and revealed to Lord Brahma that He Himself had worshipped the Idol in Vaikuntha Dham. The Idol was therefore doubly blessed. He advised Lord Brahma to worship the Deity.
Trembling with gratitude, Lord Brahma set the Idol in front of him and worshipped this form of Lord Mahavishnu with utmost sincerity. And lo! The inspiration and knowledge to create began to flow into him from the Idol in waves. Lord Brahma smiled with relief, raised his arms and singing the praises of Lord Hari, launched into his mission.
Thus by the Mercy of the Deity of Lord Mahavishnu, Lord Brahma was able to complete his task of creation.
Later, at the beginning of the Varaha kalpa, there lived a king named Sutepas. He was a just ruler and well-loved by his subjects. His wife was a chaste lady, named Prishni. The kingdom's coffers were full and there was no dearth of anything. The land was blessed with ample rain and as a result, the harvest of the land was bountiful. Everything was perfect, but for one drawback that constantly hovered overhead like a dark cloud, blotting out the sunshine in their lives.
The royal couple was childless.
The fact that there was no pitter-patter of tiny feet in their grand hallways, or the delighted shrieks of a child's laughter echoing in their vast chambers greatly depressed the Queen and her husband.
To beget a virtuous child is considered a blessing. So the good King Sutepas and his Queen Prishni undertook a deep penance to please Lord Brahma, for they were sure that he would grant them their wish.
Sometimes, even the seeking of a materialistic favour from a great Devotee of Lord Vishnu like Lord Brahma has its merits. For one, it grants us the mercy and association of that Devotee which is like nectar itself. And secondly, that merciful Devotee acts to further advance our progress towards Krishna.
Lord Brahma did precisely that, for King Sutepas and his wife.
King Sutepas and his wife Prishni suddenly became aware of the resplendent form of Lord Brahma. The Grandsire smiled at them for he was well aware of their predicament. But he allowed them to pay him their respects and submit their plea to him.
In response, Lord Brahma smiled again, for he was aware of the magnificent plan Lord Hari had in store for the young couple.
Lord Brahma held out his empty hands and uttered some prayers himself.
And lo! Much to the surprise of the young couple, there appeared in his hands, the shining Murti of Lord Mahavishnu. The same Deity, that Lord Brahma himself had reverently worshipped at the beginning of creation!
Of course, King Sutepas and his wife were not aware of the antecedents of that Deity, but they were held spellbound by its beauty. The couple was further puzzled, when Lord Brahma held the Idol out to them and indicated them to accept It. Although beside himself with excitement, King Sutepas was not without the knowledge of the rules governing religious rituals. He immediately bowed low to the Deity, chanted the necessary mantras, performed the purification rites and held open a clean, new cloth to receive the Idol.
Lord Brahma nodded in appreciation and gently placed the Deity in the waiting hands of King Sutepas. He informed them, that this great Deity had been worshipped by Lord Hari Himself, and was the solution to all that ailed them.
Lord Brahma advised them, ‘Take charge of this Deity and worship Him as you have never done before. Shower Him with your devotion and love. Offer unto Him your time, your deeds, your actions, your thoughts, your very selves. And in return, He will shower you with his Mercy.’
And so saying, Lord Brahma ascended his vahana, the swan and vanished into thin air, leaving in his wake, the soft but distinct chanting of the Samaveda.
King Sutepas and his wife were ecstatic. They summoned the royal priests and installed the Diety as per the Vedic rules. Then they began their ‘tapa’ or penance. Their worship of the Deity progressed with such enthusiasm and fervor, that its warmth and fragrance permeated skywards into the cosmos, breached its way into the Spiritual world and awakened an Entity that lay resting on His giant snake-bed; the blue-hued, staggeringly handsome, the Creator of Creators, Lord Mahavishnu.
His siesta now interrupted, Lord Mahavishnu opened His lotus shaped eyes and gazed inquiringly at the lovely Goddess Lakshmi, who sat by His feet, ever massaging them with her fair hands. She smiled radiantly at Him, nodding her acquiescence. Lord Mahavishnu smiled in return and vanished. If there is anything that can coerce the Lord of the Gods to act immediately, it is the plea for help from His sincere, beloved Devotee.
King Sutepas and his wife were rendered shell-shocked. For it is no easy feat to bear the Darshan of the Creator of the Universe. And whence they had sufficiently recovered from the same, or indeed been empowered by Lord Mahavishnu to do so, they collapsed at His feet. Torrents of tears of devotion streamed from the eyes of the couple and washed the lotus feet of the Lord; even as they found their own selves dangerously getting swept away by the emotional ecstasy of seeing the Lord in Person!
Desire of a son, or anything belonging to this world left their minds in an instant, for having got the Darshan of Narayana Himself, everything else pales in comparison! Having once achieved His Darshan, there is nothing in this world that remains to be achieved.
And yet they had a role to play in the destiny of that same world.
By the Mercy of Lord Mahavishnu, they were once more reminded of their desire for an offspring. Such are the leelas of Lord Hari, where everyone and everything has a role to play, for His own divine reasons, and for His own divine entertainment!
So thrice, one after the other, the King and Queen expressed their desire for a child.
And thrice, one after the other, the Lord replied, ‘Tathaastu! So Be It!’
The Lord then smiled benevolently at the couple, and not without a hint of mischief in His eyes.
‘You have won My heart with your worship. And therefore my dear children, your child shall be none other than I! I shall be your progeny!’
King Sutepas and his wife were reeling in ecstasy. They were being blessed beyond their wildest expectations. And then they observed that Lord Mahavishnu was looking back at them intently, a conspiratorial smile playing on His lips. The couple looked back at Him, not understanding.
The Lord brought their attention to the fact that they had made their request to Him not once, but thrice! And He had consented to each one, separately.
‘And therefore, My children, I shall appear as your child, not once, but thrice. In this life and two consecutive lives thereafter, you shall be man and wife. And I, your son! And each time, I shall do you proud!’
And so saying, He vanished, leaving the overwhelmed royal couple desperately struggling to come to terms with what they had just heard!
And so it came to be. Nine expectant months later, amidst the tumultuous sounds of the nagaras, cymbals and mridangas, the royal midwife and her attendants rushed into the chambers of King Sutepas and announced to him that he was now the father of a baby boy, whose face shone like the Sun itself! The King sprang to his feet, closed his eyes and offered a heartfelt prayer to Lord Mahavishnu. Then, unable to contain himself, he rushed to the labor room to see his wife and newborn child.
Prince Prishni grew up and gifted the sacrifice of ‘Brahmacharya’ to the world. He taught the world how, through celibacy, one can control the most irresistible instinct that binds a human being to the material world.
Thousands of years passed and as prophesized, Sutepas and Prishni took rebirth as the famous Sage Kashyapa and his wife Aditi, respectively. By divine design, they too came to possess the same Deity of Lord Mahavishnu and worshipped Him earnestly.
One of the most celebrated avatars of Lord Krishna, the dwarf-brahmana Vamana was born to them and it was He who humbled the mighty Bali, grandson of the great Vaishnava, Prahlad Maharaja.
And finally in Dvapara Yuga, the blessed Sutepas and Prishni took their most glorious rebirths as King Vasudeva and Queen Devaki respectively. They too received the same Deity by the grace of Sage Dhaumya, the Chief Priest to the Pandavas. To this couple was born as their eighth son, the Emperor of all Creation, in His original bluish-hued, lotus eyed, flute-bearing form, Lord Krishna Himself.
After relieving the burden of Mother Earth by killing the Demon King Kamsa, Lord Krishna established His kingdom in Dwarka.
Lord Krishna is the Supreme Controller, the Supreme Benefactor; He is subservient to none. Yet He too installed that same great Deity, Lord Mahavishnu in a Temple and worshipped Him.
One must try and understand why He did this.
Not all those who existed in that era recognized the true position of Lord Krishna, either due to their own prarabdha (Fate), or by the design of the Lord Himself. The Supreme Lord, even when He appears in Person, is known to and perceived by only His true Devotees.
But at the same time, for the benefit of the non and semi-devotees who cannot approach Him directly, Lord Krishna also establishes means for them to approach Him gradually, step-by-step. By worshipping the Deity of Lord Mahavishnu, He wished to set an example for such people, who by worshipping the same Deity, would ultimately find their path to Him.
The wheel of Kaala or Time continued to turn inexorably and the end of Dvapara Yuga slowly loomed upon the horizon. One such day, the attendants guarding the private chambers of Lord Krishna looked up in surprise. For they could have sworn that they had seen their King entering His chambers just moments ago, and yet here He was again, approaching them from the outside!
One could not fault them on this occasion however, for the handsome gentleman approaching them was none other than the cousin, devotee and friend of their Lord, Shriman Uddhava himself. The latter’s resemblance to their Lord was legendary, and often fooled even those who interacted with Lord Krishna on a daily basis.
Uddhava was no mere personality, for he was blessed with instruction on Bhakti and Yoga by the Lord Himself, the dialogue between them being venerated as the Uddhava Gita.
One of the attendants hurried inside to inform Lord Krishna of Shriman Uddhava’s arrival, and the King of Dwarka being very fond of his cousin, immediately welcomed the latter inside and embraced him.
Being instructed by Lord Krishna Himself, and being fully capable of adhering to that instruction, Uddhava was assured of gaining the Supreme Abode upon leaving his mortal body. But true Devotees rarely think of their own welfare. They are more concerned with the welfare, especially the spiritual welfare of the entire world, nay, the entire creation itself.
Uddhava’s furrowed brow was not lost upon the All-knowing Lord Krishna, but He smiled and waited for his cousin to speak. At length, Uddhava looked up at Lord Krishna and summed up his fears before Him.
‘Kaliyuga fast approaches my Lord, and it must as well, for it is part of Your Divine Plan. And it will also bring in its wake all the dangers characteristic of it.’
Uddhava suddenly leaned forward and grasped Lord Krishna’s hand.
‘But I fear for mankind, my Lord. Once You have left this world to return to Vaikuntha Dham, we shall be all alone. Amongst us, there are many good men. Men who have faith in religion, but are not spiritually advanced enough. They will be rendered unprotected, helpless against the ravages of Kaliyuga and its evils. These good men and their families will fall prey to the temptations of this Yuga and succumb to degradation. There will be chaos and abomination all around. Is there no way You can remain behind and protect us from the same?’
If there is anything that draws the attention of Lord Krishna, it is the plight of those who are pure at heart. And that is more so if His pure Devotee petitions their cause. In response to Uddhava’s request, Lord Krishna smiled and got up from His seat, beckoning Uddhava to follow Him. He led him into a room that appeared to be illuminated by a thousand lamps. Shielding his eyes, Uddhava slowly began to realize that the source of effulgence stemmed, not from any oil-lamp, but from the Deity installed in the altar at the far end of the room.
They walked towards It and Lord Krishna announced to his companion, ‘My dear Uddhava, behold this Blessed Deity in front of you! After I leave this planet, I shall suffuse this Idol with My own energy, I shall ingrain My very own Self into it. And I hereby declare to you, that worshipping this Deity will protect all those pure at heart, or seeking to be so, from the evils of Kaliyuga!’
Uddhava stood stunned, overjoyed at his Cousin’s revelation. Then Lord Krishna gently lifted the Idol from Its place and handed It to a very surprised Uddhava. Lord Krishna smiled and said, ‘My dear Uddhava, what you hold in your arms is none other than the God of Gods, Lord Mahavishnu Himself. This Idol was handed down to me through the ages and now I charge you with Its care…’
Uddhava looked at Lord Krishna, nonplussed. He could not comprehend the reason for His request. Lord Krishna saw his puzzled expression and continued, ‘Uddhava, I must reveal to you what is to happen in the next few days. This kingdom of Dwarka will be overrun by the ocean, it will be completely submerged. I want you to take this Deity and with the help of the Spiritual Master of the Gods- the Sage Brihaspati and the Wind God- Vayu, install It in a place equally sacred to this one.’
Uddhava’s mind was reeling with what he had just heard. But Krishna’s wish was his command, so he hurried out of the Palace holding the Idol of Lord Mahavishnu close to him, as if It was dearer to him than his own life!
Dwarka’s terrible fate was realized just a few days after Lord Krishna left the planet. One morning, a seemingly innocuous wave was seen off the seashore of Dwarka. In seconds it had grown in size and taken the form of a gigantic tsunami. Within minutes, it had enveloped the whole of the town of Dwarka. Wave after wave of sea water invaded the kingdom and within a couple of hours, all one could see was a seething expanse of water. There was no indication of an entire kingdom having ever existed there.
A somber man sat on the shores looking out at the ocean, utterly dejected. Tears of disappointment streamed down his face and fell to the ground along with the sea water still dripping from his clothes and hair. Uddhava’s eyes strained to pick up the Object he was assigned to protect, but without avail.
He had failed to preserve the Deity of Lord Mahavishnu.
He felt he had let down the whole of mankind.
Uddhava closed his eyes and prayed fervently to Lord Krishna for a way out. Then he prayed to the great Sage Brihaspati, the Guru of the demigods and Vayu, the God of wind for their help, for it was with their consultation that he was to choose a spot to reinstall the Deity.
Within seconds, Uddhava felt the wind pick up in its speed and rush past him towards the sea. The gale, now clearly visible, swirled above the waters in a spiral and formed an impressive tornado. Before his bewildered eyes, the twister soon assumed a human form which finally resolved into a handsome demigod, the God of Wind, Vayu.
Uddhava stood awestruck at the sight.
But Vayu was not alone! Beside the God of Wind, was a Sage whose face depicted venerability, his very presence causing Uddhava to bow low and deep in respect. The Sage was the Guru of the demigods, the Maharishi Brihaspati.
Hovering above the restless waters, they both smiled at and blessed Uddhava, but almost immediately turned their attention to the waters beneath them.
They had a mission to accomplish.
Their divine eyes scanned the surging waves below, looking for their Object of interest and lo! They could perceive the shining Idol bobbing between the waves. In a flash, Vayu had swooped into the waters, passed under It and emerged to the surface, reverently carrying the Deity on his own head.
On land, Uddhava jumped to his feet with a cry of ecstasy. ‘All hail!’ he cried, ‘All glories to Lord Mahavishnu! Glory to you all!’
There was hope yet for mankind!
With a smile and another blessing each for the magnanimous Uddhava, the sage Brihaspati and Vayu turned to face north and with the speed befitting the God of Wind, they disappeared from sight.
The divine duo scrounged every inch of land in the north but alas; they could not find a place equal to Dwarka in terms of sacredness.
Finally they turned and headed southwards. Within seconds, they had passed through the Palakkad gap and entered into the lush green tropical realm of another divine incarnation of Lord Krishna, Lord Parshurama.
And as if destined to be, they espied the heavily built, muscular form of the warrior-saint beckoning them from below.
They descended to earth and paid their respects to that individual who had taken upon himself to rid the earth of the Kshatriyas who had become arrogant and proud from their power and opulence.
Lord Parshurama revealed to them that he too was about to commence a journey of his own to Dwarka. At that given time, the subjects of his land were suffering from an epidemic of severe rheumatism and they had pleaded with Lord Parshurama to find a solution to their suffering. Narada Muni, the foremost Devotee of Lord Vishnu had been visiting Kerala at the time. That respected Vaishnava had advised Lord Parshurama to bring the Deity of Lord Mahavishnu from Dwarka and install the same in his land. The Muni had promised that by worshipping the Deity, his people would surely be rid of their ailment.
Lord Parshurama was delighted to learn that Vayu and Sage Brihaspati were carrying with them, that very same Deity, whose grace he sought for his people. ‘Please follow me, I know the perfect place for installing this Deity’, he said.
They travelled for a while and soon came upon a lake, which upon seeing, both the Sage Brihaspati and Vayu were rendered awestruck by the sight.
The lake was ablaze with lotuses of every size and color! Every blossom competed with its neighbor in beauty and fragrance. Their brilliant petals curved gracefully towards the heavens, as if offering themselves to Goddesses Laxmi Devi and Saraswati Devi as their ‘asana’ or divine seats.
The crystal-clear waters of the lake bespoke of a purity rivaling that of the waters at Gomukh, the origin of the Ganges in the Himalayas. They appeared to promise one relief and solace, not only from the heat of the most relentless summer, but in fact, from the scorching ill-effects of Kaliyuga itself.
The banks of the lake were adorned by equally beautiful trees, creepers and vines, bearing flowers and fruit, whose colors and heady scents seemed to take form, reach out to the visitors and intoxicate their senses. Multihued birds flitted from one branch to another singing their mellifluous songs, music to the ears! Squirrels, rabbits and other benign animals scampered around delightedly, adding to the ambience of joy and peace.
And yet despite this sensual buffet, there was also paradoxically apparent, the distinct, grave aura of Austerity and Detachment.
‘What is this place, my Lord,’ whispered the Sage to Lord Parshurama, ‘I have not witnessed such tranquility and sublime beauty even in Indraloka!’
Visibly enchanted as well, Vayu gazed around and nodded in agreement, ‘To me, this place seems to combine the sacredness of Vaikuntha Dham, the Abode of Lord Krishna and the Mount Kailash, where Lord Shankara dwells!’
Lord Parshurama smiled and replied, ‘You are right, this is no ordinary place. This place is sanctified by none other than Lord Shiva Himself. Long ago, Lord Shiva performed a very rigorous penance in the worship of Lord Mahavishnu. For years on end, submerged inside the waters of this very lake, Lord Shiva did the Latter’s namasmaran and in consequence, this holy place attained the name Rudrateertham.’
Lord Parshurama looked back into the distant past and continued, ‘Years later, there lived a King Pracheenabarbhis and his wife Suvarna, who bore him ten sons, who were known as the Prechethas. They journeyed to this very site in order to undertake the worship of Lord Mahavishnu. They wished to attain the status of Prajapathithwam or the King of all Kings. Sensing their presence and their desire, Lord Shiva appeared before them and revealed to them the Rudragitam, a hymn in praise of Lord Mahavishnu. He advised the Kings to chant the same with intense feeling and vigour. And indeed, they did so, submerged in the Rudrateertham, for 10,000 years. Needless to say, their wish was fulfilled…’
Lord Parshurama’s words were cut short by the sudden sound of gurgling water. All three turned to look at the centre of the lake, for it was from that place that the sound originated.
The placid waters of the lake began to part and before their very eyes, two stunningly beautiful forms arose to the surface.
The effulgence from their bodies penetrated the surroundings, bathing everyone and everything with an ethereal light. The small animals scampering around suddenly stood transfixed by the sight. The birds stopped singing and looked upon them with hushed awe, even the branches and leaves of the trees stood still in reverent silence.
The three individuals on the bank of the lake fell onto the ground in obeisance. For that is the first reaction of any jiva who witnesses Lord Shankara, the only God who exhibits the characteristics of both, the malignant Rudra and loving Shiva! The destroyer of the invincible asura city of Tripura, the drinker of the lethal poison ‘Halalal’ and the deliverer and protector of devotees like Markandeya!
And beside him, his lovely consort, the Goddess Parvati, whose legendary worship and feminine persistence won over the indomitable heart of Lord Shiva. And yet, also the one to take the terrible form of Shakti and hold the entire Universe to ransom, when angered by the killing of her son, Ganesha!
Lord Shiva blessed and welcomed the trio in his grave voice. ‘Yes, this is indeed the very place destined to house the Deity of the Supreme Lord Mahavishnu, who granted me His mercy years ago. I urge you, Munishwar Brihaspati and Vayu, to install Him at this sacred spot. Parvati and I shall move onto the bank of the lake opposite, to Mammiyur. It will be our privilege to do so.’
Lord Shiva continued with the benevolent smile so characteristic of him, ‘And because you both are involved in this fortunate task, this place shall henceforth be known by a combination of your names; Guru-vayu-rpur!’
Lord Shiva’s announcement was met with cries of ‘All Hail’ and showers of flowers and blessings from the denizens of the Heavens. Lord Parshuram, Sage Brihaspati and Vayu bent low with folded hands.
Vishwakarma, the architect to the Gods was assigned the task of building the Temple. It was a tremendously important project, for this was no ordinary Temple. Vishwakarma summoned all the divine skills at his disposal and applied himself to the task with his whole self. As a special consideration to the Sun God, the Temple was built in such a way that on the day of Vishu (Summer equinox), the Sun God could pay his obeisance to Lord Mahavishnu. His first rays on that day fall directly on the Lord's feet. The Idol was installed in the solar month of Kumbha. The ceremony was begun on the seventh asterism of Pooyam (Puozhya) and completed on the day of Anizham (Anuradha). The ceremony was supervised and blessed by Lord Shiva and Goddess Parvati themselves.
As the Idol was once worshiped by Lord Mahavishnu Himself in Vaikuntha, Guruvayurpur became known as ‘Bhooloka Vaikuntha’ or the Abode of Lord Krishna on Earth. Worshipping this Deity has alleviated the suffering of millions of devotees since then. More importantly, worshipping Him has either sown the seed of, or nourished if already present, pure devotional love for that Supreme Being, that Cause of all Causes, that Fountainhead of Bliss, Lord Krishna…
Morning had gone on to become afternoon, evening and finally night. The oil-lamps had begun casting their soothing orange-yellow glow upon the Palace walls. But time stood still in the King’s bedroom. The room was enveloped in pin drop silence; even the air within it had been stilled with the profoundness and intensity of Lord Dattatreya’s sacred tale. And when the Lord had finished his narration, he found the King Janamejaya staring at him, unmoving, with folded hands, tears of ecstasy streaming down his leprosy-ravaged face.
After a considerable while, when the King found himself capable of speaking, he whispered, ‘O my Lord, your holy narrative is like balm to my tormented soul. I thank you a thousand times for relating it to me. I am indeed blessed a million times over to be able to hear it!’
Lord Dattatreya smiled and continued, ‘My King, your Prayaschitta or act of repentance is destined to be fulfilled at the blessed feet of Lord Mahavishnu at Guruvayurpur. Having done so, you will be free from the burden of sins that you have incurred from your Snake Sacrifice. Cleave, my dear King, cleave to the holy feet of Lord Mahavishnu and pray for His mercy, He will surely grant it to you!’
King Janamejaya stood abruptly, infused with new vigour. He fell at the feet of the Sage and said earnestly, ‘My Lord, You are my Saviour. I shall do as you say!’
Lord Dattatreya smiled and nodded in approval.
True to his word, the next morning, accompanied by Lord Dattatreya, the King left for Guruvayurpur clad in the simple garb of a mendicant.
They travelled to Guruvayurpur and took residence in a small hut near the Temple. For four months, under the expert guidance and supervision of Lord Dattatreya, King Janamejaya undertook severe penance and worship of Lord Mahavishnu. He spent hours in front of the Deity, chanting His holy name. Eating nothing but fruits and roots and then sometimes nothing at all, the King pursued his sadhana with rigid determination.
It is said that upon devotedly and constantly chanting the Name of Lord Hari, a time comes when the image of the Lord replaces every other thought in the Devotee’s mind. Every day, King Janamejaya awoke to the memory of the Lord, he ate, bathed, chanted, and went to sleep remembering Him. Indeed, there may have come a time when the King was so immersed in the contemplation of the Lord that his illness ceased to trouble him anymore!
But the sincere efforts of a Devotee in pleasing Lord Krishna never go unheeded.
One night, whilst asleep, the King experienced the sensation of soft lotus hands moving gently over his body. He woke up with a start, but in the darkness of the night, and drowsy as he was, the King was not able to ascertain anything.
King Janamejaya awoke next morning with a very queer sensation. For the past many months he had grown almost accustomed to the excruciating pain that rent his body on awakening from sleep. But this morning was different. Even before he opened his eyes, he was able to perceive the absolute absence of any kind of pain. He sat up with a start and gasped in surprise. His malady had completely disappeared. The painful sores, the purulent discharge, the deformities in his limbs, it was as if they had never existed!
King Janamejaya stood up slowly and looked up towards the heavens. Then he rushed into the Temple and fell at the lotus feet of Lord Mahavishnu. Tears of gratitude flowed from his eyes and threatened to drench his simple bark clothing. He was unable to speak and he could only intone the words ‘Thank you, my Lord’ over and over and over again.
King Janamejaya returned to his kingdom, blessed and healed by the mercy of the Lord Mahavishnu of Guruvayur.
King Janamejaya was not the first, nor was he the last. Lord Mahavishnu of Guruvayur has been the shelter and saviour of millions of devotees thereafter. It is said that He never disappoints those who are pure at heart and who seek his mercy. 
Thus ends the legend of Lord Mahavishnu of Guruvayur, Lord Guruvayurappan.

Friday, January 13, 2017

Vaikuntha Ekadashi - Uttara Dwaara Darshanam

Ekadashi is the 11th lunar day (thithi) of Hindu calendar that occurs twice in a lunar month both in Sukla paksha (bright fortnight) as well as in Krishna paksha (dark fortnight). That means we get two Ekadashi days in a lunar month and in a year there will be 24 Ekadashi days; sometimes even more whenever there is Adhika maasam as per lunar calendar. Ekadashi is the most favourite day of Lord Vishnu and that’s why it is also known as Hari-Dina the day dedicated to Lord Sri Hari (Vishnu). Ekadashi has attained lot of prominence in Hindu religion as it is the most sacred day prescribed for worshiping Lord Vishnu. We find devout Hindus observe fasting on Ekadashi and spend the whole day in spiritual pursuits. It is said that there is no austerity that is equivalent to Ekadashi Vratha in terms of merits. Including Padma Purana several sacred scripts have eulogized the significance and merits of Ekadashi Vratha.  It is said that,

“na Gaayathraya para manthra; na Mathru para dhaivatham,
na Kaasya param theertham; na Ekadasya samam vratham”

That means, there is no manthra that is superior to Gaayathri manthra; there is no Daivam (Deity) superior to Mother; there is no sacred theertha (pilgrimage) better than Kaasi; and there is no Vratha (austerity) that is more meritorious than that of Ekadashi Vratha.
Significance of Vaikuntha Ekadashi
Ekadashi that occurs in sukla paksha (bright fortnight) of the lunar Month either Margasira maasam or Pushya maasam coinciding with sacred solar month Dhanurmasam is reckoned as Vaikuntha Ekadashi. Though all Ekadashi days are equal in merits, Vaikuntha Ekadashi has attained lot of prominence in terms of spirituality as it occurs during Dhanurmasam before the onset of Uttaraayana. If it occurs in Margasira maasam it is also known as Mokshada Ekadashi (capable of bestowing salvation) and if it occurs in Pushya maasam it is also called as Puthrada Ekadashi (capable of bestowing progeny). 
According to Padma Purana, Ekadashi is depicted as the female energy of Lord Vishnu who, in the form of a damsel manifested on this day; killed the demon Mura and protected the Indraadi Devathas.  Pleased by the act of His fcmale energy Lord Vishnu named her as Ekadashi. He also gave her a boon that whoever worship Ekadashi and observe fasting on this day would reach His abode Vaikuntha and his doors would be open for such people.
Vaikuntha is one of the several thousand names of Lord Vishnu. Vaikuntha is His abode. It is the place where He resides along with his consort Goddess Lakshmi Devi resting on Aadisesha. It is also known as Paramapadam the supreme abode and the most coveted place.  It is the sacred abode where every soul would be longing to go and stay eternally. Nearest reference to Vaikuntha we find in Sri Vishnu Sahasranama Stothram sloka # 44 which reads as follows;

Vaikunthah Purushah Praanah Praanadah Pranavah Prithuh
Hiranyagarbhah Shatrughno Vyaapto VaayurAdhokshajah

Meaning:
Lord Vishnu also known as Vaikuntha is the remover of obstacles and sins and Vaikuntha is the place which removes obstacles. He is the one who has united all the Pancha Bhoothas and made them to co-exist with each other. He is the Purifier and the one who gives in plenty. He is the primordial person who existed before anything else, and the one who is the cause of the origin and end of the world. He is the one who outshines everyone. He burns away all the sins of his devotees. He is life giver and is the vital air that gives or sustains life. He is the Praana (life) to everyone including Devathas. He is the one who makes others bow before Him and the one who deserves to be adored. He is the one who expands himself as Cosmos. He is as pure as Gold. He is the one who delights every one’s heart.
Lord Vaikuntha is the slayer of enemies (Arishadvargas) of people and also destroyer of enemies of Gods. He is the one who is full of benevolence, love and affection without any discrimination. He is the one who is omnipresent and there is no single place where he does not exist. He is the one who manifests himself, never gets diminished and is the all pervasive Supreme God Sri ManNaaraayana. 

Significance of Uttara Dwaara Darshanam
Vaikuntha Ekadashi is also known as Mukkoti Ekadashi. Dwaadasi thithi following Vaikuntha Ekadashi is called Mukkoti Dwaadasi.  Mukkoti literally means three crores; it is believed that on this sacred day of Vaikuntha Ekadashi, Lord Brahma along with the Demi Gods (3 crores in number) will have darshan of the Lord Vishnu at His abode Vaikuntha during Arunodaya kaala.  Uttara means north and dwaara means the gate or opening.
There is also a spiritual and yogic (Kundalini) significance for Mukkoti Ekadashi. Like we have geographical directions (North, South, East, & West) to the world, we also have similar directions to our body. North is towards our head, south is towards our feet, front portion is east and back portion is west.  On top of the head (skull) we have a hole called Brahma Randhra (Sahasraara Chakra) towards the Northern Direction which is not visible. Since it is in the northern direction it is called Northern gate of the human body.
It is said that one should visualize the image of God through the route of Ida; Pingala Naadi (which run through left and right nostrils) and Sushumna Naadi (running through centre of the nose) concentrating at midpoint of the eyebrows called Jnaana Nethra where Aajna chakra is located; take it further upwards to the centre of the head where Sahasraara chakra is located and have darshan of the God through the door that gets opened (Brahma Randhra) when we meditate. This is how one should visualize God even during our daily prayers or whenever one visits a temple. Since it is through the route of the confluence of three naadis (Ida, Pingala and Sushumna) taken further north towards the Sahasraara Chakra it is called Mukkoti. Koti also means an angle; a knot; an edge and Mu means tying or binding.  Having darshan of the Lord from an angle where the three Naadi’s meet is spiritually known as Uttara dwaara darshanam and the day is known as Mukkoti Ekadashi.
There are fourteen lokaas (worlds) in this Universe; seven above (including Earth) and seven below. Seven above the Earth are called Uurdhwa Lokaas which are in the Northern direction and Vaikuntha is one among them in the Northern direction. Darshan of the lord of Vaikuntha (in northern direction) Lord Vishnu on this day which is nearer to Uttaraayana the most auspicious time also catches significance for Uttara dwaara darshana.  On this most sacred day of Mukkoti Ekadashi one should have darshan of the Lord in this form and to give significance to this concept perhaps all temples provide darshan of the Lord on this day through the northern entrance that is popularly known as Uttara dwaara darshanam.
What can be done on this day?
Worshiping Lord Vishnu (according to ones’ sampradaya) on this day as well as on the next day (Mukkoti Dwaadasi) during Arunodaya kaala (early hours between 4-6 am) is prescribed. Since Ekadashi is the female energy of Lord; it is auspicious and sacred to worship Goddess Lakshmi Devi also on this day.
Total fasting (nirjala upavaasa) is prescribed on any Ekadashi day and more so if it is Vaikuntha Ekadashi. One can undertake fasting according to one’s physical fitness. Those who cannot undertake total fasting may at least resort to partial fasting by taking fruits or milk; but, please avoid taking rice/grains on this day. Fasting becomes futile if it is not accompanied by sincere prayer and meditation.
Prayer & Paaraayana
According to one’s sampradaya one may chose any of the Vishnu related prayers like Vishnu Sahasranama Stothram; Sahasra Naamaavali, Vishnu Ashtottara Naamaavali, Purusha Sooktha, Vishnu Sooktha, Narayana Upanishad, Sree Sooktha, Lakshmi Ashtottara etc. Those who cannot read them can chant at least, Om! Namo! Naaraayanaaya; Om! Namo! Bhagavathe Vaasudevaaya; Om! Namo! Venkatesaaya; or chant Sri Raama Naama or Naama Thraya Japam (Achyutaaya Namah-Anantaaya Namah-Govindaaya Namah); Harey Raama-Harey Krishna manthra as many number of times as possible.
It is befitting and considered to be the most auspicious day to worship Lord Sri ManNaaraayana along with Goddess Lakshmi Devi and to have Uttara Dwaara darshanam (both physically and spiritually) of the Lord on this day of Vaikuntha Ekadashi. Special celebrations are held on this occasion at all Vishnu related temples especially at Tirumala Kshethra, Sri Rangam, Bhadrachalam etc… where thousands of devotees gather to have the Uttara Dwaara darshanam of the Lord.

Lohri


Lohri is a popular Punjabi festival, celebrated by people from the Punjab region of South Asia. The origins of Lohri are many and link the festival to Punjab region. Many people believe the festival commemorates the passing of the winter solstice. The belief is that Lohri represents the longest night before winter solstice as Lohri was originally celebrated on the night before winter solstice followed by the shortest day of the year which is observed on Maghi. About sixteen centuries ago, these festivals were actually observed at the point of winter solstice.
Origins
There are many origins of Lohri: all forming part of folklore. However, the main theme of Lohri is the belief that Lohri is the cultural celebration of the winter solstice. According to folk lore, in ancient times Lohri was celebrated on the eve of winter solstice day. It is for this reason that people believe day light is meant to increase from the day after Lohri when the sun starts its northward journey. Accordingly, the day after Lohri is celebrated as Maghi Sangrand from when the days are meant to start getting longer. People believe nights gradually shorten "by the grain of one sesame seed" once the winter solstice passes.
However, instead of celebrating Lohri on the eve of when winter solstice actually occurs, Punjabis celebrate it on the last day of the month during which winter solstice takes place. This is due to linking Lohri to the Bikrami calendar and the twinning of the festival with Makar Sankrati which is celebrated in the Punjab region as Maghi Sangrand. Therefore, Lohri commemorates the passing of the winter solstice.
Scientifically, the shortest day of the year is around 21–22 December with the longest night preceding it on the day before, after which the days begin to get longer. Accordingly, winter solstice begins on 21 December or 22 December and Lohri ought to be celebrated on the longest night before winter solstice day followed by Maghi (Makar) Sangrand on winter solstice which marks the point when daylight will increase.
Bonfire
A key feature of Lohri is the bonfire. Lighting of the fire has been common in winter solstice festivals throughout time and the world: it signifies the return of longer days. The bonfire is an ancient tradition, forming a key part of Lohri traditions. The bonfire also represents the new life of the sun which begins to reinvigorate itself on winter solstice day.
Lohri and harvest festival
Lohri is traditionally associated with the harvest of the rabi crops. The traditional time to harvest sugarcane crops is January and therefore, Lohri is seen by some to be a harvest festival. The general time to sow sugarcane is January to March and the harvesting period is between December to March with a 12 to 18-month cycle. Sugarcane products such as gurh and gachak are central to Lohri celebrations, as are nuts which are harvested in January. The other important food item of Lohri is radish which can be harvested between October and January. Eating mustard and spinach (sarson da saag) on Lohri is an ancient tradition. Mustard greens are cultivated mainly in the winter months because the crop is suitable to the agro-climatic conditions. Accordingly, mustard greens are also a winter produce.
Other legends of the origin of Lohri festival
Some people believe that Lohri has derived its name from Loi, the wife of Saint Kabir. There is a legend amongst some people that Lohri comes from the word 'loh', which means the light and the warmness of fire. Lohri is also called lohi in rural Punjab. 
According to another legend Holika and Lohri were sisters. While the former perished in the Holi fire, the latter survived with Prahlad. 

Eating of til (sesame seeds) and rorhi is considered to be essential on Lohri day. Perhaps the words til and rorhi merged to become tilorhi, which eventually got shortened to Lohri.

Wednesday, January 11, 2017

Vedas

The Vedas Sanskrit: veda, "knowledge" are a large body of knowledge texts originating in the ancient Indian subcontinent. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. Hindus consider the Vedas to be apauruseya, which means "not of a man, superhuman" and "impersonal, authorless".
Vedas are also called sruti ("what is heard") literature, distinguishing them from other religious texts, which are called smrti ("what is remembered"). The Veda, for orthodox Indian theologians, are considered revelations seen by ancient sages after intense meditation, and texts that have been more carefully preserved since ancient times. In the Hindu Epic the Mahabharata, the creation of Vedas is credited to Brahma. The Vedic hymns themselves assert that they were skillfully created by Rishis (sages), after inspired creativity, just as a carpenter builds a chariot.
There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharveda. Each Veda has been sub classified into four major text types – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upasanas (worship).
The various Indian philosophies and denominations have taken differing positions on the Vedas. Schools of Indian philosophy which cite the Vedas as their scriptural authority are classified as "orthodox" (astika). Other sramana traditions, such as Lokayata, Carvaka, Ajivika, Buddhism and Jainism, which did not regard the Vedas as authorities, are referred to as "heterodox" or "non-orthodox" (nastika) schools. Despite their differences, just like the texts of the śramaṇa traditions, the layers of texts in the Vedas discuss similar ideas and concepts.
Chronology
The Vedas are among the oldest sacred texts. The Samhitas date to roughly 1700–1100 BC, and the "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000-500 BC, resulting in a Vedic period, spanning the mid 2nd to mid 1st millennium BC, or the Late Bronze Age and the Iron Age. The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of the various shakhas all over Northern India which annotated the mantra samhitas with Brahmana discussions of their meaning, and reaches its end in the age of Buddha and Panini and the rise of the Mahajanapadas  (archaeologically, Northern Black Polished Ware). Michael Witzel gives a time span of c. 1500 to c. 500-400 BC. Witzel makes special reference to the Near Eastern Mitanni material  of the 14th century BC the only epigraphic record of Indo-Aryan contemporary to the Rigvedic period. He gives 150 BC (Patanjali) as a terminus ante quem for all Vedic Sanskrit literature, and 1200 BC (the early Iron Age) as terminus post quem for the Atharvaveda.
Transmission of texts in the Vedic period was by oral tradition, preserved with precision with the help of elaborate mnemonic techniques. A literary tradition is traceable in post-Vedic times, after the rise of Buddhism in the Maurya period, perhaps earliest in the Kanva  recension of the Yajurveda about the 1st century BC; however oral tradition of transmission remained active. Witzel suggests the possibility of written Vedic texts towards the end of 1st millennium BCE. Some scholars such as Jack Goody state that "the Vedas are not the product of an oral society", basing this view by comparing inconsistencies in the transmitted versions of literature from various oral societies such as the Greek, Serbia and other cultures, then noting that the Vedic literature is too consistent and vast to have been composed and transmitted orally across generations, without being written down. However, adds Goody, the Vedic texts likely involved both a written and oral tradition, calling it a "parallel products of a literate society".
Due to the ephemeral nature of the manuscript material (birch bark or palm leaves), surviving manuscripts rarely surpass an age of a few hundred years. The Sampurnanand Sanskrit University has a Rigveda manuscript from the 14th century; however, there are a number of older Veda manuscripts in Nepal that are dated from the 11th century onwards.

Saturday, January 7, 2017

Sacred Hindu Texts

Hindu texts are manuscripts and historic literature related to any of the diverse traditions within Hinduism. A few texts are shared resources across these traditions and broadly considered as Hindu scriptures. These include the Vedas and the Upanishads. Scholars hesitate in defining the term "Hindu scripture" given the diverse nature of Hinduism, many include Bhagavad Gita and Agamas as Hindu scriptures, while Dominic Goodall includes Bhagavata Purana and  Yajnavalkya Smriti to the list of Hindu scriptures.
There are two historic classifications of Hindu texts: Shruti - that which is heard, and Smriti - that which is remembered. The Sruti refers to the body of most authoritative, ancient religious texts, without any author, comprising the central canon of Hinduism. It includes the four Vedas including its four types of embedded texts - the Samhitas, the Brahmanas, the Aranyakas and the early Upanishads. Of the Shrutis (Vedic corpus), the Upanishads alone are widely influential among Hindus, considered scriptures par excellence of Hinduism, and their central ideas have continued to influence its thoughts and traditions.
The Smriti texts are a specific body of Hindu texts attributed to an author, as a derivative work they are considered less authoritative than Sruti in Hinduism. The Smrti literature is a vast corpus of diverse texts, and includes but is not limited to Vedāngas, the Hindu epics, the Sutras and Shastras, the texts of Hindu philosophies, the Puranas, the Kāvya or poetical literature, the Bhasyas, and numerous Nibandhas (digests) covering politics, ethics, culture, arts and society.
Many ancient and medieval Hindu texts were composed in Sanskrit, many others in regional Indian languages. In modern times, most ancient texts have been translated into other Indian languages and some in Western languages. Prior to the start of the common era, the Hindu texts were composed orally, then memorized and transmitted orally, from one generation to next, for more than a millennia before they were written down into manuscripts. This verbal tradition of preserving and transmitting Hindu texts, from one generation to next, continued into the modern era.
The Vedas
The Vedas are a large body of Hindu texts originating in ancient India, before about 300 BCE. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. Hindus consider the Vedas to be apauruṣeya, which means "not of a man, superhuman" and "impersonal, authorless".
Vedas are also called Sruti ("what is heard") literature, distinguishing them from other religious texts, which are called Smriti ("what is remembered"). The Veda, for orthodox Indian theologians, are considered revelations, some way or other the work of the Deity. In the Hindu Epic the Mahabharata, the creation of Vedas is credited to Brahma.
There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has been subclassified into four major text types – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (text discussing meditation, philosophy and spiritual knowledge).
The Upanishads
The Upanishads are a collection of Hindu texts which contain some of the central philosophical concepts of Hinduism.
The Upanishads are commonly referred to as Vedānta, variously interpreted to mean either the "last chapters, parts of the Veda" or "the object, the highest purpose of the Veda". The concepts of Brahman (Ultimate Reality) and Ātman (Soul, Self) are central ideas in all the Upanishads, and "Know your Ātman" their thematic focus. The Upanishads are the foundation of Hindu philosophical thought and its diverse traditions. Of the Vedic corpus, they alone are widely known, and the central ideas of the Upanishads have had a lasting influence on Hindu philosophy.
More than 200 Upanishads are known, of which the first dozen or so are the oldest and most important and are referred to as the principal or main (mukhya) Upanishads. The mukhya Upanishads are found mostly in the concluding part of the Brahmanas and Aranyakas and were, for centuries, memorized by each generation and passed down verbally. The early Upanishads all predate the Common Era, some in all likelihood pre-Buddhist (6th century BCE), down to the Maurya period. Of the remainder, some 95 Upanishads are part of the Muktika canon, composed from about the start of common era through medieval Hinduism. New Upanishads, beyond the 108 in the Muktika canon, continued to being composed through the early modern and modern era, though often dealing with subjects unconnected to Hinduism.
Post-Vedic texts
A 19th century manuscript of the Hindu text Bhagavad Gita
The texts that appeared afterwards were called smriti. Smriti literature includes various Shastras and Itihasas (epics like RamayanaMahabharata), Harivamsa PuranasAgamas and Darshanas.
The Sutras and Shastras texts were compilations of technical or specialized knowledge in a defined area. The earliest are dated to later half of the 1st millennium BCE. The Dharma-shastras (law books), derivatives of the Dharma-sutras.
The Bhagavad Gita
The Bhagavad Gita is a 700–verse Hindu scripture that is part of the ancient Sanskrit epic Mahabharata. This scripture contains a conversation between Pandava prince  Arjuna and his guide Krishna on a variety of philosophical issues. Commentators see the setting of the Gita in a battlefield as an allegory for the ethical and moral struggles of the human life. The Bhagavad Gita's call for selfless action inspired many leaders of the Indian independence movement including Mohandas Karamchand Gandhi, who referred to the Gita as his "spiritual dictionary". Numerous commentaries have been written on the Bhagavad Gita with widely differing views on the essentials, beginning with Adi Sankara's commentary on the Gita in the 8th century CE.
The Puranas
The Puranas are a vast genre of Hindu texts that encyclopedically cover a wide range of topics, particularly myths, legends and other traditional lore. Composed primarily in Sanskrit, but also in regional languages, several of these texts are named after major Hindu deities such as Vishnu, Shiva and Devi.
There are 18 Maha Puranas (Great Puranas) and 18 Upa Puranas (Minor Puranas),[49] with over 400,000 verses. The Puranas do not enjoy the authority of a scripture in Hinduism, but are considered a Smriti. These Hindu texts have been influential in the Hindu culture, inspiring major national and regional annual festivals of Hinduism. The Bhagavata Purana has been among the most celebrated and popular text in the Puranic genre.
The Tevaram Saivite hymns
The Tevaram is a body of remarkable hymns exuding Bhakti composed more than 1400–1200 years ago in the classical Tamil language by three Saivite composers. They are credited with igniting the Bhakti movement in the whole of India.
Divya Prabandha Vaishnavite hymns
The Nalayira Divya Prabandha (or Nalayira (4000) Divya Prabhamdham) is a divine collection of 4,000 verses (Naalayira in Tamil means 'four thousand') composed before 8th century AD, by the 12 Alvars, and was compiled in its present form by Nathamuni during the 9th – 10th centuries. The Alvars sung these songs at various sacred shrines. These shrines are known as the Divya Desams.
In South India, especially in Tamil Nadu, the Divya Prabhandha is considered as equal to the Vedas, hence the epithet Dravida Veda. In many temples, Srirangam, for example, the chanting of the Divya Prabhandham forms a major part of the daily service. Prominent among the 4,000 verses are the 1,100+ verses known as the Thiru Vaaymozhi, composed by Nammalvar (Kaaril Maaran Sadagopan) of Thiruk Kurugoor.